Sentences with phrase «knows about filmmaking»

Not exact matches

Insightful all the way through, «Side By Side» is a great documentary, filled with tons of well - known celebrities as they talk about their thoughts on the conversion from digital filmmaking and the future of the industry.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

Great vérité filmmaking is about a great subject, access, knowing where to put the camera and being there for the right moment.

He has about as much filmmaking experience as Beyonce and surely knows a lot about film.

And ever since, the best comedies about filmmaking have been created by those who, like the Tramp, cheerfully stick their tongues out at the camera while knowing in their hearts they can never tear themselves away from it.

While we don't know much about what this draft contained, largely due to Lucasfilm's secretive approach to both script development and filmmaking, we do know that its direction was massively affected by the tragic death of Carrie Fisher in December 2016.

On learning about filmmaking Lloyd said: «When I came to Hollywood, I didn't know the front end of the camera from the back.

Even setting aside my opinion that it's Anderson's coldest and least funny work to date, the film defies everything we know about commercial filmmaking, using an eclectic cast light on star power, an eccentric title, a period setting, international flavor, an R rating, and a versatile narrative that seems secondary to production design.

I'm glad I learned about someone I had never heard of before, but knowing the little about him that I do now, I wish he had been better served by the filmmaking.

Between Becca saying cheesy one - liners about the art of filmmaking and her brother trying to do his best at making a mockery out of rap music, I didn't know if I should laugh or cry.

Even if you know what's coming, it's a neat bit of meta - thriller filmmaking, as much about the mechanics of storytelling as a reasonably satisfying example of it.

The actor - director knows what he's talking about, having resolved early on to immerse himself in every aspect of the filmmaking process.

So I don't know how it changed me necessarily other than I wondered about the depths of my use of sort of meta - filmmaking that I was interested in.

I don't know, this has been like a three - year process and I'm just approaching the tail end of it... I've learned a lot from making this film, both about myself and about filmmaking.

Damon Smith talks to Bahman Ghobadi (No One Knows About Persian Cats) about art and conscience, guerrilla filmmaking, and how he met the brave young bands in Tehran's underground indie - music sAbout Persian Cats) about art and conscience, guerrilla filmmaking, and how he met the brave young bands in Tehran's underground indie - music sabout art and conscience, guerrilla filmmaking, and how he met the brave young bands in Tehran's underground indie - music scene.

We can talk a lot about the harm caused by certain studios when it comes to reshoots and edited versions of films, but when it doesn't concern huge movies where those stories will easily make headlines, it generally shows how much of a collaborative process filmmaking is and how there are producers who know a thing or two about development.

(1951), a film he got made by organizing the workers of Genoa into a filmmaking cooperative, and he returned to documentaries at the end of his career, making films about the great Italian directors he knew and admired: Luchino Visconti, Roberto Rossellini, Giuseppe De Santis.

Alfred Hitchcock remade The Man Who Knew Too Much (original 1934, remake 1956) because he felt that he didn't know enough about the craft of filmmaking in 1934 to really do justice to the story.

He knows what it's gonna be, what it's gonna look like, how to shoot it... y ’ know, the other thing about this movie is that, for him, it's a return for him to a genre and a way of filmmaking that's the hallmark of his maturation as a young artist.

An audience that knows about the realities of low - budget independent filmmaking will probably find a lot of qualities in here that might elude wider audiences.

The big winner at last year's Academy Awards, «The Artist» plays like a loving homage to an era of filmmaking that many people have either forgotten about or never knew.

I kept seeing the films again and again, and as I began to know a little more about filmmaking and what cameras did, I was beginning to understand that there are certain tools that you use and that those tools become part of a vocabulary.

Schnabel is an artist whose practice (s) transcend (s) all known genres or media: we all know about his dual interest in filmmaking and painting; not many, however, know that he is also an interior designer, an engraver, a musician, and a furniture maker.