Sentences with phrase «kore film»

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Not exact matches

Going into more detail would spoil the film's intrigue, but this is top - notch Kore - eda with a Farhadi-esque moral dilemma and fantastic, nuanced filmmaking that never spoon - feeds the audience and presents its story in graceful, absorbing ways.

Kore - eda surprisingly never goes in the weepy, sappy direction, unlike many Japanese films.

The seventh film from the beloved Japanese to screen at Cannes, Kore - eda's family drama was picked up by Magnolia Pictures after it premiered to strong reviews at the festival.

KORE - EDA HIROKAZU's latest film continues to highlight his patience poetic style of filmmaking.

Like all of Kore - eda's films, After the Storm ends with a jolt; not in the filmmaking, but in the way you realize that you were completely lost in the lives of these people and that, as the lights go up, you'll miss them.

There are over 40 Asian programs this time, including Ann Hui's «My Postmodern Aunt» (starring Chow Yun - fat), Tsai Ming - liang's «I Don't Want to Sleep Alone,» and Hirokazu Kore - eda's «Hana» (his last film was the very touching «Nobody Knows»).

Roger praised Kore - eda's film often in context of Ozu, like when he talks about the similar beauty to its simple camera work: «the camera does not move, but regards.»

After flirting with genre in courtroom drama The Third Murder, which bowed at Venice last year, Japan's Hirokazu Kore - eda — a regular face at Cannes since the early 2000s — made a return to familiar ground, not to mention a quick turnaround, with his new film Shoplifters.

While Kore - eda's vision for this story about a woman's trauma was assuredly original, Roger was particularly excited about the obvious influence from Yasujiro Ozu, a filmmaker that Roger called «one of the four or five greatest film directors of all time.»

On March 21, 1997, Roger gave four stars to Kore - eda's directorial debut «Maborosi,» which he introduced as «a Japanese film of astonishing beauty and sadness.»

With his previous film I Wish, we knew that Japanese filmmaker Kore - eda was an expert at drawing engaging performances out of adorable young children.

Many of us already knew, going into Saturday night's show, that Pawel Pawlikowski's «Cold War,» Alice Rohrwacher's «Happy as Lazzaro,» Spike Lee's «BlacKkKlansman,» Nadine Labaki's «Capernaum» and Hirokazu Kore - eda's «Shoplifters» were certain to go home with awards, though which film would win what remained a mystery.

Franky Lily, in director Kore - Eda Hirokazu's film Shoplifters about a «family» that isn't what it seems at first.

Film Movement caught Japanese director Hirokazu Kore - eda's latest film, After the Storm, at its Cannes debut last year.

Kore - eda's recent «The Third Murder» was a flirtation with genre film - making and divided the critics.

Japanese director Hizokazu Kore - eda's film Shoplifters scooped the winner of the Palme d'Or award.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.

His most recent films include the American World War II film Emperor and Hirokazu Kore - eda's latest Like Father, Like Son (slated to premiere at Cannes this week).

-- «Maborosi» (1995): Japanese director Kore - eda Hirokazu's film about a woman dealing with her husband's suicide is a small film with large impact.

CANNES, France — Hirokazu Kore - Eda Saturday became the first Japanese director in 21 years to win the Cannes Film Festival's Palme d'Or for best film.

Hirokazu Kore - eda — who won the top prize at the Cannes film festival Saturday — is Japan's answer to Ken Loach, a director whose stories about struggling ordinary people never fail to touch.

Our Little Sister is Kore - eda's first film from a female perspective since 2009's Air Doll.

In the end, the film feels like a sight trifle from Kore - eda, though fans of the director's work should certainly enjoy it.

Kore - eda seems determined to denude a scenario of blatant sentimental tendencies by remaining vague on the exact details causing this unique formation, yet the film often plays like a warm yet inescapably modest account of emotions often hyperbolized.

Japanese director Hirokazu Kore - eda won the Palme d'Or at the 71st Cannes Film Festival for his film Shoplifters, marking just the second time this century an Asian film has claimed the festival's top prize after Apichatpong Weerasethakul»...

In Competition Everybody Knows (dir: Asghar Farhadi)-- opening film At War (dir: Stéphane Brizé) Dogman (dir: Matteo Garrone) Le Livre d'Image (dir: Jean - Luc Godard) Asako I & II (dir: Ryusuke Hamaguchi) Sorry Angel (dir: Christophe Honoré) Girls of the Sun (dir: Eva Husson) Ash Is Purest White (dir: Jia Zhang - Ke) Shoplifters (dir: Hirokazu Kore - eda) Capernaum (dir: Nadine Labaki) Burning (dir: Lee Chang - Dong) BlacKKKlansman (dir: Spike Lee) Under the Silver Lake (dir: David Robert Mitchell) Three Faces (dir: Jafar Panahi) Cold War (dir: Pawel Pawlikowski) Lazzaro Felice (dir: Alice Rohrwacher) Yomeddine (dir: AB Shawky) Leto (L'Été)(dir: Kirill Serebrennikov)

THE THIRD MURDER Not one of Kore - eda's most engaging films by any stretch, but it wasn't intended to be a humanistic take of family relationships.

The big winner this year is beloved Japanese filmmaker Hirokazu Kore - eda, whose new film Shoplifters won the Palme out of 21 films in competition.

is a film filled with a sense of loss, but Kore - Eda finds a pitch - perfect balance between sadness, humour and joy

SHOPLIFTERS is Hirokazu Kore - eda's best film to date, and one of the most pleasant surprises of the Cannes Film Festival.

New films from Jonathan Glazer, Jean - Marc Vallée, Alphonso Cuaron, Richard Ayoade, Kelly Reichardt, Jim Jarmusch, Roger Mitchell, Bertrand Tavernier, Lukas Moodysson, Kiyoshi Kurosawa, Don McKellar, Hirokazu Kore - Eda and Sylvain Chomet!

Blue is the Warmest Colour was not eligible because it was not released within Academy guidelines (a film must be released before October 1st in its home country), and Hirokazu Kore - Eda's Like Father Like Son wasn't even submitted by Japan.

Strained relationships between parents and children mark the films of Hirokazu Kore - eda, a point reinforced early on in I Wish by a line as funny as it is depressing: «Anyone...

Hirozaku Kore - eda has picked up the prestigious Palme d'Or award for his indie film Shoplifters, with his latest work narrowly beating Spike Lee's much - hyped movie BlacKkKlansman to the grand prize.

Perhaps Kore - eda had Kon Ichikawa's magnificent 1983 adaptation of Junichiro Tanizaki's novel «The Makioka Sisters» in mind while making this film.

Her latest efforts, by all accounts a lesser offense but no greater a piece of cinema, is a light and fluffy exercise in sheer sentimentality, the director's bid to make her version of a film in the style of fellow Cannes regular Hirokazu Kore - eda — minus the rigorous formalism, and plus a lot of schmaltz.

Kore - eda picked up the Palme d'Or on Friday night (May 18) for his Japanese - language film, which focuses on a family who have to resort to shoplifting due to their poverty - stricken situation.

Kore - eda topped the best screenplay category with 25 % of the vote, while «Burning» only received 10 % of the vote in the category, tying for second place with Lebanese director Nadine Labaki's Jury Prize - winner «Capernaum» and Turkish director Nuri Bilge Ceylan's three hour - plus drama «The Wild Pear Tree,» the last film to screen in competition this year.

This edition of our annual series of eclectic, international, and avant - garde films offered a host of pleasures: a revival of Chantal Akerman's musical Golden Eighties, Terence Davies's exquisite period piece Sunset Song, new films by Benoît Jacquot, Hirokazu Kore - eda, and Alexei German Jr., and a special spotlight on the work of recently deceased Polish auteur Andrzej Żuławski.

The selection includes new films from Jafar Panahi (Three Faces), Pawel Pawlikowski (Cold War), Alice Rohrwacher (Lazzaro Felice), Matteo Garrone (Dogman), Spike Lee (BlacKkKlansman), David Robert Mitchell (Under the Silver Lake), along with Jean - Luc Godard, Hirokazu Kore - eda, Jia Zhang - Ke, plus Wim Wenders» Pope documentary.

The films represented include Secrets & Lies: closed captions to a film by Mike Leigh, Nobody Knows: English subtitles to a film by Hirokazu Kore - eda; Suspicion: closed captions to a film by Alfred Hitchcock, Rashomon: English subtitles to a film by Akira Kurosawa and The Crying Game: closed captions to a film by Neil Jordan.