Sentences with phrase «kunst stfitung»

After World War I, Justin Thannhauser assumed control of the gallery, opening new branches in Lucerne (1919), and Berlin (1927), but the advent of the Nazis and its campaign against so - called «entartete kunst» (degenerate art) forced Thannhauser in 1937 to close the business and emigrate to Paris and thence to New York where he established himself as a private art dealer.

During the pre-war years, the governors of the Kunstmuseum decided to develop a major collection of modern art, and took full advantage of the opportunity in 1939 to purchase a large holding of avant garde art - designated as degenerate art (entartete kunst) by the Nazis.

After the Nazi regime closed down the Bauhaus in 1933, as part of its campaign of suppression of «degenerate art» (entartete kunst) Albers emigrated to America, and continued propagating the Bauhaus aesthetic in art and design at the experimental Black Mountain College, North Carolina, where he directed the fine art painting course until 1949.

VIENNA ENE - LIIS SEMPER GALERIE MARTIN JANDA RAUM AKTUELLER KUNST Ene - Liis Semper likes to cast herself in the leading role.

French artist Laure Prouvost has produced a new installation titled «We Would Be Floating Away from the Dirty Past» for Haus der Kunst's Middle Hall as the fourth edition of the annual art commission DER ÖFFENTLICHKEIT — VON DEN FREUNDEN HAUS DER KUNST.

(142 p.) Edition: Humlebaek: Louisiana museum of modern art, 2003 Éditeur scientifique: Martin Caiger - Smith, Michael Juul Holm, Louisiana museum for moderne kunst.

MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN An actor, playwright, film director, and diagnosed schizophrenic, Antonin Artaud advocated the radical dissolution of barriers separating art...

MUNICHTHOMAS RUFFHAUS DER KUNST · February 17May 20 · Curated by Thomas Weskl Having earned early attention with his monumentally scaled late -»80s portraits, Thomas Ruff has since spent his career...

moderne kunst, heute, Hamburg, Germany 2004 Modern Art Oxford, Real World: The Dissolving Space of Experience (cur.

2009 The Malady of Writing, MACBA, Barcelona, ES Zeno Reminder (in collaboration with Mariana Castillo Deball), Performa 09, New York, US Exhibition at Labor Gallery, Mexico, MX Planet of Signs» — curated by Guillaume Desanges at Le Plateau, Paris, FR A Fantasy for Allan Kaprow — curated by Mai Abu ElDahab and Philippe Pirrote, at CIC, Cairo, EG KAAP (the little biennale) curated by Mark Kremer, Fort Ruigenhoek, Utrecht, NL The Happy interval, Gallery Tulips & Roses, Vilnius, LT 2008 Nameless Science, curated by Henk Slager at Apex art, New York, US Fuga di un Piano (in collaboration with Mariana Castillo Deball), Manifesta 7, IT The Flight of the Dodo, Project Arts Centre, Dublin, IE Arte BA - art fair, with 713 Gallery, Buenos Aires, AR MiArt - art fair, 713 Gallery, Milan, IT 2007 Panorama de las artes visuales en Córdoba», Museo Caraffa, Cordoba, AR A for Alibi, De Appel Center for Contemporary Art, Amsterdam, NL Shelter 07, public space intervention, Hardewijk, NL Levity at The Drawing Center, New York, US 2006 Alguns Llibres D'Artista (a few artists books) Roma Publications at ProjecteSD, Barcelona, ES Longitude, part of the group show fumus fugiens at Smart project space, Amsterdam, NL 2005 A Poetics of Place, Utrecht's former county - court, Utrecht, NL 2004 Rendering, Mirta de Mare ruimte voor actuele kunst, Rotterdam, NL 2003 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL 2002 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL

GALERIE FUR ZEITGENOSSISCHE KUNST On the heels of a slew of recent shows internationally, Neo Rauch is suddenly making a name for himself in his native Germany.

MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN * June 7 - October 20 * Curated by Achim Hochdorfer * Albert * Oehlen's paintings want to be hard to love.

«CLAES OLDENBURG: THE SIXTIES «MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, VIENNAFebruary 4 - May 28 * Curated by Achim HochdörferPROPELLED BYAN ENGAGEMENT WITH the work of Sigmund Freud at the close...

Museum van Hedendaagse kunst Antwepren (MUIIKA), Antwerp, Belgium Examining Pictures: exhibiting paintings.

Thauberger's group exhibitions include: I Wan na be a Pop Star, Loop - raum für aktuelle kunst, Berlin, Germany; Emotion Pictures, Antwerp Museum of Contemporary Art, Belgium; Baja to Vancouver, San Diego Museum of Contemporary Art, San Diego, CA; soundtracks, Edmonton Art Gallery, Edmonton, AB.

How art ages MARTa Herford Museum, Herford Royal Awards for Painting 2011 Royal Palace, Amsterdam ILLUMInations The 54th Venice Biennale, Venice (catalogue) Too late, too little, (and how) to fail gracefully Kunstfort Asperen, Langedijk (catalogue) Image to be projected until it vanishes Museion - Museum of modern and contemporary art, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Ned.

Ault's recent exhibitions include Afterlife: a constellation, for the 2014 Whitney Biennial; the collaboration Macho Man Tell It To My Heart: Collected by Julie Ault, Artists Space, New York, 2013 — 14, (and Museum für Gegenwarts - kunst Basel; Culturgest, Lisbon, 2013); and «Ever Ephemeral, Remembering and Forgetting in the Archive,» Signal and Inter Arts Center, Malmö, 2011.

joint acquisition by the gesellschaft für moderne kunst and the museum ludwig on the occasion of the 2018 wolfgang hahn prize.

Edward Hopper: Selections from the Permanent Collection of the Whitney Museum of American Art, July 21, 1989 — May 23, 1993 This exhibition was show at the Whitney from July 21 — November 5, 1989, and then traveled through May 1993 to other venues, including Tokyo Metropolitan Tien Art Museum; Newport Harbor Art Museum, California; Seattle Art Museum; Musee d'art et d'histoire de la Ville de Geneve, Switzerland; Louisiana Museum for moderne kunst, Humlebaek, Denmark; Schirn Kunsthalle, Frankfurt; and Palais des Beaux - Arts, Brussels.

DAVID HORVITZ Flowers are Documents — Arrangement I and II Group Exhibition ar / ge kunst, Bolzano Curated by Emanuele Guidi Opening reception Arrangement I: 26th May 2017 With: Natalie Czech; Kapwani Kiwanga Episodes by: Chiara Camoni, Douglas Coupland, David Horvitz, Bruno Munari, Ettore Sottsass Jr..

belgium museum voor moderne kunst arnhem the netherlands strasbourg museum of modern and contemporary art nasher museum of art durham paleis vught vught the netherlands the intimate confines of the menil collection franklin sirmans curator of modern and contemporary art has worked with connie butler and marlene dumas to select (5 words, 30 characters)

The lettering in his latest work, Kultur = Kapital, makes reference to Joseph Beuys» claim «kunst = kapital.»

museum f u00fcr moderne kunst frankfurt museum het domein sittard the netherlands museum of contemporary art los angeles museum of contemporary art and connie tilton netherland america foundation the consulate general of the netherlands new york linda and jerry janger dr s sanford kornblum (2 words, 15 characters)

Cosmin Costinaş is curator at BAK, basis voor actuele kunst since early 2009, where he curated the exhibitions I, the Undersigned by Rabih Mroué; Expo Zero (together with Boris Charmatz and Martina Hochmuth); and Surplus Value by Mona Vătămanu and Florin Tudor.

Info: BAK, basis voor actuele kunst, Pauwstraat 13a, Utrecht, Duration: 12/5-22 / 7/18, Days & Hours: Wed - Sun 13:00 - 19:00, www.bakonline.org

• Degenerate Art (1933 - 45) Nearly all abstract paintings by German artists and others, were labelled «Entartete kunst» (degenerate art) by the Nazis and banned.

Recent solo exhibitions include Zachary Formwalt, ar / ge kunst Galerie Museum, Bolzano (2011); Future Park — Reproduction Direct from Nature, Casco, Utrecht (2010); and Zachary Formwalt — The form of practical memory, Kunsthalle Basel (2009).

The Berlin Biennale for Contemporary Art is organized by KUNST - WERKE BERLIN e. V. and funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation).

More than 80 galleries will take part in the 2009 KUNST Zurich art fair.

KUNST Zurich November 13 - 16 Former factory buildings behind Zurich - Oerlikon railway station in Zurich / Switzerland

Stockholm, Eva af Burén, Marcel Duchamp, April - May 1963 Antwerp, Galerie Ronny Van de Velde, Marcel Duchamp, 15 September - 15 December 1991, no. 127, n. p. (another example exhibited and illustrated) Berlin, Martin - Gropius - Bau; London, Royal Academy of Arts; London, Saatchi Gallery, American Art in the 20th Century: Painting and Sculpture, 1913 - 1993, 8 May - 12 December 1993, no. 29, p. 478 (another example exhibited and illustrated) Stockholm, Galerie Bel «Art, Marcel Duchamp, 2006 The Hague, Gemeentemuseum Den Haag, Parijs, Stad van de moderne kunst 1900 - 1960, 15 October 2011 - 29 January 2012, p. 236 Edinburgh, National Galleries of Scotland; Hamburger Kunsthalle; Rotterdam, Museum Boijmans Van Beuningen, Surreal Encounters: Collecting the Marvellous.

Nicholas Hlobo's long career of international projects and solo shows includes those at Nasjonalmuseet for kunst, arkitektur og design in Oslo (2011), Locust Projects in Miami (2013), and Museum Beelden aan Zee, The Hague (2016).

Photo: © museum moderner kunst stiftung ludwig wien / Former Hahn Collection, Cologne

Photo: © museum moderner kunst stiftung ludwig wien / On loan from the Austrian Ludwig Foundation

Recent exhibitions of the artist's work include group shows «Bergen Geestgrond,» «Inspiratie - kunst, kennis en natuur» and «Silence out Loud» (curated by Joost Zwagerman) at Museum Kranenburgh, Bergen; «Blind Date II» at Dapiran Art Project Space, Utrecht; and «Ways of the Imagination» at Witteveen Visual Art Centre, Amsterdam.

museum moderner kunst stiftung ludwig wien.

In 2013, Richard Birkett curated And Materials and Money in Crisis at MUMOK (museum moderner kunst stiftung ludwig wien) Vienna, Austria in dialogue with Lewitt and he was one eleven artists whose work was displayed therein.

In the framework of his exhibition DIE NACKTESTE FREIHEIT DER KUNST (The Most Naked Freedom of Art) from April 14 — May 12, 2018 at Sies + Höke, Jonathan Meese presents 21 paintings fresh from the studio in very different formats.

P. Vethman, «Als ik geen kunst zou maken zou ik sterven, an interview with Louise Bourgeois,» Elegance, no. 4, Jaargang 55 / April 1998, p. 111 (steel illustrated in color).

He has work in permanent collections around the world, including the Walker Art Center, Minneapolis; Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; Musée d'Art Contemporain de Lyon; Städel Museum, Frankfurt / Main; Museum Ludwig, Cologne; museum moderner kunst stiftung Ludwig wien; MAK — Austrian Museum of Applied Arts / Contemporary Art, Vienna; and Centro de Arte Contemporáneo, Málaga, Spain.

He also won the grand prize of 19th «Contemporary Art Festival Sesc Videobrasil», and was shortlisted for «HUGO BOSS ASIA ART Award for Emerging Asian Artists» and International Competition sector of the KINO DER KUNST festival in 2017.

He has exhibited his work in the United States and abroad at the Saint Louis Art Museum; Albright - Knox Art Gallery, Buffalo; P.S. 1 / MoMA, New York; The Studio Museum in Harlem, New York; Brooklyn Museum; The Kitchen, New York; Contemporary Art Museum Houston; Dak «Art 2006, the Biennial of Contemporary African Art, Dakar, Senegal; Susanne Vielmetter Los Angeles Projects; Art in General, New York; ar / ge kunst Galerie Museum, Bolzano, Italy; Scottsdale Museum of Contemporary Art, Arizona; Ulrich Museum, Wichita, Kansas; Salt Lake Art Center, Utah; Hong - Gah Museum, Taipei; Southeastern Center for Contemporary Art, Winston - Salem; Krannert Art Museum, Urbana - Champaign, Illinois; Plug In ICA, Winnipeg; Brooklyn Academy of Music; Galerie Chez Valentin, Paris; Santa Monica Museum of Art, California; Contemporary Museum, Baltimore; and the Watts Towers Art Center, Los Angeles.

The Floating World had its world premiere at the prestigious KINO DER KUNST 2013, Munich.

Do You See a Face, at the museum moderner kunst stiftung ludwig wien (mumok) runs through October 5, 2014.

The exhibition is a comprehensive overview over David Schnell's oeuvre and is produced in cooperation with the GEM, museum voor actuele kunst, Den Haag, Netherlans, and the Museum Allerheiligen Schaffhausen, Switzerland.

On 2017 started BAK's (basis voor actuele kunst) long - term research itinerary «Propositions for Non-Fascist Living» (2017 — 2020), prompted by the dramatic resurfacing...

The article «Een genealogie van generatieve kunst» (in Dutch) by Bas Hendrikx discusses the way computer - driven work has evolved over the past decades, mentioning the work of Harm van den Dorpel.

In addition to his main work in theatre, Mroué's recent exhibitions include: CA2M, Madrid 2013, Museé de la Dance (2013), dOCUMENTA 13, Kassel (2012), Templhof, Berlin — Hebbel theater, the world UnFair exhibition (2012), Lunds konsthall, Lund (12 March — 8 May 2011); Iniva (Institute of International Visual Arts), London (23 March — 14 May 2011) and Württembergischer Kunstverein, Stuttgart (22 May — 31 July 2011); and Tranzitdisplay, Prague (10 June — 14 August 2011), BAK, basis voor actuele kunst, Utrecht (21 May — 1 August 2010), Performa 09, New York (2009); 11th International Istanbul Biennale (2009); Tarjama / Translation, Queens Museum of Art, New York (2009); Soft Manipulation — Who is afraid of the new now?

© Andreas Gursky, VG BILD - KUNST, Bonn.

In 1975, he was awarded an honorary doctorate from Nova Scotia College of Art, Halifax, Canada, and in 1978 he became a member of the Akademie der kunst, Berlin.