Sentences with phrase «la imagen»

Among Seinfeld fans, a mispelling of the word «imagine» as «imagen» floats around often, paying homage to a humorous Twitter account, @Seinfeld2000.

Attendees will also hear from C - suite decision makers who represent the 2016 Conference Co-Chairs: Shell; The Walt Disney Company; Wells Fargo; The Pinnacle Group; Accel, inc., and Imagen, LLC.

Speaking to Imagen radio, State prosecutor Ismael Quintanilla has narrated the forward's ordeal and explained — in detail — how he managed to seize the initiative and escape.

Arsenal paved the way for clubs like Spurs... i can imagen them going down the same rout Arsenal went only except the circumstances might be in their favor this time around.

Imagen todays team, with Miki replacing Iwobi..

Miriam Colque, community and human rights advocate, Latin American Community Association (Latca) Luna Playback London Imagen Latina Justice 4 Cleaners (Soas) Carlos Cruz Garcia, United Migrants Education Project Colombian Solidarity Campaign Tres Coastas Campaign Unity Centre Right to Remain Bob Hughes, No One Is Illegal Karen Doyle, Movement for Justice Justice for Domestic Workers Awqapuma Colque and Nemequene Tundama, Tawantinsuyu Nation Zita Holbourne, national co-chair, Black Activists Rising Against Cuts (Barac)

GoDateNow (R) A mais completa biblioteca online de imagens da arquitectura contemporânea portuguesa.

Brazil, courtesy of distributor Imagen Films, have now mocked up their own, making it six all up.

Her television credits include The New Mad Men, which won the Imagen Award for Best National Informational Program for Maria Hinojosa's acclaimed PBS series, America by the Numbers.

The best retrospectives: Britannia B - Side: Margaret Tait (BAFICI, 2016) Time and tide: A Tribute to Peter Hutton (Viennale, 2016) Two Programs about the Austrian Avant - Garde Cinema: Within the Light and Sound Machine & Scratching Surfaces (Bienal de Imagen y Movimiento, 2016)

I always wanted a friend for link it can be a Goron his best friend can you imagen link with a best friend or maybe zelda, a new sheik or impa who knows or is just a vs mode

«Scrubs,» which was twice nominated for an Emmy Award, was also named a Future Classic by the TV Land cable network, and was the winner of both a Humanitas Award and an Imagen Award.Read More

Imagen if I did it for one year.

The area offers a wide range of public transport and leisure facilities such as Casa de Campo, Ciudad de la Imagen Shopping Centre, Kinepolis a 25 - screen multicinema complex, and the Madrid Amusing Park and Zoo.

Hotel NH Ciudad de la Imagen is a great choice for business travelers looking for excellent value for money accommodation in Ciudad de la Imagen business district, situated within minutes from Madrid center.

Strategically situated in Ciudad de la Imagen, NH Ciudad de la Imagen is a 3 star hotel near Madrid.

I imagen a lot of Nintendo's troubles are because of so much of the fandom and media all doing it, exaggerating what Nintendo does into «Doom» so much.

We are hoping to hear some big thing for Battlefield V and we more than likely imagen that they will announce their Battle Royale mode during the live reveal.

She was the curator of the XVI Bienal de Fotografía del Centro de la Imagen in Mexico.

Group exhibitions include the German Pavilion, 56th Venice Biennal, Venice, Italy; the Hannover Kunstverein, Hannover, Germany; CAC Vilnius, Vilnius, Lithuania (2015); Cut to Swipe, Museum of Modern Art, New York; The Darknet, Kunst Halle Sankt Gallen, Switzerland; Bienal de la Imagen en Movimento, Goethe - Institut Buenos Aires, Argentina (2014); The Way of the Shovel: Art as Archeology, MCA Chicago; Nine Artists, Walker Art Centre, Minneapolis; Stedelijk Museum Amsterdam, Amsterdam, The Netherlands; Bergen Triennial, Bergen, Norway; Venice Biennale (2013); Taipei Biennial; GwangjuBiennial (2010); documenta 12, Kassel (2007) and Manifesta 5, San Sebastian (2004).

Imagens sobre quem e onde» at Verso Branco.

2013 Wipala / Annicā, Surveying: William Cordova & Glexis Novoa, Bridge Red Studios, North Miami, FL Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at Museo de Arte de Lima, Lima, Peru Curadores come home II, Curated by Rachel Weis & Sandra Ceballos, Espacio Aglutinador, Havana, Cuba Antonia Eiriz: A Painter and Her Audience, MDC Museum & Galleries of Art + Design, Miami, FL Faux Life, Richard Heller Gallery, Santa Monica, CA El Canto del Cisne, Instituto Cervantes in Berlin present the documentary El canto del Cisne (Swan song) produced and directed by Glexis Novoa; Kino Babylon, Berlin Mentes peligrosas, Espacio Aglutinador, Havana, Cuba Empire, Curated by Natika Soward, FiveMyles, Brooklyn, NY Politics: I do not like it, but it likes me, Curated by Agnieszka Kulazinska and Dermis León, Center for Contemporary Art Laznia, Gdansk, Poland Aesthetics & Values 2013, Patricia & Phillip Frost Art Museum, Miami, FL

2014 The Chosen, Jewish Museum, Miami Beach, FL MIA - ATL, Curated by William Cordoba; Saltworks Gallery, Atlanta, GA Dialog — Monolog, Syker Vorwerk Zentrum für Zeitgenössische Kunst, Bremen, Germany Overview Galleries / Global Positioning Systems, Pérez Art Museum Miami, Miami, FL The past is more infinite than the future, Curated by William Cordova, MDCC North Campus Gallery, Miami, FL MIA - BER, Curated by William Cordova, Verein Berliner Künstler, Berlin, Germany Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at MUNTREF, Buenos Aires, Argentina Radio Miami Rosell Meseguer, Curated by Glexis Novoa, Art Center of South Florida, Miami, FL Caribbean: Crossroads of the World, Pérez Art Museum Miami, Miami, FL Lost in Landscape, Cuarated by Gerardo Mosquera at Museo di arte moderna e contemporanea di Trento e Rovereto, Trento, Italy Cuban America, Curated by Yuneikys Villalonga & Susan Hoeltzel, Lehman College Art Gallery, New York, NY

Her work has been exhibited in the Centro de la Imagen in Santo Domingo, El Museo del Barrio, Guttenberg Arts, Rush Arts Gallery, MoCADA, Grace Exhibition Space and Trestle Gallery, among other spaces.

Her work has been shown in Lambdalambdalamda, Kosovo; Centro de la Imagen, México; Et al., San Francisco; Otras Obras, Tijuana; amongst others.

2012 Smoke signals: istwa, paisajes and allegories, Curated by William Cordova at South Florida Art Center, Miami Beach, FL Gulliver, Cuban Contemporary Art, Curated by Sachie Hernandez, Freies Museum, Berlin Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur, Museo Nacional Reina Sofia, Madrid, Spain Mediations Biennale, Muzeum Narodowe, Poznan, Poland CIFO 2012 Grants & Commissions Program Exhibition, Cisneros Fontanals Art Foundation, Miami, FL The Persistence of Memories: Selections from the Mosquera Collection, Broward College, Central Campus Gallery, Davie, FL Caribbean: Crossroads of the World, El Museo del Barrio, Queens Museum of Art and The Studio Museum in Harlem, New York, NY War and peace, Galeria Nina Menocal, Mexico City, Mexico

«Perder la forma humana, Una imagen sismica de los anos ochenta en America Latina», catalogue, Museo Nacional Reina Sofia, December 5, 2012.

Exhibitions and screenings include the Galería de Arte Contemporaneo, Galería OMR, and Centro de la Imagen, Mexico City, Mexico; Centro de Arte Reina Sofía, Madrid, Spain; Getty Center for the History of Art & the Humanities, Los Angeles, CA; Museo Nacional Centro Cultural La Raza, San Diego, CA; San Francisco Museum of Modern Art and Yerba Buena Center for the Arts, San Francisco, CA; Anthology Film Archives, New York, NY; SITE Santa Fe, NM; and, Guadalupe Cultural Arts Center, San Antonio, TX.

Imagen: David Douglas Duncan, «Picasso with Indian chieftain headdress given to him by Gary Cooper», Villa La Californie, Cannes 1960 / © Harry Ransom Humanities Research Center, The University of Texas at Austin

Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.

He is part of various international collections including LACMA Museum, Los Angeles, The Louis Vuitton Foundation, Paris, Sindika Dokolo Foundation, Luanda, Maison Européenne de la Photographie, Paris; the joint collection of The British Museum and The Victoria & Albert Museum, London; Centro de la Imagen, Mexico City; Mathaf Arab Museum of Modern Art, Doha; and most recently the Guggenheim Museum, Abu Dhabi and The Studio Museum in Harlem, New York.

Constructing New Berlin, Phoenix Art Museum, Phoenix, AZ The Other Side, Tony Shafrazi Gallery, New York Imagens em Pintura, Museu Serralves, Porto Sammlung Marx in Hamburger Bahnhof, Hamburger Bahnhof — Museum für Gegenwart, Berlin «The Triumph of Painting» from the Saatchi collection, Leeds City Art Gallery, Leeds

His work with Adam Ames in Type A has been exhibited extensively around the world, including at such institutions as The Museum of Contemporary Art Denver, The Indianapolis Museum of Art, The Aldrich Contemporary Art Museum, The DeCordova Sculpture Park + Museum (Lincoln, MA), The Walker Art Center (Minneapolis, MN), Centrum Beeldende Kunst (Rotterdam, The Netherlands), Centro de la Imagen (Mexico City, Mexico), UCLA Hammer Museum (Los Angeles, CA) and The Johnson Museum at Cornell University (Ithaca, NY) in addition to many galleries.

Since 1990 Cruzvillegas has taught, lectured, given tutorials, and coordinated seminars and workshops at the DIA Art Foundation, Malmö Art Academy, Ruskin College / Oxford, Duke University, NYU, Glasgow School of Art, CalArts, the New Museum, California College for the Arts, the Nasher Museum of Art, the Museum of Contemporary Art Chicago, Tate Modern, the Guggenheim Museum, the University of Houston, Universidad Nacional Iberoamericana, Universidad de Guanajuato, Tamayo Museum, Centro de la Imagen, Centro Nacional de las Artes, Universidad de Sonora, Universidad de Las Américas, San Francisco Art Institute, UCLA, UCSD, ENAP - UNAM, and La Esmeralda, among others.

Imagen: John Baldesari, «Sudden fear», 2011.

Her documentary feature WILDNESS (2012) won the Grand Jury Prize at OUTFEST, and her recent fiction short YOU»RE DEAD TO ME (2014) premiered on PBS and won a 2014 Imagen Award.

Her recent short YOU»RE DEAD TO ME premiered on PBS and won the 2014 Imagen Award for Best Short.

This is the first presentation of Damiani's in the southeast region of the United States, though her work has been exhibited internationally: IV Poly / Graphic Triennial San Juan (2015), Vienna Biennale (2015), Venice Biennale (2015), MUAC Museo Universitario Arte Contemporaneo (Mexico City, 2015); Garage Museum of Contemporary Art (Moscow, 2015), MOCAD Museum of Contemporary Art Detroit (Detroit, 2015); Americas Society (New York, 2014), BIM Bienal de la Imagen y Movimiento (Buenos Aires, 2014), Mercosul Biennial (Porto Alegre, 2013), Museo Tamayo (Mexico City, 2013), MAC Museo de Arte Contemporaneo (Lima, 2013), among many others.

On the ocassion of his recent solo show «Juan Dávila: Imagen Residual / After Image» at Matucana 100 in Santiago de Chile, we spoke to Juan Dávila (Santiago de Chile, 1946) about some of the themes that have articulated his prolific artistic trajectory like the idea of belonging, nationhood, gender, his relationship to the Chilean avant - garde, Latin America, jouissance and painting.

Museu De Arte Contemporânea, «Imagens Em Pintura», Porto, Portugal Villa Manin Centre for Contemporary Art, «Infinite Painting.

By Paco Barragán On the ocassion of his recent solo show «Juan Dávila: Imagen Residual / After Image» at Matucana 100 in Santiago de Chile, we spoke to Juan -LSB-...]

She is an associate curator of Centro de la Imagen for the upcoming exhibition of experimental filmaker Teo Hernández.

2014 Metanoia: Practices of Exhaustion, Grace Exhibition Space, Brooklyn, NY, U.S. Art, Art, Art: The Modern Woman, Raw Space, New York, NY, U.S. Hinterlands: Nuevos Paisajes, Centro de la Imagen, Santo Domingo, D.R. 2013 Immigrant too, NoMAA Gallery, New York, NY, U.S. Premio Joven de la Imagen, Centro de la Imagen, Santo Domingo, D.R. ttff / 13 + ARC Magazine New Media 2013, part of the Trinity & Tobago Film Festival 2013, Trinidad y Tobago.

Territorios fronterizos: La fotografía más allá de la imagen, Matucana 100 Cultural Center, Santiago, Chile.

The Artist as Archivist in the Internet Age, Settimana dell» Arte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE / Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Paulo

In 2014 she was one of the curators of the XVI Bienal de Fotografía del Centro de la Imagen.

Balance Sheets, Edouard Malingue Gallery, Hong Kong 2014 Future Generation Art Prize, PinchukArtCentre (Kyiv, Ukraine) Bienal de Cartagena de Indias, Cartagena de Indias, Colombia Bienal de la Imagen en Movimiento (BIM), Buenos Aires, Argentina The Central Academy of Fine Arts Museum (CAFAM) Biennial, Beijing, China Bienal de Cuenca, Cuenca, Ecuador 2013 ICASTICA 2013 — International Biennale of Art, Arezzo, Italy Paraíso en Blanco, 80m2 Livia Benavides, Lima, Perú LARA (Latin American Roaming Art) project.

46 x 78 x 36 in Centro de la Imagen, Santo Domingo, Dominican Republic

2012 Que pensar, que desear, que hacer, Colección de Arte Contemporáneo Fundación La Caixa, Barcelona, Spain Flatland (Redux), Fundação Cidade de Guimarães, Portugal The Fabricated Object, Sumarria Lunn Gallery London, UK; Ha Gamle Prestegard, Nærbø, Norway Representation and the Body, Wetterling Gallery, Stockholm, Sweden Tirar del Hilo (La imagen especular), Colección ARTIUM, Vitoria, Spain IV Bienal de Arte Contemporáneo, Fundación ONCE, Madrid, Spain Royal Academy Summer Exhibition, Royal Academy of Arts, London, UK In abstraction, the body, Anna Schwartz Gallery, Sydney, Australia Delimitations — An Exhibition of Contemporary Spanish Art, Herzliya Museum of Contemporary Art, Israel Made In Britain: Contemporary Art from the British Council Collection 1980 — 2010, National Arts Gallery of Albania, Tirana, Albania; Benaki Museum, Athens, Greece

The Centro de la Imagen in Mexico City hosted an exhibition from April 8 to May 31, and the AGO has displayed the work of The Grange Prize shortlist since April 1 and will continue to showcase the photographs until June 26.