Not exact matches
Resnikoff, in the course of going over the financial
records of multiple artists and
labels, has found that the numbers vary drastically from
company to
company, as well as country to country.
And yet, various players in the
recorded - music industry —
record labels, publishing
companies, music distributors and even individual artists — routinely argue that services like Spotify aren't paying enough, and that advertising - supported services like YouTube are even worse.
The
company has 60 million paying subscribers, just renegotiated long - term licensing deals with three major
record labels, and is valued at about $ 15 billion.
It seems
companies like Spotify have learned from Napster — they work with
record labels and artists to allow for legal music streaming.
Record companies, on the other hand, want to hike Spotify's fees to as much as 58 % of revenue, though Spotify could gain some leverage by offering
labels the opportunity to make some music available only to the streaming service's 30 million paid subscribers.
With sales of
recorded music withering, the hot idea among
record labels was to sign artists to so - called 360 deals, where a
company didn't just release a band's
recordings, but promoted the concerts, sold the merchandise, and shared in profits from websites, fan clubs and film deals.
Getting lots of money from Spotify may be great for music
labels and owners, but it's not doing much for Spotify: The
company lost $ 200 million last year, and the massive payments it makes to
record companies (which amount to more than 85 % of its revenues) are a big part of the problem.
The trio's original vision for the
company was quite different; they wanted to create a fantasy music league in which participants could build their ideal
record label.
And the
companies are actively targeting artists and
record labels in hopes of getting exclusives that can give their services an edge.
Think of Spotify, for example: I was a bit bearish on the
company last month because of the power of Spotify's suppliers; the bull case is that Spotify's ownership of the customer relationship will allow the
company to build out the capability to sidestep the
record labels even as the
record labels can't punish Spotify because they need them.
Perhaps most crucially,
record labels, which own a significant chunk of the equity in Spotify, want the
company to do away with its free, advertising - supported service.
Post offices,
record labels, publishing
companies, book stores, TV networks, travel agencies, education systems, economic systems, even governments are all under stress because they have transformed the conditions under which they were created.
I can not support such a meager effort, in particular from a
company with such a long track
record of disregard for labor and human rights, environmental protection, honesty in
labeling and marketing, and other unethical business practices.
Well known for serving as the backdrop for hundreds of movies and a hub for all sorts of creative media
companies that are headquartered there — including famous
record labels like Universal Music Group and Interscope, filmmakers such as Miramax and Lionsgate Films, and a myriad of tech developers — creativity and ingenuity abounds in this Pacific paradise.
With more than 25 sublabels residing under Armada and the
record label serving its very own worldwide Armada Night events, the Amsterdam - based
company has built a solid reputation in the
After opening his own restaurant and
record label, the son of Bob Marley started a cannabis
company in 2014.
Has two clothing lines (Alianune and Konvict Clothing), his own production
company (Konvict Muzik) and a
record label (Kon Live
Records).
WHAT: After he reneges on a deal to sell his
company, American Century
Records, to a German - run competitor, hard - partying
record executive Ritchie Finestra (Bobby Cannavale) attempts to revive the struggling
label by getting back to basics.
Now I'm working for a
record label, a small arm of casual games in a media
company along with Gaming Nexus, and anywhere else that sees fit to employ me.
I'll even give you an example to get started: At my day job, I work for a
company that collects performance royalties from internet radio stations for artists and
record labels.
18) Shawn Corey Carter, aka Jay - Z, wasn't always a cultural icon married to Beyonce» who had parlayed his success as a rap artist into a multi-millionaire empire with a host of diverse holdings ranging from a
record label to a music publishing
company to a clothing line to a nightclub chain to an NBA team.
When iTunes was first launched, Apple negotiated an agreement with the major
record companies to charge a fixed price of 99 cents a track and give the
labels roughly 70 % of the proceeds (in most cases), while it kept the remainder as a commission.
This issue arose, in a different context, in F.B.T. Productions v. Aftermath
Records, a 2007 federal lawsuit brought by Eminem's management
company against his
record label over digital royalty rate splits.
After Richards asked aloud whether comic
companies learn from the failure of
record labels, BOOM!
ComiXology CEO David Steinberger that one key similarity between music and comics is that just as
record labels «had tons of resources but they didn't marshall them,» comic
companies wouldn't pay for development outside of a few players like Marvel.
The FT is also reporting that Apple is working on a project code - named «Cocktail,» a collaboration between the Cupertino
company and
record labels, namely EMI, Sony Music, Warner Music and Universal Music Group, which will bundle liner notes and video clips with the music sold on the iTunes Music Store (iTMS).
A
company with a long - term
record of paying dividends is generally one that is most deserving of the «blue chip»
label in its traditional sense.
Danielle began her business career managing Lou's
Records of Encinitas, and then moved to Chicago to start up a renowned international music distribution and
record label company.
As is the norm, many of the CDs for purchase at the Tokyo Big Sight exhibition center this summer were inspired by intellectual properties owned by game
companies and
record labels.
[Continuing his «Sound Current» series for GameSetWatch, Jeriaska catches up with the director of Final Fantasy composer Nobuo Uematsu's Dog Ear
Records label to discuss the
company's diverse set of video game and related soundtracks, from piano versions of game music classics through spinoff projects and solo albums.]
Crown's decision to make colored vinyl
records was a bit odd, since the
company was a budget
label that mostly issued
recordings that had previously been released by other
companies.
From 1997 to 2005, she co-ran Mr. Lady
Records and Videos, an independent
record label and video - art distribution
company that was dedicated to the production and distribution of queer and feminist culture.
The inaugural fair will see international musicians and
record labels, artists and arts publishers, and fashion and tech
companies presenting (and selling) some of their latest products.
From 1997 — 2005 she co-ran Mr. Lady
Records and Videos, an independent
record label and video art distribution
company that was dedicated to the production and distribution of queer and feminist culture.
MD: I had my own
record label, Tweet, for a brief time during the early 80s, and Lauri ran an independent film
company and a small theater troupe in the late 80s, early 90s.
And the yellow identifying
labels, as in the image above, distinguish this from what
record companies did to manufacture hits.)
He is also a co-founder of Green Owl
Records, a green music
label under Warner Music Group, and is a Board Member of several
companies and non-profits.
I was also litigation secretary in Century City (Los Angeles) and my
company and ideas grew out of my having an independent
record label.
Napster wasn't a rival
record label, or an upstart looking to upend the industry, in fact it wasn't even a
company originally.
Using Twitter I've developed relationships with
record labels, musicians, music marketing
companies, publishers, and other creatives and creators.
Record companies and music publishers are not our enemies, but let's be clear: lobbyists for major
labels are looking out for their shareholders, and seldom speak for Canadian artists.
We advise clients across the media and creative industries including artists, songwriters, producers, mixers,
record labels, publishers, managers, agents, promoters, live events
companies, media personalities, brands, investors, technology
companies and other media, entertainment and sport corporates.
Nelligan O'Brien Payne LLP's Arts and Entertainment Law Practice Group comprises of skilled negotiators, drafters and litigators equipped to assist you in dealing with
record labels, publicists, artists, theatre
companies and movie directors.
Performers and
record companies, from the major players to independent
labels, have reacted to the review's recommendation not to extend the 50 - year term of protection for sound
recordings with dismay.
Protecting your creativity so you can succeed in the Arts and Entertainment Industry Nelligan O'Brien Payne LLP's Arts and Entertainment Law Practice Group comprises of skilled negotiators, drafters and litigators equipped to assist you in dealing with
record labels, publicists, artists, theatre
companies and movie directors.
He is «go - to» counsel for mid-sized publishing
companies, indy
record labels, songwriters and artists who own their copyrights, and mid-sized worldwide publishing administration
companies, advising each on licensing, lawsuits, and liability issues daily.
If your Texas driving
record has a lot of accidents or violations, insurance
companies will
label you a high risk driver.
When a Peabody driver is
labeled high - risk, he or she can challenge some aspects of a
company's risk rating by checking their CLUE report or a
record of past claims, contesting violations, or taking driver's ed classes.
If by any chance you own a sports car or expensive vehicles, most insurance
companies will surely
label you as a high risk driver even if you have the cleanest driving history and never broke a traffic
record or received a ticket in your whole life, they will still consider you as one.
Things like a DUI / DWI showing up on your
record, will wind up being there for at least half a decade, and will cause some auto insurance
companies to
label you as a high risk driver, resulting in additional fees and higher rates.