There are enough laughs to justify it being
labeled as a comedy but a stronger storyline than one normally associates with this kind of film.
Not exact matches
Just ask Amy Poehler and Mindy Kaling, who are responsible for two network
comedies some might call hits, and others might
label as failures.
This well - intentioned «docu -
comedy» (
as the filmmakers
label it in publicity notes) is not very funny.
Even
as he amounts acting gigs — like a major role in Noah Baumbach's latest
comedy about aging, art and losing one's edge, «While We're Young»
as a 40 - something father who's the opposite of cool — Horovitz is proud to stick to this
label of a Beastie Boy (read our review).
Valiant eschews easy
labeling as it is somewhat of an animated anomaly, with its World War II setting and corresponding conventions making for an unusual frame with which to put in a kid - friendly
comedy voiced by funny people only their parents and grandparents are likely to know.
Not funny enough to be truly called a
comedy (
as it is often
labeled) it's a part of the upper class partner switching light
comedy genre.
Tom Quinn, Jason Janego and Tim League announced today that they will be releasing Michael Moore's new «
comedy» Where To Invade Next in New York and Los Angeles starting on December 23rd, followed by a nationwide opening on January 15th via their «new, clandestine and
as - yet - unnamed distribution
label».
Labeling this flick
as an action -
comedy may be a bit of a stretch.
As evidenced by its questionable classification as a comedy at the Golden Globes, Jordan Peele's directorial debut defies easy labellin
As evidenced by its questionable classification
as a comedy at the Golden Globes, Jordan Peele's directorial debut defies easy labellin
as a
comedy at the Golden Globes, Jordan Peele's directorial debut defies easy
labelling.
This tense indie film defies genre
labels,
as it mixes elements of crime films and thrillers with, surprisingly, romantic
comedies.
Oddly, the studio's spine genre
label classifies this
as a
Comedy.
She works at a giant record
label where soulless pop machinery and broad
comedy run rampant in equal measure: the former represented by Brittany Snow
as an empty - headed pop star, the latter by Finesse Mitchell — funny even here where he has nothing to work with —
as a callous exec.
This demo,
labeled by some
as geek or comic culture, is comprised of incredibly passionate, tribe - wired fans of everything from comic books, video games and action films to underground music, sci - fi inspired television and cutting edge adult
comedy.
Yet the
label does get at the seriousness, the
comedy and the eclecticism... One can see him
as putting abstraction through its paces.»