Many films that
lack dramatic events in the narrative suffer and drag.
Not exact matches
The paradigmatic fictional works of the twentieth century either present accounts that make
dramatic sense in themselves, but tell of
events or sequences that could not occur in the world outside the storytelling; or they meticulously describe
events that could occur or perhaps actually have occurred in «the real world,» but in such fashion as to display precisely their
lack of
dramatic coherence.
And I probably shouldn't use the word «drama» in connection with this film because practically no
dramatic events take place and there's a complete
lack of
dramatic tension.
The films coincide, at the mid-point in terms of time, with the tragic murder scene, and the visual doubling this produces lends an extremely monumental quality; the extreme deceleration of
events and the
lack of an acoustic give the individual image a directness that has a
dramatic effect on our perceptions.