That being said,
the lack of character depth does ultimately hinder the efforts here.
Unfortunately,
lack of character depth keeps us from really caring about these individuals.
Not exact matches
But the undeclared war
of today has created for students an agonizing set
of alternatives, and their agony has in turn given their
characters a
depth and judiciousness that we
lacked utterly.
This
character is a wonderful horror movie hereon, but her
character lacks depth so I was tormented as to how to revitalize my Bride
of Frankenstein for my Halloween makeup tutorial.
Good production values for a low budget film and good acting from the main
characters and most
of the cast and good pace but the story feels empty, cliché, flaw and
lack of depth.
While it may have the Fire Emblem name in its title, the
character roster leans a lot towards more recent entries
of the franchise, and since the story
lacks any significant
depth, it is not for all Fire Emblem fans.
Death Road to Canada attempts to offset the normally dark themes
of the zombie genre with zany
characters, a charming pixel art style, and poppy music, but the
lack of depth to its combat and randomly generated content will quickly leave you feeling frustrated and unsatisfied.
But whether good feel (and beautiful colors, great
character design, etc.) can make up for a seeming
lack of tactical
depth is the question.
With one road side explosion kicking off the over running
of a city to finally being saved from a rooftop I really felt like the lead up
lacked depth and did not enjoy how the
characters seemed to know more then I did but failed to share it.
From the writers
of Neighbors, Andrew Jay Cohen and Brendan O'Brien, don't give the script enough legs as the
characters lack depth (and brains).
Naomi Watts — so wonderful in better horror fare like The Ring or thrillers like Mulholland Drive and Funny Games — does the best she can here with a comparatively inferior
character, but Charlie Heaton, who broke out as the protective and lovelorn older brother in last summer's Stranger Things, and Jacob Tremblay, Oscar - nominated for his role in 2015's Room, are stymied in roles that require too little in the way
of nuance or are
lacking in enough screen time to show real
depth.
He
lacks any form
of character depth.
The zany misadventures aren't enough to carry the film, and
lacking depth of character creates a «holiday spirit» climax that is tough to care about.
The gameplay has some much needed sprucing up after the ambitious but poorly executed Sticker Star on the 3DS, but the paper - thin story
lacks the
depth and resonance
of some
of Paper Mario's earlier games, causing it to feel as two dimensional as its main
character.
Peyton brings us into these scenes and shows us the devastation
of these insane events while still presenting
characters that we begrudgingly grow to care about, despite their
lack of depth.
Welcome to the Punch sets itself up as a rather conventional genre film, but where the writing may
lack a
depth of character or thematic weight it's more than made up for in terms
of sensory - appealing thrills and a hyped up rhythm that keeps things moving along at an appropriately rapid pace.
Page and this anonymous
character are later seen living together but we still don't know who he is - and this incident is symptomatic
of the
lack of depth and basic sloppiness which courses throughout the entire picture.
The combination
of nostalgia and sentimentality can work provided there is more
depth — something that's simply
lacking with our story and
characters.
The
lack of real
depth in these pivotal
characters in turn makes it extremely hard for the viewer to feel for their plight.
Insult to injury, the overall script
lacks real
depth to give the audience a reason to care about any
of the
characters and the overuse
of narration seems to cheapen the feel
of the production further.
While 2049 certainly
lacks the iconic villains
of the original (Jared Leto's Niander Wallace and Sylvia Hoeks» Luv are intriguing
characters but
lack the
depth, dynamism, and grandeur
of Rutger Hauer's Roy Batty and Daryl Hannah's Pris), it still offers up an emotive, stirring, and stunning spectacle.
The only actor who warrants any real awards consideration is Mark Ruffalo, but while he creates a fully realized
character with his spot - on impersonation
of impassioned Globe journalist Mike Rezendes, the role
lacks the necessary
depth to make him a serious contender.
However, the entire film
lacks a
depth of character or story.
Sadly her
character's fleeting moments are under whelming and
lack the
depth of her earlier moments in the movie.
Elba finds a
depth of character not provided on the page
of William Nicholson's screenplay, and his maturing characterization allows the film, which suffers from Cliffs Note - idis, a bit
of depth it would otherwise
lack.
The themes and settings are classic Williams, almost a pastiche, but the
characters lack the full - blooded passion and
depth of the great Williams
characters and the film compounds the weaknesses with a recreation that feels more affectation than lived life.
Both cuts
of the film sadly contain Franco's novice camerawork and total
lack of depth in both
character and story.
Lacking of depth, meaning and
character, it's a terrible shame that, considering the talent involved, The Snowman isn't simply better.
Joel Edgerton's CIA officer does not leave much
of an impression and the relationship between the two
characters (which is the pivot
of the plot)
lacks depth, emotion and chemistry.
He was wary
of the idea that KIPP's aim was to instill in its students «middle - class values,» as though well - off kids had some
depth of character that low - income students
lacked.
It's still not great,
lacking any real
character that encourages you to exploit its peak performance parameters, but it is an improvement on the early S engine in terms
of depth of sound and muscular tone.
It
lacked character development and really any kind
of emotional
depth.
What it
lacks in memorable narrative, interesting
characters and in -
depth world - building it more than makes up for with some
of the best open - approach combat since Halo: Combat Evolved.
The RPG mechanics
lack depth or meaningful choices that have lasting repercussions, there aren't a lot
of skills to choose from and chances to develop and shape your
character are slim on the ground.
As for the 3D, it really adds some
depth to the game's visuals — while the backgrounds
lack movement, the 3D gives the game a real sense
of depth, as though the
characters are moving within a hollow space.
The different races and interactions are pretty unique compared to Kemco's past console games, but the
lack of depth with the
character development I found a bit lackluster.
It just hasn't felt the same and the recent stories /
characters have
lacked the
depth of 1 - 4.
It's a compelling template that has inspired multiple rivals and, while the Mario edition boasts familiar
characters and locations, it
lacks the variety and
depth of Puzzle & Dragons Z. However, Z in turn gameplay does become bogged down in a rather tedious story in places but when the game gets going, it's an addictive experience.
0:18:45 — Importing Yakuza Ishin and Yakuza Zero 0:24:33 — Yakuza's hurdles to localization 0:30:20 — Sega's marketing (or
lack thereof) 0:34:15 — Tropes vs. Yakuza 0:40:41 — In -
depth discussion
of Yakuza Zero 0:44:05 — Why make a prequel with these
characters?
One
of the main problems i found through diligent research was that the story and
characters lacked a little
depth.
Lionel Hutz, «The Simpsons» (4:1)-- could ride «The Simpsons»» tidal wave
of popularity to the championship;
lacks the
depth of character of some others, possibly due to being a cartoon figure.