Sentences with phrase «lack of lighting makes»

The overlay and lack of lighting makes it hard to see.

When we moved into our house in 2012, it had been freshly painted white, but it looked like a smoker had lived there because the lack of light made the color so dingy.

Not exact matches

Their simple premise: The falling costs of solar power and LED lights made it possible to provide affordable lighting for the 2 billion or so global consumers who lack access to reliable power.

It is not the expression of hope or faith that makes these lines sentimental; it is the lack of need for hope or faith, the shortcut to the light, that makes them objectionable both as art and as testimony.

I believe in creating peace, in disrupting for peace, in the truth that peace isn't always polite and it certainly isn't status quo and it isn't always cozy with twinkle lights and it will make people uncomfortable because they're so used to benefitting from the lack of it.

However, recent supernova 1A data demonstrated the existence of a cosmological constant that probably made up for the lack of light and dark matter in the universe.2 However, the data was tentative, since there was some variability among observations.

Heaven, like Hell, is an unproven perception of what lies in the afterlife, lacking proof of any of it despite the claims of tunnels and lights, so people can make of it what they wish, or nothing at all as well.

One difficulty grows out of the presence of something in Jesus» teaching, namely, a certain strenuous and uncompromising quality; the other difficulty grows out of the lack of something, namely, light on what particular choices should be made between available alternatives in many concrete situations.

In a culture which reveals -LSB-...] a lack of thinking capable of formulating a guiding synthesis Catholic universities, faithful to an identity which makes a specific point of Christian inspiration, are called to promote a «new humanistic synthesis», knowledge that is «wisdom capable of directing man in the light of his first beginnings and his final ends», knowledge illuminated by faith.

Pesto adds such bright flavor, avocado and egg are rich and fatty in the best way possible, and yet the lack of a heavy bun makes this burger feel light and fresh.

If you still want to make a truly soy - free vegan butter and a lack of buttery flavor isn't a concern, I'd recommend using light coconut milk from the can, shaken at room temperature before using to make sure it's mixed before you measure it.

He also echoed Lewis Hamilton's thoughts that the heavy cars were a contributing factor to the lack of overtaking and that making them lighter would solve a few of F1's problems.

Well news to those who couldn't make it, we got all of the games in despite the eerie weather, lack of electricity in the burbs (hope everyone has theirs back by now) and traffic lights that caused dozens to be stuck in traffic.

Now it's hard to blame the board for this but it becomes a kick in the teeth when the only way the club can compensate for that is raising ticket prices to an already on - edge support group in light of a lack of trophies (which will also probably make sponsors more reluctant to forge bonds).

The lack of extras, however, does make this carrier very light, coming in at only 5 lbs (217 kg).

Its light - weight and folds up nicely but the sunshade and lack of storage space make it less ideal.

A lack of light in the morning can diminish the biological chain reaction and make many of us feel below par and not function at full throttle.

Both substances are made of frozen water and lack any light - absorbing pigment.

sure, sometimes i look ghostly and i constantly have the buy the lightest shade in my foundation but my lack of tan is what makes me unique and i wouldn't trade it for the world.

What Italy lacks in punctuality it more than makes up for with the precision of flavor it extracts from the simplest of ingredients, not to mention how other worldly even a mailbox can appear when bathed in the right Italian light.

While this creepy walk through post-war Vienna may not always make sense (Joe Cotton's character argues with the cops about them having a lack of evidence when he in fact is on the light side of proof) it's moody atmospherics make for an interesting crawl through the bad side of town.

While there's certainly a cathartic sense of enjoyment to be found in making light work of tens of thousands of zombies using the large and crazy array of weapons that are available in Dead Rising 4, the removal of campaign co-op, psychopaths being replaced by forgettable maniacs, and the lack of any challenge due to the removal of the in - game timer really highlight that the gameplay that is on offer is shallow.

Though the story hardly lacks for event as it traces Khayyam's ascension from the peasantry to the royal court, the period costumes and sets look to be on loan from Medieval Times, as do most of the actors, and the boxy, harshly lit compositions make everything feel even more cardboard.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

The film's misjudged intro relies heavily on knowledge of a particular British TV show, but if audiences persevere through this awkward opening, Chalet Girl makes for untaxing, light - hearted fun that lacks the pretensions and meanness that seems to be the current flavour of comedy.

Shot on an ARRI Super 16 camera, the lack of traditional film lighting made for a grittier, darker, and more confined feeling.

It's a funny bit of business, but it's also a potent piece of image - making — resonant with the secrecy of Harry's talents, his excitement about mastering them, and a curious tinge of shame at his 13 - year - old lack of control when the spell goes haywire and lights the entire house.

Again, however, that signpost is well - lit and while this new version lacks the charm of its predecessor, it still makes good use of a very serviceable idea.

This is not a film easy to love or even like, but it's also one that makes a substantial impression on you with its lack of artifice and the light it shines on tragic figures about whom modern fiction rarely considers and modern society hardly notices.

The Raven Remastered brings a classic tale to modern light, but the lack of additional polishing or effort to make it stand out really shows.

Soon enough, thanks to the discerning eye of Louis Malle, Moreau was thrust into the spotlight — even if, in her breakthrough in Malle's Elevator to the Gallows, it was the lack of a spotlight that made her stand out: Moreau's star - making nighttime stroll through Paris was lit only by the windows along the Champs - Élysées.

Whilst it's not light on the extras, the featurettes are of a particular interest as it does delve into the making of the RoboCop remake but I still feel it was lacking.

Well that and the inclusion of JJ Abrams-esque lens - flare in literally one shot of the entire movie, which, given the lack of any artificial light sources existing in this setting, makes so little sense that... you know what, nevermind.)

If there is one thing the that would have made the film much better, it would be in the cinematography department, as The Eye isn't really a pretty picture, full of murky lighting and a lack of good scenery.

On the plus side, the revised gearbox has a snappier and more precise shift action, while the brakes make up for a lack of monster stopping power with a pedal action that's well - weighted and progressive, which helps to make light work of heel and toe downchanges.

What the spec sheets don't shed any light on is how the two cars achieve those figures, but as we point the Gallardo's sharply sculptured snout onto the foothills of the Futa Pass it soon becomes clear that what it lacks in livewire tactility it makes up for with unflinching traction and a less edgy, nose - led stance.

John sums it up: «The steering is quite light and lacking in pushback and there's a slightly remote sense of connection through the chassis to the road, but as you get used to it and start to hustle through the comfy ride, you find that the car makes all the right moves.

It's quick and light, which I actually like, but there's a distinct lack of feel here, muted feedback that can make it a bit difficult to know what's going on up front.

The lack of ABS combined with the vehicle's relatively light weight lead to a few close calls and made driving on wet or icy roads particularly stressful.

It's lighter and simpler, which makes up for the lower power and lack of AWD.

The AC is lacking punch, The steering is ultra light, the handling even with SE trim is floaty, build quality is better than last gen but not by much, the brakes are pretty much dead if one must make a sudden stop from say 50 mph, lots of fade, the gas mileage is horrible even when taking it easy on the engine.

Car and Driver subsequently published the Consulier GTP road test article in a negative and sarcastic light, where they ridiculed the borrowed car's lack of interior fit and finish and the three lighter plugs (failing to mention these were modifications made by the driving school), and compared the overall fit and finish negatively with a new Nissan 300ZX.

Driving the A4 Avant is simplicity itself, thanks to light steering that makes up for its lack of feedback with pinpoint accuracy.

One note on the lack of power though is that the gear shift does not illuminate in the least; this can be pretty annoying late at night as you have to turn on the interior light to make sure you put the car in the right gear.

Those dimensions make the Velar a slippery Range Rover, and the lack of contours and angles on the surface accentuates it, with flowing lines down the flanks, complete with recessed handles, lights which flow across the tailgate and a grill, lights and bumper which flow seamlessly in to each other at the front.

Scholastic also runs a thriving education division and as such it makes it the company's business to know what kids want to read, how they interact with books, and what aspects of kids» lit are sadly lacking.

As I pointed out in an earlier post, those who think the lack of a front light is a deal - breaker should check out the HUGlight, made by MyLight.

The Digitimes article is light on specifics, but it seems the poor sales of the XOOM have other tablet makers spooked - and the lack of tablet applications and missing features of the XOOM at launch (the non-functional microSD card is apparently Google's fault) have made for an unstable ecosystem for Android tablets.

The one drawback on shooting video is the lack of a LED flash that makes recording in low - light conditions difficult.

The Kobo has more limited functionality than the Kindle, but its light weight and low price somewhat make up for the lack of features.