Not exact matches
In a world in which all barriers to action and expression have been crushed, we are no longer open to Bonhoeffer's quiet but firm
recognition when he writes: «The peculiar fact that we lower our eyes
when a stranger's eye meets our gaze is not a sign
of remorse for a fault, but a sign
of that shame which,
when it knows that it is seen, is reminded
of something it
lacks, namely, the lost wholeness
of life, its own nakedness.
(D) no
Recognition of how significant 3 key events would be that all happened under their watch namely the
lack of any consideration
of the consequences for the poorer communities
of the U.K.
of agreeing to allow unrestricted immigration
when the poorer Eastern European countries joined the EU and the banking crisis
of 2008 and the expenses scandal
of 2009.
The awards made some questionable decisions
when it came to recognizing this film, and among the most questionable, in my opinion, was a
lack of recognition for the score by the great Alfred Newman, who hit some conventions and contrivances, but did what he did best by breaking down a lot
of barriers for epic scoring sensibilities at the time to come up with refreshing and stellar compositions whose symphonic beauty is remarkable by its own right, and important in the selling
of the sweep
of this film.
The Land Rover rides on 23 - inch wheels; it
lacks door handles, so the doors use gesture
recognition to pop open
when an occupant waves; the wipers hide under a movable flap at the base
of the windshield; cameras are fitted to the sideview mirrors; and
when the liftgate is open, an electrically operated «event platform» can emerge from the rear
of the car to provide a bench for tailgating.
I'm unsure whether this is purely down to the sheer volume
of studios in the capital, a
lack of recognition from industry press, client bias
when commissioning work or there is a genuine difference / advantage (beyond convenience) for those designers and agencies based in London.
Not discouraged, the group thrived though the critics remained hostile, culminating in 1940
when the group formed a picket line in front
of the Museum
of Modern Art, protesting the
lack of recognition and respect by such institutions.
The research clearly indicates the crisis involves the
recognition, or
lack of recognition, by people that their problems have legal solutions and decisions need to be made determining
when it is
of value for people to pursue those solutions.
It now covers, for instance, adults who may be protected parties due to
lack of capacity and
recognition of the need to take into account «ethnic, cultural, religious or linguistic contexts», to describe the risk assessment process
when expressing an opinion, to distinguish between a hypothesis and an opinion and to indicate where an opinion is provisional.