Despite the engines being powerful,
lack of refinement leaves ample of room to improve NVH (noise, vibration and harshness) levels in the Crysta.
Because between Aimee Heinemann's gleefully low - brow reference to Chris Crocker's emotional plea in «Alter (Cathedral
of Our Lady
of the Angels)» (2013), with «
LEAVE BRITNEY ALONE» spray painted on a survival blanket, and Rachel Lord's tribute to the pink «girl» Angry Bird in «Stella with flowers» (2013), THE ANGRY SHOW already willingly rejects the «
refinement, delicacy, or sensitivity» that Kent's «crass» is defined as being
lacking in.