Although the Museum of Fine Arts, Houston's, collection of post-World War II art has grown in recent years, thanks in large part to bequests from life trustee Caroline Wiess Law and Los Angeles real - estate developer Edward R. Broida, the museum still
lacks permanent gallery space to showcase it.
Not exact matches
Last week I wandered through the Virginia Museum of Fine Arts's American art
galleries with two art - world debates in the back of my mind — one a local one about the dearth of work by Houston artists in Houston museums»
permanent - collection
galleries, the other about the startling
lack of diversity at this year's Whitney Biennial.
Adding to the mixed impression, the Latin American - dominant contemporary
galleries were anomalously outstanding — the handful of American museums with comparable Latin American holdings
lacked permanent displays on that scale — but the Suida - Manning collection of European art left some visitors wondering aloud how lucky the Blanton was to have it.
A more ambitious plan to commemorate the work of the St Ives art colony, which involved the setting up of a
permanent exhibition next to the Penwith
Gallery, collapsed due to a
lack of funds and was closed down in 1980.