Brooklyn
lacks any real conflict.
Not exact matches
Bamberger, Rugh, and Mabry, acknowledge that budget, time,
lack of quality data, and
conflicting political perspectives, are often
real - world constraints on successful evaluations.
Gudegast, making his feature directing debut after writing «A Man Apart» and «London Has Fallen,» seems to understand just enough about that element of Mann's film to recreate some of its
conflicts — both in terms of crime scenarios and the characters» civilian lives — but
lacks the discipline, or maybe skill, to lend them
real emotional weight, much less originality.
Hayao Miyasaki's PONYO is a sweet - natured flight of fantasy that
lacks any
real sense of
conflict or danger.
It
lacks any
real sense of
conflict, and there's an over-reliance on tried - and - tested road movie clichés, but who cares when the cast are having this much fun?
This film suffers immensely from a
lack of an antagonist or any
real conflict.
Although well written and acted, its story is still too binary and
lacks the subtlety of
real - life geopolitical
conflict.
In any case, the only
real issue I see with All Star Driving School is the
lack of driving instructors, leading to scheduling
conflicts, but again, this is something you would experience anywhere.