Among its many resonances, Drive reminded me of Neil Jordan's Mona Lisa, another tale of a driver teetering between innocence and cruelty; of Sergio Leone's Dollars trilogy and Once Upon a Time in the West, with their nameless,
laconic protagonists and meticulous buildups to spasms of sudden violence; of the original 1971 Get Carter and its intoxicating pitilessness; of Halloween in its use of — well, you'll see.