Sentences with phrase «landmark exhibitions»

The years in Libya also coincided with landmark exhibitions in my career, such as the Venice Biennale, and now the solo show at Tiwani Contemporary.

He has participated in landmark exhibitions, representing Canada at the Venice Biennale in 1997, and exhibiting at documenta IX in 1992 and at Sculpture Project Muenster in 1987.

They have been included in landmark exhibitions such as The Moderns (2010 - 2011).

Graham's work can be found in a number of public collections worldwide and has been shown in landmark exhibitions such as Munster, 1987, Documente IX, Kassel, Venice Biennale 1997.

Its curatorial platform supports scholarly and experimental installations, artists's projects, and landmark exhibitions.

In 2010, Afterall Publishers launched a series of exhibition histories wholly devoted to the study of landmark exhibitions.1 The aim was to examine art in the context of its presentation in the public realm.

Kozlov's work featured in a number of landmark exhibitions that defined this period, such as One Month (1969) organised by Seth Siegelaub, Information (1970) curated by Kynaston McShine at the Museum of Modern Art in New York and the Number Shows, a series of exhibitions organised by Lucy Lippard between 1969 and 1974.

He was included in the landmark exhibitions, Op Art: The Responsive Eye, held at the Museum of Modern Art in 1965, and Expo 67, held in Montreal.

The landmark exhibitions in his career include the one organized at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year.

Does this partly account for the peculiar fact that, despite its obvious significance — and its inclusion in such landmark exhibitions as «Primary Structures» at New York's Jewish Museum in 1966 and «When Attitudes Become Form» at Kunsthalle Bern in 1969 — his art can almost be described as obscure?

This paper explores issues of identity and difference in art and its institutions through a historiographic study of two landmark exhibitions, «The Other Story: Afro - Asian Artists in Post-War Britain» (1989) and the 1993 Whitney Biennial.

Each of these figures defined a distinctive visual language that combines formal concerns with a documentary aesthetic, and all of them participated in one of two landmark exhibitions: New Documents (1967) at the Museum of Modern Art, New York, or New Topographics (1975) at the International Museum of Photography, George Eastman House, Rochester.

What have been the landmark exhibitions of your career so far, and why?

Whittenʼs work has been included in landmark exhibitions, including Contemporary Black Artists in America at the Whitney Museum (1971), Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at the Studio Museum in Harlem (2006).

Later landmark exhibitions include The British School at Rome, 1991, where she was a Fellow; IKON Gallery, Birmingham, 1992; Museu do Acude, Rio de Janeiro, 1993; an outdoor installation, Rainsquare, at the South London Gallery in 1994; Angel Row Gallery, Nottingham, 2002; and the recent retrospective A View from a Window at Camden Arts Centre, London, 2014.

Organized in collaboration with the New Museum as part of a series of conversations on landmark exhibitions in 1993.

IMMA has included the artist in landmark exhibitions such as The Moderns (2010 - 2011) ensuring that her work continues to be considered within the canon of Irish and international Modernism.

Heritage Museum annually curates landmark exhibitions drawn from the collection and from around the country.

Channelling the collegiate spirit of an era when artists, gallerists and collectors all mixed, mingled, caroused and (often) co-habited, 14 galleries — often working collaboratively — have here recreated landmark exhibitions that defined the decade and shaped the art world future.

In partnership with n.b.k, the Berlinische Galerie draws on the archive of René Block from 1964 to 2014 for its exhibition and is filled with material, documents, and photographs from some of his landmark exhibitions.

Each year, proceeds from the gala provide essential support for all that we do at the Hammer, from landmark exhibitions to provocative public programs to deeply rooted projects with young and emerging L.A. artists.

We are organizing landmark exhibitions by legendary figures like Thomas Bayrle and Ida Applebroog, who have influenced generations and are making some of their most exciting work today.

His paintings have been including in countless landmark exhibitions.

The «new art» of the late 1960s was shown in two landmark exhibitions in 1969: «Op Losse Schroeven» and «When Attitudes Become Form.»

With works spanning more than a century and a selection of rare archival materials, 50 Years at Pace shed light on some of the landmark exhibitions and sales from the gallery's extensive history.

Why do museums recreate landmark exhibitions, installations and performances, and what can we learn from these restagings?

Most recently, Ossorio's work has been included in the landmark exhibitions Angels, Demons, and Savages: Pollock, Ossorio, and Dubuffet at The Phillips Collection in Washington, DC (2013); Drawing Surrealism at the Los Angeles County Museum of Art, which traveled to The Morgan Library & Museum in New York (2013); America is Hard to See at the Whitney Museum (2015); and Postwar: Art Between the Pacific and the Atlantic, 1945 - 1965 at the Haus der Kunst in Munich, Germany, which traveled to the Museum Boijmans Van Beuningen in Rotterdam, The Netherlands (2016).

The landmark exhibitions in his career include one organised at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year.

McShine taught widely and held senior curatorial roles at the Jewish Museum and MoMA, where he organised several landmark exhibitions including «Information» (1970), one of the first exhibitions in a major American museum to address Conceptual art.

While maintaining MoAD's focus on art through the lens of the contemporary Black diaspora, the museum has presented landmark exhibitions by notable and forward - thinking contemporary artists, like Toyin Ojih Odutola, Alison Saar, Mickalene Thomas, and Todd Gray.

Shunk - Kender photographed artworks, events, and landmark exhibitions of avant - garde movements of the era, from Nouveau réalisme to Earth art.

With them, Jonson participated in several landmark exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

The exhibition marks 50 years of Pace representing Dubuffet and follows Pace's tradition of staging landmark exhibitions on the artist, including two shows of Théâtres de mémoire presented in 1977 and 1979 in New York.

TPG artists gained notoriety with their participation in several landmark exhibitions, including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

In a series of landmark exhibitions ending in the late 1970s, these artists presented a dynamic, celebratory vision of transnational Africanism, which, as described in the 1969 AfriCOBRA Manifesto, encompassed «Definition: Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.»

As curator for many years at the Museum of Modern Art's Department of Prints and Illustrated Books, and eventually the department's chief, Deborah Wye is well - known in the print world for the many landmark exhibitions she shepherded there.

With works spanning more than a century and a selection of rare archival materials, 50 Years at Pace will shed light on some of the landmark exhibitions and sales from the gallery's extensive history.

In the past decade, interest in her work has grown exponentially, with a series of landmark exhibitions and art historical studies firmly cementing her position on the international stage.

With three landmark exhibitions in London this year — including the inaugural show of the RA's new galleries — the artist discusses mysteries of the cosmos, classical mythology and chance encounters at her LA studio.

After her death in 1984, critical interest in Neel's work further intensified and led to a series of landmark exhibitions in Europe.

The preopening hype was intense: following in the footsteps of the museum's landmark exhibitions «Homo Video» and «Bad Girls,» «Trigger,» curated by Johanna Burton with Natalie Bell and Sara O'Keeffe, was a master class in today's art about identity, with a focus on how gender intersects with race, class, sexuality, and disability.

Seen & Imagined accompanies a landmark exhibition at MASS MoCA.

This edition was created exclusively for the Whitechapel Gallery to accompany Gauri Gills inclusion in the Exhibition Where three Dreams Cross, 2009 - a landmark exhibition which gave an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their photographers.

Launched today to coincide with the Whitechapel Gallery's landmark exhibition Electronic Superhighway (2016 - 1966), a new work by Swedish artist Jonas Lund (b. 1984), Fair Warning (2016), invites the public to respond to a series of over 300 questions online.

The first group gained wider attention with «Black Folk Art in America: 1930 - 1980,» a landmark exhibition at the Corcoran Gallery of Art in 1982.

In 1965 he was included in the landmark exhibition at The Whitney, Young America and was soon after included in Shape and Structure at Tibor de Nagy alongside Donald Judd, Robert Morris, Carl Andre and Larry Bell.

P.S. 1 Contemporary Art Center presents After Matisse / Picasso, a parallel project to Matisse / Picasso, the landmark exhibition opening at The Museum of Modern Art on February 13.

In January 2016 the Whitechapel Gallery presents Electronic Superhighway (2016 - 1966) a landmark exhibition that brings together over 100 artworks to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships, and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at the Museum of Modern Art in 1967.

This landmark exhibition documented the institution's relationship to the community, by borrowing back important works of art that had remained in the region after first being presented in CAMH exhibitions.