Sentences with phrase «landscape as a collage»

Francesca Gabbiani Vague Terrains / Urban Fuckups Gavlak Gallery April 13 - May 26, 2018 In her breathtaking works, Francesca Gabbiani depicts the urban as well as the natural landscape as a collage of ink, gouache and cut colored paper.

Not exact matches

This PowerPoint contains five seperate pieces of Art work formed around building an understanding of the Landscape and different parts of the landscape, as well as various Art techniques including: drawing, colouring and collage.

The collage process allows me to reorient the foreground, midground, mountain, and sky organization characteristic of landscape painting and reconceive it as a dynamic that changes at every scale of time and place.

The collage effect apparent in Thomas's Giverny landscapes and interiors mirrors Monet's desire to piece together spaces as individual sites of inspiration.»

For Bildmuseet he creates a new work - an illusory three - dimensional landscape constructed as a collage of photographs cut apart.

In this series, Cheng constructs his own narratives about the history of three cities — New York, Hong Kong and Jerusalem — through re-edited video collages of moving images extracted from the news, as well as natural and urban landscapes.

She also works in collage and photography, taking on landscapes and still life, and cites Édouard Manet and Henri Matisse as influences.

They might include towering industrial landscapes by Edward Burtynsky with Koch and, among Discoveries, garage interiors wide open to the light by Mark Lyon or walls as visual collage by Andy Mattern, both with Elizabeth Houston.

On view from June 21 to Sept. 6, 2015, the exhibition will trace Katz's unique artistic treatment of the landscape throughout the trajectory of his career, from his 1950s collages that use the environment as a setting for the human figure, to the artist's later works, which illustrate Katz's shift to landscape as the dominant subject.

Composed of digital paintings, collages and sculptures, the four artists utilize varying kinds of mutable imagery — drawn from stock photography websites, social media and landscapes — as a representational vocabulary that intersects with physical presence.

Alongside these unmistakably «Katzian» female portraits are pictures of men, groups, landscapes and interiors, rendered in paint on canvas or metal cut - outs as well as drawing and collage.

Landscapes and seascapes, simple from a distance, break down into complex collages of evocative visual information as a viewer moves towards them.

Yet while all of the cities charted in these fragments are identifiable, the collaged pieces act as an abstracted gridded backdrop for the painted white circle at the work's center, a simple yet enigmatic form that suggests a face, a cloud, or a moon over a landscape.

In these landscapes, as well as in Foulkes» overtly more political series of «bloody heads» (portraits whose faces have been violently obscured by paint or canceled by collage), Foulkes points out the hypocrisy and guilt within our culture both past and present, within which we can clearly trace Foulkes» unrelenting drive to put himself and his surroundings into his paintings.

«Paper Collage Scapes» features a variety of Coyle's landscape, cityscape, as well as natural still life collages that have been completed over the years.

In the mid-1970s, in paintings such as Untitled (1976), Twombly began to evoke landscape through colour (favouring brown, green and light blue), written inscriptions and collage elements.

Working in forms across the artistic spectrum, from bronze sculpture to collage and printmaking, Paolozzi's works have permeated the cultural landscape of the UK with public works at Tottenham Court Road and the British Library as well as being one of the founding members of the ICA.

The collages contain such autobiographical elements as photographs and personal correspondence, as well as postcards portraying typically German landscapes, and clippings from news magazines, including photographic portraits of artists, and music and movie reviews.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

U-SAVED-ME draws on sources as disparate as R. Kelly, fast food, Constantin Brâncuși, historical South African artists and Arts and Crafts movements, LSD, landscape, Deepak Chopra, poetry, interracial pornography, cheese curls, advertising, therapy, psycho - collage, and consumerism.

Among the contributions the collages made to his later work was undoubtedly a feeling for simplified, hard - edged form, as well as notions for his later development of large - scale landscape painting.

Wightman's abstract works are simpler, with the colours and forms worked out first in small modelli on paper; his landscapes are originated from found images, sketched in Photoshop and then transferred as cartoons to canvas before collaging and painting.

Initially serving as a basis for her paintings, Aerts» collages on paper consist of roughly cut colour planes arranged to form landscapes Using a generous helping of humour, Aerts merges her fantasy, her surroundings and the art scene into a whole which is both poetic and playful, as well as absurd and grotesque.

Bhabha's crude gestural portraits drawn and collaged onto photographs of abstracted earth textures, rubble, and landscapes, serve as a setting for her sculptural works and provide imagery that speaks to the artist's inspiration from the landscape in and around her birthplace of Karachi, Pakistan.

Georges Braque (1882 - 1963) Noted for his Cezanne - inspired early Cubist painting (see, for instance, his Estaque landscapes), and his Cubist - style still life painting as well as his experimental collages.

The exhibition includes portraits of the artist's family and friends as well as early landscapes and collages from the Whitney Museum of American Art.

Here, we can find most recent paintings and collages from Ravi Zupa, as well as new works from portal - graffiti artist 1010, still lifes of Casey Gray, Erin M. Riley's sexual tapestry, Gregory Euclide's landscapes and the peculiar portraits by Jeffrey Cheung.

This exhibition includes the enormous and brilliantly - colored portraits of family and friends that are a hallmark of the artist's career as well as early landscapes and collages.

Later incorporating sound collages of vintage radio songs and noise as well as an installation of scores of neon lights stuck to a 10 - meter - high pole, this project expanded the iterative creative process behind the «Scrapbooks» to landscape - sized, multi-sensory proportions, with Ohtake continuously revising the work over the course of the Triennale's run across the Spring, Summer and Autumn seasons.

Using imagery found in west coast landscape architecture and garden manuals from the 1960s and 70s, the changes and juxtapositions in these collages are so cleverly executed as to be nearly indecipherable from the original reference material.

All of these exemplify conceptual realism, as do the painting of chairs by Jill Hadley Hooper, an eye - dazzling landscape collage by Libby Barbee, and Carol Haugan's hallucinogenic landscape painting.

Skilled in figurative works, as well as landscapes and more abstract compositions, he works in acrylics, watercolour, gouache and mixed - media such as collage.

The voice is employed, in contrast to fragmented collages of still and moving images of landscapes, streets, interiors, industrial exteriors, as well as words and drawings, to speak of the conflicts and uncertainties of a universal female experience.

Liang Quan (b 1948), for example, creates mixed media collages that incorporate rice paper and ink as «abstract diagrams of traditional Chinese landscape».

The landscape is also brought to life as a moving collage in five short films of Giverny that visitors to the exhibition are able to experience on Google's new Nexus 7 tablets.

It features a wide array of full - color reproductions of her work across media — much of it new and never before published — including photo collages and provocative landscapes, along with an interview with the artist and critical texts that elucidate her paintings» investigations of femininity, sexuality and power, and provide extensive context for her oeuvre as a whole.

Polish mixed media artist Finnabair (also known as Anna Dabrowska) puts together these richly - textured collages of salvaged tech parts along with other finds like dead moths, fabric, buttons and paints them to make dreamlike landscapes with a deeper significance.