Sentences with phrase «landscape as a subject»

Inspired by Georgia O'Keeffe's and Roni Horn's engagement with landscape as both subject and object, this program explores the question of an animated landscape.

Then again, perhaps it's misleading to settle on landscape as the subject of Gallace's work.

In the later «Expeditionary» photographs, he focuses primarily on landscape as a subject, choosing iconic natural destinations such as the Rocky Mountains or Niagara Falls in the US, as his figure appears in the scenery in ever more quixotic positions.

«My paintings take landscape as their subject and as a conceptual point of departure,» Bloodgood said in a statement that accompanied the announcement of his Guggenheim Fellowship in 2009.

By mapping the history of landscape as both subject and site for photographers, «America in View» also tracks the establishment of photography as art.

But it wasn't until the Renaissance era that artists started considering landscapes as a subject matter of their art.

Students will begin by considering how to best approach the landscape as a subject in order to identify a compelling composition.

Martin: I guess it comes back to that as much as I am interested in landscape as a subject, what I am most interested in is the image as a subject.

It wasn't until the Renaissance era that artists started painting landscapes as a subject in its own right.

Art League exhibits «Landschap,» the Dutch popularization of the landscape as a subject for painting during the Renaissance; and «Taking Shape,» sculptural and 3 - D works.

He has also curated a number of exhibitions exploring themes such as the continued impact of photography on painting, photomicrography as source material for contemporary painting and the continued use of landscape as subject matter within recent painting.

Art League exhibits «Landschap,» the Dutch popularized the landscape as a subject for painting during the Renaissance; and «Taking Shape,» features sculptural and 3 - D works.

Not exact matches

The landscape's energetic passivity is not easily made the subject of explicit knowledge as long as we are focally concerned with the flow of water.

It «s true that a Ridley Scott image is as immediately identifiable as, say, a western landscape as shot by John Ford or a film noir street as filmed by Anthony Mann, but the difference is that Scott «s style is completely detachable - and indeed, completely detached - from its subject.

This brief summary provides high level information learning professionals may use as a point of reference when helping executives, Subject Matter Experts, and those new to the profession better understand the current landscape.

These, of course, draw in geography and history as subjects which could also include «Dig for Victory» topics, changes in technology, local produce, regional produce and landscapes.

PBE is defined as an immersive learning experience that «places students in local heritage, cultures, landscapes, opportunities and experiences — using these as a foundation for the study of language arts, mathematics, social studies, science and other subjects across the curriculum.»

PBE is an immersive learning experience that «places students in local heritage, cultures, landscapes, opportunities and experiences, using these as a foundation for the study of language arts, mathematics, social studies, science and other subjects across the curriculum.»

The histories of both banking sectors are contrasted, but subjects such as the regulatory environments, market forces, the number and size of banks, and post-crisis landscapes are also compared.

Over the years, Gorsuch says that he has experienced «a shift in how I perceived landscape, not just as a place, but also as a subject for further investigation into how time shapes environments.»

Also an avid photographer, she chronicles her visual inspirations as she captures obscure landscapes, architectural details, and other intriguing painting subjects.

Also an avid photographer, she chronicles her visual inspirations as she records obscure landscapes, architectural details, and other intriguing painting subjects.

James» images in black and white declare their subjects as works of art that have become integrated into the surrounding landscape.

His subjects include water and mountain landscapes, as well as local wildlife.

Remaining dedicated to the repertoire of subjects that had occupied him since the early 1910s, including tabletop still lifes of bottles, boxes, vases, and flowers, as well as occasional landscapes, his variations on a given compositional motif became more persistent, nuanced, and abstract in the later part of his life.

For his Mountain series — which takes Mount Sopris near Aspen, Colorado, as its subject — Ross invented and patented his so - called R1 camera, using it to create some of the highest - resolution single - shot landscape photographs ever produced.

In compliment to these portraits are a number of paintings of North London landscapes — Camden, Primrose Hill and Mornington Crescent — areas local to the artist's home and studio, which have also served as reoccurring subjects over the course of his career.

It helps give stability to his free - form compositions, and it helps create the sense of a canvas as a landscape subject to both geologic and human change.

They reflect a devotion to literary and historical subjects as well as a keen interest in landscape both familiar and foreign.

Painters such as Noel Mahaffey, John Moore, Elizabeth Osborne and Warren Rohrer tackled traditional subjects such as the landscape, the figure or interiors with new expressive energy - stirred by Pop, and influences from an older generation of artists such as George Segal, Agnes Martin, Alice Neel and Alex Katz.

All of Cooke's subjects stem from real life — his autobiography, live models or photographic and literary sources — but metamorphose away from these everyday referents as they become realized in paint and enmeshed in the landscape of the work.

Myth oftentimes serves as subject and trace images from the landscape offer inspiration.

Our extensive inventory of nineteenth - and early twentieth - century American art regularly features landscapes in the Hudson River School and luminist styles, as well as still - life, genre, and marine subjects.

Architectural subjects, including paintings of the weathered barns and buildings on the Stieglitz property that blend the descriptive and the abstract, emerged as a theme, as did a number of panoramic landscape paintings and bold, color ‑ filled abstractions that often visually related to the subjects she was working on at the time.

Where artists for decades have rendered depictions of hoarfrost as decorations of landscape, Smith makes the ephemeral phenomenon the subject of works themselves.

With Abstract Expressionism at the forefront of American painting, these artists, which included Richard Diebenkorn, David Park, Roland Peterson, and Wayne Thiebaud — often referred to as the Bay Area Figurative artists — explored inventive new ways to depict traditional subject matter — the figure, landscape, and still life.

As his primary dealer, friend and collector for over forty years, Allan Stone celebrated Thiebaud's range of style and subject matter, embracing his mastery of figuration, his inventive depictions of landscapes and cityscapes, and his nostalgic renderings of food and everyday objects.

His artistic diversification of subject matter, from the people of the small villages and farming communities going about their daily lives to the exquisite portraitures as well as his most recent works inspired by western historical themes and American landscapes, all reflect the sensitive dedication of this Master Artist.

Innerst would explore subject matter as subject matter in his work, producing oil paintings of landscapes, still lifes, cityscapes, historical scenes, interiors, et al., yet so deftly painted that his works were prized as much for their beauty as their conceptual rigor.

The press release cites an anxious «post-9 / 11 zeitgeist» as the motivation for choosing such subjects, but as a further allusion to 19th - century landscape painting makes clear, Marston's choices easily transcend the present.

Harris started out representationally, painting the landscape as well as urban scenes from Toronto of houses and industrial subjects.

More broadly, all of nature can be treated in this way, as a subject for a picture as much as a tranche of untamed landscape.

Cited as the first truly Modernist building of the Americas, this large complex features contributions by a variety of Brazilian artists, architects, and designers (including the influential landscape architect Roberto Brule Marx, currently the subject of a solo show at the Jewish Museum in New York) all organized by the famed, controversial godfather of 20th - century architecture himself, Le Corbusier.

On view from June 21 to Sept. 6, 2015, the exhibition will trace Katz's unique artistic treatment of the landscape throughout the trajectory of his career, from his 1950s collages that use the environment as a setting for the human figure, to the artist's later works, which illustrate Katz's shift to landscape as the dominant subject.

Favorite subjects were mundane activities of everyday life but also looked to traditional genres such as portraiture, the female nude and the landscape as a way to subvert expectations through outrageous depictions.

The experience of growing up in New York City, surrounded by an extraordinary human landscape, along with my early background as a dancer, and then as a figurative painter, laid the foundation for my subject of choice.

Feinstein's diverse body of work ranges across several mediums — paintings, photographs, exhibitions, videos, and installations — and myriad subjects from landscape photography to self - referential works created from found materials such as Styrofoam, a birthday present, and a Craigslist advertisement.

Thematically, Geissel's landscapes transcend darkness and manifest themselves as light filled subjects.

Through the 1960s and»70s, Rohrer worked out of a converted barn in Christiana, Pennsylvania, using the landscape of his youth as his primary subject as he approached total abstraction in his work and began working exclusively with square canvases.

Through these works McGinley had discovered new grounds for his artistic practice, placing his naked subjects in vast and breathtaking landscapes to roam and cavort freely as they please, thereby capturing a sublime and mystical view of the world.