Next up is the «Gateway of Realism,» two 6 - by -11-foot, high - resolution mountain
landscape images featured in the same room as three vertical screens playing an original, silent video piece called «Harmonium Mountain I.» The short film is a festive, balletic, and at times meditative celebration of the same landscape, reproduced 65 times over in various colors and scattered like sentient confetti.
Not exact matches
After creating a free account, you'll analyze pre - and post-storm
images, identifying various
features and noticeable changes to the
landscape.
Fiez, who studies the neuroscience of reading, says those
features may tap into how our eyes and brains process
images: Neurons fire faster at the site of objects that display vertical symmetry — like human faces — and horizontal and vertical lines, which are common in natural
landscapes.
From a first look at the raw
images, there are few surprises — the
landscape is the same wasteland seen during more distant flybys,
featuring craters up to 400 km wide.
The contention by van Rooyen et al. [2] that fairy circles are more or less permanent
features of the
landscape has now been falsified by my data, especially by the comparison of satellite
images from 2004 with those taken in 2008.
The opening
image in Nicholas Ray's debut
feature is a bravura aerial shot — a speeding car cutting an urgent swathe across a barren rural
landscape.
In this PPt, students are introduced to
landscapes and have to engage with identifying different
features of
landscape images.
Other
features of the software are that any article can also be magnified; flipping into portrait or
landscape mode; panning and zoom articles and
images.
As we can see from the
images, the iPhone 5 case
features stylish and durable fabric cover, and comes with a thermoplastic hardshell case in order to protect your iPhone 5 / 5s from bumps and scratches, moreover, the wallet - style iPhone 5s case also
features two card slots and a money pocket to hold two bank cards and some cash, and built - in iPhone stand can hold your iPhone 5 / 5s in
landscape viewing mode for watch videos.
There aren't any zooming or cropping
features and
landscape mode inexplicably shows the entire page but only on half the screen, so the app is pretty much only useful for PDF reflow, which works well for PDFs that are text only with no
images, columns, or complex formatting.
As we can see from the
images, the Galaxy S4 case
features slim profile design, and comes with a versatile front cover that doubles as a phone stand to hold your smartphone in
landscape viewing mode, additionally, the cover also has two card slots in order to hold your frequently used credit cards.
As we can see from the
images, the phone holder
features flexible construction in order that you can easily adjust your smartphone on the holder for optimal viewing position, and the cell phone holder also supports both portrait and
landscape viewing modes, while the universal clamp works well with a variety of devices including GPS devices, moreover, the suction cup allows you to securely fix the phone holder on the windshield.
2018 Calendar
featuring landscape images of the Catskills & Shawangunks by award - winning photographer Steve Aaron.
As we can see from the
images, the phone stand
features ultra portable design and flexible construction in order that you can conveniently take it into your bag or pocket, and you can also bend the phone stand for optimal viewing angle, apart from that, the phone stand also supports both portrait and
landscape viewing modes.
It
features a wonderfully crafted and colorful icon set, refreshing wallpapers, though some can do without the apple
image, user definable icons on the homescreen, and
landscape support for Torch devices.
Features include the ability to adjust the text size; add bookmakrs; read in portrait or
landscape mode; create annotations; change to alternate backgrounds and text colours to improve reading comfort; zoom for viewing
images and the ability to tap on either side of the screen to turn pages.
One of the
features that sets it apart from its smaller brother is the accelerometer, which rotates the viewed
image from portrait to
landscape as you rotate the reader.
Shot by Mikai Danger Karl, the video was shot during his recent trip to the country in April, 2014, and
features some incredible
images of the country's
landscape, along with stunning portraits of Afghans who, if you asked, probably have a lifetime of stories to tell about their lives.
The background isn't just a static
image either, it's a living, breathing
landscape that moves alongside you and
features passing helicopters, and invading PHANTOM patrols, making you feel that much more part of the invasion.
This exhibition
features the most ephemeral of all Japanese prints: fans with printed
images of popular kabuki actors, beauties, and
landscapes.
The show
features extra-large
images of local
landscapes and vistas by painter Eileen Dawn Skretch and photos of fast - disappearing farm structures captured by Anthony Lombardo.
A selection of photographs in the exhibition
features images of friends and family performing within the
landscape.
Her photographs, videos, sculptures, and installations
feature images familiar to the north Florida and Tennessee
landscapes that are home to her family: boiling swamps and tall pines, vespid wasps and green anoles, wild horses and white clapboard houses.
From photographing the traces of the Gulf War in Kuwait to creating stunning
images of a
landscape scarred by conflict, artist Sophie Ristelhueber
featured in A Handful of Dust discusses her work.
Moth's iconic
images are
featured on art gallery walls and trendy t - shirts alike, famed for their stark, smoky portrayals of
landscapes and creatures, of both the human and non-human variety.
Several works shown here, all from 1988, suggest
landscapes, while others
feature figurative and nonfigurative passages within the same
image.
The exhibit
features lesser - known work by Meatyard — not just his macabre, blurred
images of children in lonely
landscapes — and a host of his lesser - known contemporaries such as Guy Mendes, Charles Traub, Cranston Ritchie, Robert C. May and poets Ronald Johnson and Jonathan Williams (who are associated with Black Mountain College).
To see
images of Mr. Thiebaud's iconic work
featuring sweets, California
landscapes, and so much more, please click here.
«Photo - Technic»
features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared
images of Serengeti wildlife and
landscapes from various safaris in Tanzania.
«Farberesque: From Pensive to Provocative» will
feature newly - released prints of Farber's classic fashion
images, selections from his Americana
landscape series, vintage SX70 Polaroids and
images of New York City.Works on view will showcase Farber's romantic and impressionism style.
These striking lithographs
feature images of maritime
landscapes interspersed with more abstract brightly colored spiral shapes, investigating the formal and theoretical kinship between two great artists of our time.
This new edition expands on the scope of the old, adding new acquisitions and
featuring 150 master works by artists from Asia, Europe and the Americas — from delicate Song - dynasty handscrolls to jewel - like
images of medieval piety, scenes of mythic drama, austere still lifes, sensitive portraits, grand
landscapes and jarring Modern visions.
Featuring iconic words, numbers or dates - One, Utopia, Riot, 1968, 1980 - these works reclaim the commercial
landscape of signage in order to underscore the cultural potency of language and
image condensed together into singular phases and shared historical moments.
The 46 color
images featured in THE EYE IS A DOOR connect such diverse topics as geology, biology, astronomy, anthropology, engineering, architecture, history, literary studies, global studies, studio art, and
landscape studies.
Latest piece 2014 «Kiosk» Currently being displayed at the Royal Academy
Features interior and exterior
images from local
landscape and stands 7ft tall Made from acrylic and hand painted
Featuring photographic
images of indigenous masks, beach scenes, and tropical foliage arranged into complex geometric patterns alongside embedded tiles, the collages depict kaleidoscopic visions of imaginary
landscapes.
The deceptively simple
images, referencing architecture and
landscape,
feature sublime interactions of dull and glossy surfaces.
Featuring 15th - century devotional
images and 19th - century French Impressionist
landscape painting, highlights include work by Cranach, El Greco, Rubens, Delacroix and Impressionist artists such as Pissarro and Sisley.
Featuring a selection of 80 figurative works and
landscapes in a wide range of materials and media including pencil, ink, oil stick and charcoal, drawings, prints and paintings, Alex Katz: Seeing, Drawing, Making demonstrates how the artist explores and elaborates the same
image through diverse media.
Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing
Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing
Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR,
featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA,
Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD,
Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA,
Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital
Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC,
Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington
Landscapes Plum Gallery, Kensington, MD, The Capitol
Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA
Her
images of sandy beaches and quiet small - town streets are
featured in the new exhibition «Tina Barney:
Landscapes,» opening today at Paul Kasmin Gallery in New York.
The exhibition will
feature a diverse collection of abstract iconic American
images, ranging from motorcycles and
landscapes to Civil War and Native American themes, exploring current and historical political issues.
A multi-disciplinary endeavour with longtime collaborators Jennifer Baichwal and Nicholas de Pencier, the Anthropocene exhibition will
feature images exploring diverse subjects such as urbanisation, industrialisation and extraction, from oil bunkering and sawmills in Nigeria to the salt mines of the Ural Mountains; at once conveying the sublime qualities of human - marked
landscapes and the unsettling reality of sweeping resource depletion.
Their
images are constructed to depict man's effect on the
landscape and
feature Robert in front of the camera and Shana behind it.
Smith again takes her own
image in the hand colored photogravure and lithograph My Blue Lake, using the British Museum's 360 - degree periphery camera to create an encompassing self - portrait and blending her
features into
landscape.
Many of Martin's new pieces
feature loopy
landscape imagery laced with glitter, while lacking the object -
image play present in his last show.
The selected works reveal multiple perspectives on women in the West,
featuring images of and about women, as well as portraits and
landscapes taken by women.
Featured in this issue is: Mark Mothersbaugh «s new museum retrospective at the Akron Museum of Art, the elaborate skull carvings of Jason Borders, a studio visit with Japanese artist collective three, the wonderful drawings of Nicomi Nix Turner, photographer Robert Bartholot «s mysteriously artificial
images, Nicole Gordon «s bright and tragic
landscapes, and Vincent Castiglia «s amazing blood paintings.
«A Very Long Line» by artist collective Postcommodity is an immersive four - channel video and sound installation comprised of four screens of moving
images featuring desert
landscapes, framed by the constant presence of a fence.