Sentences with phrase «landscape painting and photography»

The Studio Art degree includes courses on drawing, painting, sculpture, graphic design, fresco painting (drawing, painting, colour theory and plaster preparation), landscape painting and photography (nature photography, portraiture, architecture, photojournalism, fashion and beauty and landscape).
«AMERICAN HORIZONS, EAST TO WEST: LANDSCAPE PAINTING AND PHOTOGRAPHY» opens on February 27 and continues through August 2.
An important aspect of Plein Air Peconic's work is to draw attention to land preservation in the community, encourage environmental awareness, and to promote a greater appreciation of landscape painting and photography through the exhibition of our artwork.
The prints in Leah Beeferman's recent exhibition, «Cold Color,» at New York's Rawson Projects update time - honored conventions of landscape painting and photography to address our increasingly mediated relationship with nature.

Not exact matches

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.
Not knowing enough about art to be able to describe it, I guess I'd have to say in terms of paintings or photography I like geometric designs, urban landscapes, and colors.
Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.
It was the first portrait the artist had painted since 1983, after spending nearly two decades concentrating on his photography, landscape painting, and works on paper.
Blue Mountain Gallery presents biOcular, an exhibition by Anne Diggory that includes hybrid works combining photography and painting in urban and Adirondack landscapes as well as the clutter of everyday living.
His most recent works come in a variety of mediums, including a mix of calligraphic and abstract paintings, as well as landscape photography.
Sophia Contemporary is proud to present Shifting Landscapes, a group show of contemporary American artists exploring abstraction through painting, photography and sculpture.
In the following eight years, O'Keeffe studied art and art education, taught art, traveled, and worked on developing her unique style — a blend of symbolism, abstraction, and photography with subjects including cityscapes, landscapes, figure studies, and flower paintings.
Chris Pfister is an American artist who explores themes of industrialization in gray - scale and sepia - toned paintings that recall early landscape photography.
The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.
From his portraits and images of Los Angeles swimming pools, through to his drawings and photography, Yorkshire landscapes and most recent paintings — some of which have never been seen before in public — this exhibition shows how the roots of each new direction lay in the work that came before.
Shows in Chelsea, Downtown and Brooklyn offer site - specific sculpture, landscape photography, collaborative etchings, paintings that push boundaries and group shows that revolve around technology.
Painting, photography, construction and most especially all the hybrids in between conventional genres are pursued in this collage survey, with artistic intentions from the narrative to the minimal and modernist, landscape, portrait, cultural motif, abstract expressionism, formal poetics, nostalgia, emotion, and technical bravado.
With photography, ink and paint, I explore the physical locations and inner places I've lived in and visited, each as an external and internal landscape.
Some New Painting (and Photography) is Hockney's first exhibition of works completed since his return to Los Angeles from England, where he spent a decade pictorially exploring the East Yorkshire landscape of his youth.
Feinstein's diverse body of work ranges across several mediums — paintings, photographs, exhibitions, videos, and installations — and myriad subjects from landscape photography to self - referential works created from found materials such as Styrofoam, a birthday present, and a Craigslist advertisement.
The body of work ranges from his early portraits of Los Angeles swimming pools up to drawings and photography of Yorkshire landscapes and most recent paintings.
Using sculpture, photography, painting, and installation, the artists in this exhibition each uniquely engage the genre by expanding our perception of what a landscape is, and how the story of the United States is told through this representation.
I learned early on that while most people know Barkley for his figurative paintings, he considered his practice much wider - ranging in nature, including landscapes and photography.
- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (painting); and working within a continuum of large scale figurative and landscape oil paintings.
The works harken back to photographic and filmic traditions as disparate as B - movie science fiction, tourist photography, popular postcards, as well as Chinese and European traditional landscape painting.
Composed of digital paintings, collages and sculptures, the four artists utilize varying kinds of mutable imagery — drawn from stock photography websites, social media and landscapes — as a representational vocabulary that intersects with physical presence.
Morisot's archive exemplifies the emergence of photography in the nineteenth century and its relationship to the conventions of painting and representing the exotic landscape.
Taking in the legacies of American landscape painting and reductive modernism, as well as tourist photography, fashion advertising, generic stock photography and the aesthetics of clearance sales and shop - window display, the work looks to where one finds the sublime and the utopic in the experience of the everyday, be it in a temple, on a treadmill, at a designer clothing sale, or at the bottom of a whiskey - bottle — complex plays of crafted and consumed desire, scrambled and stripped.
Influenced by literature, film, and architecture, Helfgott incorporates audio, kinetics, photography, assemblage, projections, and traditional sculptural materials to address such diverse subjects as the self - portrait, landscape painting, and gender and age transformation.
Since that time, she has continued to explore portraiture as well as produce landscape images inspired by her study of iconic imagery from art history, painting and landscape photography, as seen through the lens of her own experience of identity and culture.
His sculptural works in particular attest to a profound interest in landscapes, whether natural or architectural, and their ability to capture light relates them to a genre primarily associated with painting and photography.
Both parts of Nature Studies will address the ways that we construct our view of the landscape, and the exchange that often occurs between the mediums of painting and photography.
Nature Studies II is the second part of a semester - long, group exhibition that presents the landscape / nature genre in contemporary painting and photography.
With a practice spanning painting and photography and landscapes and figuration, he was most recognized for his powerful images of 1970s subjects whose cool poses and confident style of dress conveyed a certain attitude and hipness.
As images of experiences and landscapes from around the world can be seen instantly on backlit screens and handheld devices, Wasmuht pulls from her own photography, various Internet - based sources and a meticulous collection of images from life, landscapes and nature as inspiration for her immersive paintings.
Kimo Nelson: The imagery in my work is loosely based on references to historical landscape painting and anonymous or found landscape photography.
The images recall Degas» watercolour studies and further Heck's continued interest in plein - air landscape painting by way of photography.
Ontario - based artist Stev» nn Hall is someone who loves to mix up his mediums a little, bringing together photography and art to create immersive multimedia landscapes that pay homage to some of the world's best impressionist paintings.
By rendering the paintings in this way, they have more physical and emotional depth than the source photography; and are more evocative of the landscape.
Though primarily photography, A Green and Pleasant Land includes film, painting and sculpture by over 50 artists, illustrating the various concerns and approaches to landscape pursued by artists from the 1970s to now.
On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.
Lowe says LeMay is skilled at balancing the line between painting and photography and shows a talented eye for landscape perspective through her stunning works.
The works of Tomma Abts and Catherine Story feel very traditional and seem to draw too much on paintings from 50 years ago, while Simon Ling's deliberately nondescript landscapes is a style that would probably be better suited to photography.
The other artists in this exhibition work in a variety of media, including photography, performance, painting, sculpture, installation and video, and address diverse issues relating to the socio - political and cultural landscape of their respective environments.
Another example is the way that The Netherlands chose to censure certain areas on Google Earth by using Photoshop's crystalizing effect and therefore unintentionally redefining documentary landscape photography reminiscent of how Dutch artists redefined landscape painting in the 1600s.
Gronon's Manure series — piles of manure captured in different bucolic locations - reference historical landscape paintings, but on an intimate scale and in subtle tones of black and white photography.
Bedford Gallery at the Lesher Center for the Arts, call for entries, Outlandish: Contemporary Depictions of Nature This national juried exhibition looks at landscape from all vantage points and all media, including painting, sculpture, photography, video, and mixed media.
According to the artist, animation is a blend of many disciplines, including photography, sculpture, painting, architecture, design, landscape and space.
This national juried exhibition looks at landscape from all vantage points and all media, including painting, sculpture, photography, video, and mixed media.
Letzelter's practice encompasses works on paper, paintings, and photography, with a focus on abstracted landscapes influenced by the confluence of industry and natural processes on man - made sites.
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