From his signature «blackboard» paintings (which are oil on canvas) to the more representational
landscape paintings in this exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the unconscious and that of memory.
Treves has concentrated on Lanyon's Cornish
landscape paintings in this exhibition because these works form a central part of artist's oeuvre, have not been the subject of an exhibition in London for many decades.
In August 1889, Conder, along with Roberts, Streeton, Frederick McCubbin and Charles Douglas Richardson, showed 183 examples of their Impressionist
landscape painting in an exhibition at Buxton Galleries, Swanston Street, Melbourne.
Not exact matches
This
exhibition features Miller's final Truckscape
paintings,
landscapes painted from the back of a truck that Miller converted to a studio
in 2007.
[10] Jones notes that Riley investigated Seurat's pointillism by
painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist
landscapes of her own, such as Pink Landscape (1960), [10]
painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown
in the
exhibition poster) which Jones writes could readily be taken for a post-impressionist original.
Curators Patricia Spergel and Shazzi Thomas selected artists for this
exhibition who reference garden and
landscape in their work
in a variety of ways — traditional observational
painting, works with subtle satirical and political commentary and
paintings that lean towards abstraction.
Langdon Quin, a highly respected painter living
in both Italy and upstate New York is having an
exhibition of recent
landscapes at The
Painting Center from March 31 — April 25, 2015.
The
exhibition will comprise a selection of
landscapes, still lifes, and self - portraits from the 1970s through the 1990s, and include a series of
landscape paintings that the artist completed while at Skowhegan
in Maine.
In a recent review of Maureen Gallace's current exhibition at 303 Gallery by Barry Schwabsky, the subject of whether painting a landscape is relevant in today's era was brought u
In a recent review of Maureen Gallace's current
exhibition at 303 Gallery by Barry Schwabsky, the subject of whether
painting a
landscape is relevant
in today's era was brought u
in today's era was brought up.
Blue Mountain Gallery presents biOcular, an
exhibition by Anne Diggory that includes hybrid works combining photography and
painting in urban and Adirondack
landscapes as well as the clutter of everyday living.
«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the
exhibition seeks to evoke, revealing the fellowship that the two artists share
in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of
landscape art.
Kathleen Best Gillmann of Burke is set to open an
exhibition of her
paintings depicting coastal
landscapes titled «Vision at Water's Edge» beginning July 6 at the Torpedo Factory
in Alexandria.
The
landscapes and interiors which have been the subject of Stefan Kürten's
paintings are presented anew
in Trains and Boats and Planes, his fourth solo
exhibition at Alexander and Bonin.
PORTLAND — Selections from Paul Allen's
landscape painting collection are embarking on a two - year traveling
exhibition set to appear
in...
In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collectio
In his November 1952
exhibition at the Sidney Janis Gallery
in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collectio
in New York City Pollock showed Number 12, 1952, a large, masterful stain
painting that resembles a brightly colored stained
landscape (with an overlay of broadly dripped dark
paint); the
painting was acquired from the
exhibition by Nelson Rockefeller for his personal collection.
This
exhibition brings together
paintings and works on paper by Jane Freilicher and Jane Wilson — two notable figures
in American art who emerged from the pursuit of rigorous abstraction to develop highly individual and beautifully compelling approaches to representation, fundamentally reinventing traditional definitions of
landscape and still life
painting.
An artist whose portfolio includes
landscape oil
paintings, Paterson also designed patterns for commercial fabric printing, and included
in the
exhibition are two linocut prints, including Lobsters and Sea Shells (c. 1930s).
The prints
in Leah Beeferman's recent
exhibition, «Cold Color,» at New York's Rawson Projects update time - honored conventions of
landscape painting and photography to address our increasingly mediated relationship with nature.
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For the current
exhibition at Gagosian Gallery
in Beverly Hills, Alex Israel and Bret Easton Ellis, Israel has collaborated with the celebrated author to create text
paintings — fragmented narrative combined with lush stock imagery — that mine their native
landscape.
The big, playful
paintings in this
exhibition, from Dexter Dalwood's fantasy
landscape mash - ups to David Salle's postmodern explosions of thought and colour, could just as easily be
painted on a wall
in London or Cairo as on canvas.
Although, Lucchini has always been a painter of the living, this
exhibition places the
landscape as an equal protagonist;
in the war related
paintings it is as an unwilling accomplice, but
in many of the other pictures it is seen as an unattainable paradise, which is always strived for but never reached due to the incapacity of man to ever rise above his own limitations.
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«Corot to Monet» charted the development of open - air
landscape painting up to the first Impressionist
exhibition in 1874.
May 2, 2018 — Middle Eastern and Mediterranean
Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite
in Unprecedented
Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian
Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life
in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View
in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA
Paintings by Warhol, Lichtenstein Featured
in Pop Art
Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured
in Wadsworth Atheneum's 176th MATRIX
Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time
in More Than a Century at Wadsworth Atheneum
The
exhibition consists of a series of abstracted «invented
landscape»
paintings, presented
in the downstairs gallery.
From his portraits and images of Los Angeles swimming pools, through to his drawings and photography, Yorkshire
landscapes and most recent
paintings — some of which have never been seen before
in public — this
exhibition shows how the roots of each new direction lay
in the work that came before.
D'Arcangelo returned to New York
in 1959, and
in 1963, his reputation as a seminal Pop artist was solidified with his first solo
exhibition in New York's Fischbach Gallery
in which he showed his acrylic
paintings of American highways and industrial
landscapes.
For over 35 years Karla Klarins has
painted the built
landscape, now presented
in a survey
exhibition entitled «Subdividing the
Landscape.»
Each artist
in the
exhibition utilizes scale and weight to explore both visual and conceptual implications of depicting the environment: Jane Callister's painterly
landscapes deftly intertwine process and imagery; each
painting celebrates a material investigation that generates fictional yet enchanting
landscapes.
Of particular interest
in the
exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk
in Early Spring (oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to
painting, and historically is considered one of Hassam's most ambitious
landscape works.
Exploring the artist's immersion
in the Hawaiian Islands
in 1939, this fine art
exhibition will feature a lush flower show evoking the Hawaiian gardens and
landscapes that inspired O'Keeffe, and more than 15 of her
paintings not seen together
in New York since their 1940 debut.
In this RA
exhibition, she focuses on
landscape, a category of
painting closely tied to the RA's past championed by the likes of Thomas Gainsborough, J.M.W. Turner and John Constable.
The British Artist David Hockney has been so busy organising his
Landscapes exhibition, due to open early
in January 2012, at the Royal Academy, that he has had to turn down a request to
paint the Queen.
This, the first of Turner's
paintings of the castle, was created during the artist's studies for his diploma at the Royal Academy, and is currently on show as part of the Welsh
Landscapes exhibition at the National Library of Wales
in Aberystwyth.
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in Translation
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In the Meeting of Rock and S
In the Meeting of Rock and Sea
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In summer 2015, the High Museum of Art will present a major
exhibition of 60 works created between 1954 and 2013 by internationally acclaimed American artist Alex Katz, including 15 monumental
landscape paintings to be displayed publicly together for the first time.
Among the 15 monumental
landscape paintings featured
in the
exhibition are two recent acquisitions from the High's collection that exemplify Katz's unique style: «Winter
Landscape 2» (2007) and «Twilight» (1988).
«From the outset of this
exhibition, I wanted to work on a relatively small scale, to focus on
paintings completed
in a single sitting, be that a plein - air
landscape or a still life.
Organized
in broadly chronological order, the
exhibition will consider the dominant themes
in his work: History
painting,
landscape, portraiture, the nude, religion, and abstraction.
Known for their expansive interiors, urban
landscapes, portraits, and figures, Mr. Clark's
paintings were celebrated
in March 2014
in a solo
exhibition, Masterworks
in Watercolor, at the Lois Wagner Fine Arts gallery
in New York City.
This
exhibition demonstrates the precise and committed way
in which the artist conceives and executes his
paintings by mediating between the building, the
landscape and reproductions that inform one's experience of the original.
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exhibition «On Meadow and River» at the Sarah Wisem
exhibition «On Meadow and River» at the Sarah Wiseman Gallery
But against these odds, innovative artists such as Gainsborough, Turner and Constable regularly presented their work
in the Academy's annual
exhibitions, gradually forcing their peers to acknowledge the potential of
landscape painting more fully.
The
exhibition includes several series of nuanced abstract
paintings and works on paper that are philosophically attuned as well as steeped
in the
landscapes with which she is familiar.