Not exact matches
Both are key locations for the 19 - century
landscape painting style known as the Hudson River
School.
Modeled after the TV home repair show House Crashers, kids and adults from the
school and community remodeled and refurbished this local facility,
painting walls,
landscaping, and more.
The
paintings of the Romanticism Period are a source of inspiration for Wallace's own art, and he is especially drawn to American
landscape painters of the Hudson River
School.
In addition to building the playground, principals helped ready the campus for the new
school year with
landscaping,
painting, and other beautification projects.
His early
landscapes suggest a range of influences: his teacher, Eakins, Barbizon
painting, the Hudson River
school.
In Le Havre, on the North Coast of France during the late 1850's the then teenage Claude Monet who had become adept as a political caricaturist began developing the art of plein air
landscape painting (under the tutelage of Eugéne Boudin) perhaps as a response to and a logical outgrowth of the then popular Barbizon
School.
They have framed hundreds of period American
landscape paintings, including for those museums where original Hudson River
School canvases hang.
It was there that Thomas Cole and William Stillman, founding members of the Hudson River
School Painters (1825 - 1875), developed the idea of
landscape painting as an exercise in seeking truth, a truth found through close contact with nature and a disciplined observation of it.»
In the late 1940s, he had studied at the Skowhegan
School of
Painting and Sculpture in central Maine, where he had practiced painting quickly out in the la
Painting and Sculpture in central Maine, where he had practiced
painting quickly out in the la
painting quickly out in the
landscape.
I've never been completely won over to the pure
school of
landscape painting, though, or the pure
school of still life, or the complete and pure
school of abstraction... they are always the background for development of all the richness of the later forms... on the earth.
Although Frank's father was a gynecologist and had no particular affection towards creativity, Stella's mother was an artistically inclined housewife who attended fashion
school and later took up
landscape painting.
Established in 1960 as a way to showcase the majestic
paintings from the Hudson River
School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic
landscape of pastoral hills, breathtaking vistas, and tranquil ponds.
Kim Keever's painterly, panoramic photographs represent the evolution of
landscape painting embodied by the Hudson River
School, Luminism, and Romanticism.
Born to first - generation Sicilians in the small town of Malden, Massachusetts, Stella's father was a gynaecologist, while his mother was an artistically inclined housewife who attended fashion
school and
painted landscapes.
Using a refined painterly technique inspired by the Hudson River
School and traditional figure
painting, Cotton
paints utopian
landscapes and portraits, often composed of sugary desserts inhabited by female figures.
If Steir's work, and her signature «waterfall»
paintings in particular, draw from the New York
School, it is also influenced by a longstanding study of Chinese traditional
landscape painting.
A number of the
paintings update the tradition of sublime
landscape painting: think the Hudson River
School rendered in neon colors or a Caspar David Friedrich
painting re-conceptualized as a psychedelic experience.
His father was a gynecologist, and his mother was an artistically inclined housewife who attended a fashion
school and later took up
landscape painting.
This interest in order and beauty indicates the influence of the prominent Hudson River
School of
landscape painting.
Because of its remarkable setting, many students and faculty
painted, drew and photographed the
school and its nearby surroundings, making
landscape an integral part of the learning process.
She enrolled in the Hans Hofmann
School shortly after moving to New York in 1942, but the famous teacher's influence seems to have been limited; she had already gravitated towards the simplified, intensely hued
landscapes, still lifes, and figure
paintings that typify her lifework.
While he is well - known for works featuring his own social milieu — often depicting parties, portraits of friends and fellow artists, and, perhaps most notably, his wife Ada, who has been his model and muse for decades — the
landscape of Maine, which he first encountered as a resident at the prestigious Skowhegan
School of
Painting and Sculpture in 1949 - 50, has been a central point of reference throughout his career.
Another focal point of the launch was the opening of Walter O. Evans Center for African American Studies, featuring a selection of close to 40 works from Evans» legacy collection of African American art - from 19th - century
landscape paintings of the Hudson River
School to works by masters of the Harlem Renaissance, as well as examples from the Federal Art Project of the 1930s and later 20th - century works by Jacob Lawrence and Romare Bearden, among others.
Then I went to the Yale summer
school and was
painting landscapes and abstract
paintings.
Mr. Faragasso studied at the Art Students League and at its Woodstock summer
school with the late Frank Reilly, with whom he learned how to
paint landscapes and the figure outdoors.
A searching creation didn't fit into the cheerful system called «Vladimir
school of
landscape painting».
We drove on, Marshall taking us through the intersection of Pershing and Indiana a few blocks north, and I recognized it as the vista that appears in his 2003
painting «7 am Sunday Morning,» an urban
landscape painting with, in its blurred passing car, a nod to one of Marshall's favorite painters, Gerhard Richter, but which moreover showcases the real storefronts of Rothschild Liquors and, adjoining it, Your
School of Beauty Culture, the latter of which I stared at in something like wonder.
Inspired by the
landscapes of the nineteenth - century Hudson River
School of
painting, yet entirely modern and full of contemporary resonance, Hannock's rich surfaces are built up of layers of modeling paste, pigments, and coats of resin, burnished to a sheen and often concealing hidden layers of meaning; writing, notes, magazine articles and other texts in the undercoat.
A staple of the DC arts scene for the past 15 years, Carol has spent the last 3 years teaching
landscape painting at the Washington Studio
School.
The remarkable naturalism and minutely observation of nature never deserted the American
landscape artist and just a few of them surrendered to the spontaneity of European movement's idiom, while the rest continued producing realistic style portrait art and Barbizon
School landscape paintings.
After failing his naval entrance examination, he chose to become an artist and focussed on
landscape painting at the Slade
School of Art.
The viewing experience Marc Handelman creates is not one of comfort — his unsettling work references a history of
painting that ranges from the Hudson River
School to Abstract Expressionism to Thomas Kinkade, and depicts troubling
landscapes, billboards and nationalistic iconography.
His father was a gynecologist, and his mother was an artistically inclined housewife who attended fashion
school and later took up
landscape painting.
When Wadsworth died in 1848, his personal collection came to the museum, forming the foundational core of Hudson River
School landscape paintings enriched through later purchases and gifts by donors such as Elizabeth Colt, the widow of firearms magnate Samuel Colt.
Through drawings and
paintings of the figure, still lifes, and
landscapes, the 20 artists in the exhibition draw inspiration from the art historical canon — Renaissance
painting, the Hudson River
School, American Modernism — and advance realism as a critical mode of
painting in the 21st century.
His lurid fantasy
landscapes painted on stock - market listings draw contemporary analogies between the state of the planet and industrial capitalism, but their dramatic geography originates in the New World vistas of the Hudson River
School, just as their apocalyptic storm clouds derive from John Martin.
This is the first exhibition to focus on the little - known fact that the renowned leader of the Hudson River
School of American
landscape painting realized three buildings and had plans...
Painting A Nation: Hudson River
School Landscapes / through April 23 * History, Labor, Life: The Prints of Jacob Lawrence / through April 30 Gibbes Museum of Art
It became world - renowned in the 1850s when the genre and
landscape painting associated with the «Düsseldorf
School» — a century's worth of painters including Peter Behrens, Hans Dahl, and Otto Hupp, among many others — gained widespread international attention, attracting students from the United States, Scandinavia, and Russia.
Under the guidance of the Baltic German Eugène Dücker who was a teacher of
landscape painting at the Düsseldorf Academy from 1872, the Düsseldorf
School found its way towards Modernism at the end of the 19th Century.
Although he was one of the greats of 19th - century American
landscape painting and a founder of the Hudson River
School, in the market madness of the current art world Asher B. Durand only recently became a boldface name.
Reassessing such
landscapes with specific references and allusions to history, literature and mythology, Quinn probes the psychological depths of Romanticism and other
schools of
painting.
[3] Polish Romantic
painting is exemplified in the work of Artur Grottger, Henryk Rodakowski, or the equestrian master artist Piotr Michałowski (now at Sukiennice), and Jan Nepomucen Głowacki considered the father of Polish
school of
landscape painting, as well as the renowned historical painter Leopold Loeffler invited to Kraków by Matejko to teach the future luminaries of the Young Poland movement including Wyspiański, Tetmajer, Malczewski and Weiss among others.
Made on stretched canvases, works like Mother and Child (2016), with its horizon line and eclipsed celestial bodies, have a strong relationship to
landscape (a genre that greatly interested the artist in his student years at the Rhode Island
School of Design), as well as to the modular
paintings, with their strong geometric forms
painted and primary colors.
Based on these works, Cole is remembered as the inventor of the Hudson River
School of
landscape painting and one of the first artists to define a distinctly American style of art.
A second - generation New York
School artist, Wolf Kahn
paints luminous New England
landscapes.
Each of these painters interpreted the Matunuck
landscape in a personal way, yet among them they encompass most of the major trends defining American
painting of the late nineteenth and early twentieth centuries — the Barbizon
School, Impressionism, Post-Impressionism, Tonalism and plein - air painting — as well as the creation of the era's predominant artistic institution: a summer s
School, Impressionism, Post-Impressionism, Tonalism and plein - air
painting — as well as the creation of the era's predominant artistic institution: a summer
schoolschool.
While the two
schools of abstract expressionist
painting shared certain characteristics ---- large scale; bold, gestural brushwork; emphasis on the materiality of
paint; figure and ground equal or collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures and the expansiveness of the western
landscape, in addition to European
painting, invited
landscape references into their work whereas New York painters resisted such associations.
Absent the Postwar malaise, Existentialist angst, and Surrealist bent that shaped the cultural context of Action
Painting for the New York
School, the uniquely American reference of
landscape in Abstract Expressionism is perhaps more visible on the West Coast, especially in the work of Jack Jefferson, Frank Lobdell, and Charles Strong, the artists most heavily represented in the show.
«The New - York Historical Society houses one of the oldest and most comprehensive collections of
landscape paintings by artists of the Hudson River
School.