Sentences with phrase «landscape paintings are used»

The exhibition, at Leila Heller Gallery in New York, consists of 11 assorted video - paintings: Karimi's landscape paintings are used as projection screens for Azari's videos of nearly identical subjects.

Not exact matches

X-ray radiography was the first non-invasive tool used to uncover hidden information in «La Miséreuse accroupie»; it revealed a horizontal landscape by a different Barcelona painter, whose identity remains unknown, under the visible surface of Picasso's painting.

Jack N. Green — Clint Eastwood Eastwood's directional style has always been fairly straight forward, but he has made it a point to pair himself up with a cinematographer who could paint a beautiful picture, both with landscapes and Eastwood's dark use of shadows and light.

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO structures, or by using wondrous tools that let you paint and shape the landscape.

These corporations are trying to mislead voters by painting SQ 777 as «right to farm» and using wholesome imagery of family farmers and Oklahoma landscapes to lure votes to change our state constitution.

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO ® structures, or by using powerful tools that let them paint and shape the landscape.

Environments and creations are brought to life in any way fans can imagine, either by building brick by brick, placing down enormous prebuilt LEGO structures, or by using wondrous tools that let you paint and shape the landscape.

I paint images of landscapes in oils and I am investigating natural dyes from plants to directly use materials from the environments that I paint.

In this course, you're going to learn how to use the loose, expressive approach to watercolour painting through a series of 5 landscape studies.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

I remember that she used to say — since she paints landscape, still life, and figures — that she knew that she was getting somewhere with a painting, if the painting started to look like something other than what it was.

It's hard to imagine a better opportunity for someone interested in landscape painting than to go work from the same sites that Corot used to make such pivotal paintings.

And so, when I say it's used in a lazy way, it means that, especially for the West, we use that word to pretty much mean a traditional pictorial representation that comes from European landscape painting and / or American landscape painting.

«Peter Allen Hoffmann (b. 1979) used to paint — with a tender touch — small landscapes that were seen to have a lot in common with the work of Milton Avery, Arthur Dove and Marsden Hartley, and to evince an environmentalist's concern for nature.»

At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.

Gornik uses colors from nature, like yellows and blues, to create the landscape paintings for which she's known.

I am currently using more traditional art materials like paper, ceramics, paint, and wood but have also, and continue to use landscape materials bacteria and more contemporary means of facture like digital modeling and production.

The source for his practice is the millennial - old tradition of Chinese landscape painting, using scrolls as his format and ink and paper as his medium.

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

In a recent documentary interview, Appel explained why she considers herself a Romantic landscape painter: «Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature by using paint - soaked brush strokes on a large canvas wherein the over-lapping layered strokes of color were metaphors for the contiguities found in nature.

The exhibition's underlying mission is a compelling one: to inspire a close inspection and fresh discussion of two seemingly disparate topics — contemporary abstract painting by a New Orleans - based artist and Edo - period Japanese landscapes — using visual and conceptual links to form an effective springboard for joint exploration.

April Gornik, known for her large and colorful landscape painting (an example of which can be seen in Gallery 6, American Views), deftly uses the medium of charcoal to attain lush impressions of water and trees.

Though he emerged in the New York art world in the 1950s during the heyday of Abstract Expressionism, Katz has been dedicated to figurative painting throughout his career, anticipating Pop art with his bold use of color and stylized renderings of humans, animals, and landscapes.

Silver's goal as an oil painter is to freely use color and shape to create abstract paintings that he transforms into imaginary landscapes.

Shaw's landscape paintings, rendered entirely in Humbrol enamel paint — which is normally used to decorate model aeroplanes — depict the postwar Coventry housing estate where he grew up.

In one of the new landscape paintings, traditional pictorial devices used to suggest depth or perspective are playfully challenged by the use of filmic text or explicit engagement with the flatness of the canvas.

Using sculpture, photography, painting, and installation, the artists in this exhibition each uniquely engage the genre by expanding our perception of what a landscape is, and how the story of the United States is told through this representation.

He was, of course, aware of the rejection that could be directed at him by his professional avant - garde peers and the unwelcome reception he could receive from parties for whom a landscape means conformity and lack of criticality.At that time, the»60s, he started framing his paintings with the gold - faced wooden strip that Greenbergian Colorfield painters were using.

Due to the use of an anamorphic lens, the projection is strikingly horizontal, thereby emphasizing the reference to historical landscape painting.

At a time when we have become desensitised to an image - saturated world, Tony Swain (born Northern Ireland, 1967) uses familiar sections of newspaper that are pieced together as a support for paintings of fragmented landscapes and abstract patterns.

Each of these installations is loosely based on a classical landscape painting by the 17th - century artist Nicolas Poussin (1594 — 1665) created as three - dimensional interpretations using sets of pedestals and standing walls in varying dimensions to display objects in meticulous arrangements.

Inspired by the lush landscape of her surroundings, these paintings — composed of layers of dye, applied in washes, and intended to be used in set designs for a friend's band — permit the Brooklyn - based artist to transfer her sculptural dexterity to two dimensions while escaping the pressures of producing work for display in galleries.

Using leftover paint from construction supply stores, McMillian responds to the absence of bodies in the history of landscape representation; his pours and splatters evoke what he describes as an «abject history of turmoil or the spillage of blood» that is often missing from the pastoral tradition.

Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.

I totally admire David's ability to create amazing landscapes with the minimum number of brushstrokes and colours, and his use of negative painting and «lost and found» techniques creates breathtaking results which one day I hope to be able achieve myself.

Alongside Waldstück (Okinawa), 1969, which depicts the southern Japanese jungle, this small series of forest paintings from 1969 are remarkable in Richter's oeuvre, distinguished by the use of a subtle grisaille palette to capture the landscape.

Embedding layers of personal, political and artistic struggle, Judith Bernstein painted the testosterone - led landscape of our world using variations of penises, be it painted, drawn, scrawled, alone or in pairs.

«Honey Tea» as mentioned in the title is the actual paint color used for the landscape behind the trailer.

His paintings are recognizable for thin contour lines and soft forms, in addition to an expressive use of color; though these works did not often contain imagery, they were sometimes based on landscapes and images.

Her preferred application, used in her landscapes, seascapes and aspens is to «pour» the paint, manipulating the flow with water and body movement.

The paintings are not mean to literally record the landscapes or its elements, but use natural forms and geology as a springboard to create art.

Like many artists of her generation, including Larry Rivers, Nell Blaine and her close friend, Robert De Niro Sr., Ms. Tabachnick was familiar with the gestural techniques of Abstract Expressionism, but, looking to Matisse, preferred to used them in portraits, landscapes and figure paintings.

Among these works are his magnificent landscape paintings — most of which have been painted en plein air — and his screen drawings which have been created using the touch screen of a smartphone.

This exhibition joins three important contemporary artists who have each incorporated reminiscences of Pollock into their works in very different ways: Thomas Demand's work Barn, is a photograph of a paper reconstruction based on the mythical barn used by Pollock as a painting studio; Peter Doig's painting, Daytime Astronomy, takes as its starting point a central figure lying in the grass in an open landscape - the figure is based on a photograph by Hans Namuth of Pollock lying in the same position; while Andreas Gursky's work Untitled VI is a photograph of a Pollock painting hanging in the Museum of Modern Art, New York.

Her animated series, Aloof Hills, addresses contemporary American «taboos» such as interracial relationships and drug and alcohol use, and does so in a historic setting; Crombie's characters are Civil War - era paper dolls, and her landscapes include paintings and YouTube video clips.

By using the network to access global locations that show little else than the swaying of trees, the occasional car, or person walking past, the scenes are evocative of the landscape genre in painting, yet brokered through the contemporary paradigm of surveillance.

Over the course of seven years, she built up the surface of the painting using a mixture of oil, primer, and mica to create an abstract, topographical landscape at the center of which was a beaming, white focal point rising eight inches above the surface of the canvas.

Anselm Kiefer (b. 1945) is perhaps best known for majestic paintings from the 1980s and early 1990s that evoked Germany's contested history through charred landscapes and mythic symbolism.This exhibition, drawn from the Manilow collection, used a few choice works to call attention to other aspects of Kiefer's practice.