From the spacious
landscape shots of the family's heavily fortified home and farmland surroundings to the tight camera angles during the movie's suspenseful sequences, A Quiet Place varies smoothly from tender to disturbing in tone thanks its its imagery.
That landscape shot of the lake... I wish I could dive right into it.
Not exact matches
More importantly, it's a surrealist adventure full
of crazy
landscapes, crazier enemies, and a bird that
shoots eggs out
of its mouth.
It's a mixture
of urban and rural
landscapes, as well as close up
shots of objects and growing things.
So if I just posted a closeup
shot of me doing something, I'd probably then post a wider
landscape shot.
To true Faraday Future fashion, the company teases with quick
shots of the hood mounted LiDAR and fast transitions showing its 1050 - horsepower powertrain, built on a modular VPA configuration, traverse a serene
landscape of twisty roads and straightaways.
And the meager evidence there might be
of the glimmerings
of an awareness that the entire
landscape has shifted is
shot through with fear and a sense
of threat, or with a corrosive sense
of guilt.
It provides an overview
of the competitive
landscape of the South Korea packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the Mexico packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the Americas packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the Spain packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the US packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the India packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
It provides an overview
of the competitive
landscape of the China packaging sector with an analysis
of the key market leaders including a snap
shot of major deals
The campaign film is
shot with a balance
of tradition and heritage with contemporary imagery, and depicts the comparative sets
of words against the renowned Speyside
landscape and the bustling distillery during the production process, reinforcing the premium and craft credentials
of the range.
He is based in east London, but works across Europe,
shooting for documentary,
landscape and education commissions, and writes on the subject
of photography for blogs and magazines.
«We know she has been hugely supportive
of shooting's role in everything from
landscape - scale conservation projects to local habitat creation and management and recognises
shooting as a cornerstone
of the countryside.
Tim Russell, BASC's director
of conservation, said: «BASC is pleased to sign this modern partnership agreement with Natural England which recognises the important contribution that people who
shoot make to the nature and
landscape conservation
of the English countryside, and commits the two organisations to exploring how this contribution can be further developed.
Natural England commissioned report NECR149 «The role
of landscape and site scale characteristics in making species populations resilient to climate change and extreme events» http://publications.naturalengland.org.uk/publication/5849831096451072 BASC white paper «The role
of shooting in
landscape - scale land management» http://basc.org.uk/business-intelligence-unit/what-we-do/white-papers/
If you're looking for the best drone for real estate photography or
landscape photo
shoots, you won't want to miss out on this durable, heavy - duty model that can handle high volume in a variety
of environments.
«We're just
shooting landscapes of the universe instead,» he...
«We're just
shooting landscapes of the universe instead,» he says.
His recent projects range from character - driven films
shot in crowded antiques stores to soothing stills that capture the solitude
of barren desert
landscapes.
There are some pretty solid commandments in the laws
of landscape photography that allow you to learn the foundations for how to take better travel photos when
shooting landscapes.
G and I always love coming here to
shoot because no matter what season it is, each street is so unique in itself and full
of nature, greenery, palm - trees and beautiful
landscaping that you can't easily find elsewhere in the city.
I
shot a few bloggers, plenty
of food, products and
landscape shots and also learned to use a new camera too, but I still love my Canon Mark II.
My 50 mm works perfectly for posed portrait photography, but it's capabilities are limited when
shooting landscapes, groups
of people and inside events.
John Toll, who also
shot Braveheart and The Thin Red Line, has a really good eye for breath - taking, forbidding
landscapes, and his choice
of colours is crisp and eye - catching (often more so than the characters).
For stagnant
landscape shots, 48 frames per second works wonders, delivering strikingly crisp images, but the moment Jackson either moves the camera or cues a battle sequence, the footage takes on a video - like quality, almost along the lines
of a soap opera, and it looks downright awful.
On the other end, we see
shots of Brady finally taking a horse out into the plains at a full gallop, with Joshua James Richard's cinematography giving us naturalistic, unadorned views
of the
landscape that mirror the simplicity
of Brady's objectively small but relatively substantial victory.
If the entire movie was just
shots of the
landscape it would've been great, but the two main characters managed to be at once obnoxious and pathetic.
The reds, yellows, and oranges
of India's
landscape pop with vibrant intensity, and the textural intricacies
of the train itself, which is often
shot from the side in wide angle, becomes a rushing vehicle
of specific character details and images.
Visually this film is pretty well
shot, with balanced, eye catching frames, and beautiful visuals
of the Seattle
landscape.
Cooper and his director
of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait
of the scenery here, placing an emphasis on long
shots of desolate
landscapes and closeups
of human anguish in order to create the film's dismal mood.
It becomes less
of a problem when we enter into full blown CGI - laden action sequence territory where fire and orcs are being flung around the place or when we get far away
shots of the sweeping
landscapes.
I first have to say that the film is beautifully
shot with some really great imagery showing the bleakness
of the
landscape and allusions to many
of the characters.
An early
shot from ace cinematographer Robrecht Heyvaert starts with an epic desert
landscape then cuts back to reveal that widescreen vista in the lens
of aviator sunglasses worn by Richard (Kevin Janssens), a handsome dude exuding smugness from every pore.
In a series
of still
shots, the sun rises on the dawn
of civilization in a primordial
landscape of arid, wasteland desert.
Beautifully
shot by Caroline Champetier in the picturesque Limousin area — a part
of France that has apparently not changed much in the last century — «The Guardians» uses the grace
of the
landscape as a constant.
Contrasting the breathtaking vistas
of the Jersey exteriors with the conservative confines
of Moll's home - life interiors (the latter were
shot in Surrey), Pearce and cinematographer Benjamin Kračun conjure an archetypal
landscape in which disparate worlds collide.
The film has repeated gratuitous
shots of landscapes in the Swiss alps and thank God for that because is pure eye candy.
None with any actors, just purely for sweeping
landscape purposes, after all you do need some genuine
shots of Africa.
But Scott sucks the suspense out
of every scene by focusing on long, lingering
shots of the red
landscape.
It's gorgeously
shot, displaying both the beauty and sadness
of its picturesque
landscape, and features a trio
of excellent performances by Chris Pine, Ben Foster and Jeff Bridges.
Alternating between static
shots that emphasize the decrepit
landscape and traveling
shots in which the camera is fixed to the front
of the wheelchair, writer - director David Robert Mitchell finds a terrifying means
of conveying necessary exposition.
Cinematographer Guy Godfree makes the subdued
landscape of the Canadian province come alive in exterior
shots that balance out the meticulous work he does inside the tiny little house where the Lewis couple reside.
Not surprisingly, many
of the film's high points are the lovely, grand
shots of the
landscape and the architecture
of the city.
One
of the most powerful elements
of «Westworld» is the beautiful location
shots that make up the Wild West
landscape.
You won't need your arm twisted to see the movie, artfully
shot by Tom Stern (Mystic River) as the scene shifts from the perverse lushness
of the Capitol to the stark
landscape of the battle zone.
Slow West continues the Western's visual convention
of wide cinematography — it's a
landscape film — and extends it with chopped extreme close - ups during the
shoot - em - up action scenes.