Sentences with phrase «landscape tradition of painting»

Still, while some would superficially fall under Downes's link to the landscape tradition of painting, it is clearly grounded in a generation of artists born in the late 1970s and early 1980s.

Not exact matches

El Greco's paintings of Toledo became models for a new European tradition in landscapes.

This is the assertion that, as the catalogue essay by Dominique de Villepin observes, these «involuntary heirs of two traditions of landscape painting» found a way while living in exile — de Kooning the Dutchman in New York, Zao the Chinese in Paris — to soar free of the constraints of «stifling tradition.»»

For YSP he will make new painting and sculpture — resolutely contemporary works that will integrate an inclination towards geometry with the romantic sincerity of landscape painting in the historical tradition.

According to the gallery, «The Girl» encapsulates Op de Beeck's uncanny ability to create visual fictions of wonder, silence and introspection, while referencing art historical traditions of the panorama, landscape painting and German - Romantic notions of melancholy and the sublime.

Where Salvador Dalí took Surrealism as a license to let his adult fantasies run free, Miró's fields of color never lose their grounding in the tradition of landscape painting and the actual landscape of his childhood.

These recent works with their multiple perspectives and deceptively simple rendering of landscape and figure look much connected to the tradition of Korean ink painting from which they do indeed come.

The source for his practice is the millennial - old tradition of Chinese landscape painting, using scrolls as his format and ink and paper as his medium.

Travels to Europe over a 10 - year period to research design trends for fashion projects provided an ideal opportunity to study the tradition of landscape painting in the museums of Paris and London.

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

These abstract qualities generate a form of psychological impressionism, reanimating a more than century - old tradition of landscape painting that insists on temporal and subjective experiences above representational content.

The Northern Song tradition, and the invention of the monumental landscape painting, came from that.

Omnia per Omnia reimagines the tradition of landscape painting as a collaboration between an artist, a robotic swarm, and the dynamic flow of a city.

In the selected items on view, the developments of American artistic traditions can be traced through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.

A number of the paintings update the tradition of sublime landscape painting: think the Hudson River School rendered in neon colors or a Caspar David Friedrich painting re-conceptualized as a psychedelic experience.

He may use scrolls and work in ink in the millennial - old tradition of Chinese landscape painting, bu...

In the 1980s, a decade when artists commonly appropriated styles or imagery from earlier art historical periods, Mark Innerst became known for beautifully crafted natural and urban landscape paintings that gave new life to the American tradition of the romantic sublime.

In Paris, Abboud was influenced by the works of Pierre Bonnard, Roger Bissière and Nicolas de Staël, and began to shift from a Lebanese tradition of figurative and landscape painting to colourful abstraction.

Painting a landscape on the face of an old hand saw or polishing an extraordinary tree root into an abstract sculpture reflected one's access to free time, materials, the natural world and tradition.»

Their current work explores the relationship between contemporary art making practices and the historical tradition of romantic landscape painting.

Evoking the tradition of many of the great landscape painters of the past, including Monet, van Gogh and the 19th century master J. M. W. Turner, Blueberry demonstrates Mitchell's skill at elevating into oil paint the feelings that the landscape evoked in her.

As its European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction of the everyday modern life and the tradition of the en plain air, started with Monet's landscape paintings.

Parke's paintings have evolved out of the landscape tradition, but nature is still very influential to her work.

In terms of subject, not style, Doig's work can be positioned within two traditions - that of Western landscape painting with heroic, moody representations of nature; and Impressionism with depictions of daily life, scenes previously thought irrelevant or inconsequential but which serve as the true basis for human interaction.

His work represented the maturation of the great American landscape tradition, and his painting of the Valley of the Yosemite in California has been called his crowning achievement.

It includes native - born artists who drew in the European landscape tradition to reflect on their own culture, as exemplified by José María Velasco's paintings of Mexico, which not only embrace the European Enlightenment sensibility, but also a growing sense of national identity.

It is also, like Frank Gillette's video installation, Aransas (in the collection of the University Art Museum and shown here in 1978), an extension of the long tradition of landscape painting into the relatively new medium of video.

Thompson's explosive paintings weave figures and landscapes into a tapestry of color and are deeply rooted in tradition.

William Monk (b. 1977, Kingston Upon Thames, UK), lives in London Former Ateliers - participant William Monk plugs in the rich tradition of spiritually charged landscape painting.

Taking inspiration from the Philippine weaving and the Jewish folk traditions of her ancestors, along with traditional landscape painting techniques from her academic training, she interweaves image with refuse in order to reveal seamless yet textured transcultural contradictions.

A meticulous analysis of an in situ intervention and its transformation through color is quasi-ubiquitous in her work - an approach in the tradition of radical monochromatic painting, as well as mural painting, performative process, and landscape - the latter in a broad sense.

Using leftover paint from construction supply stores, McMillian responds to the absence of bodies in the history of landscape representation; his pours and splatters evoke what he describes as an «abject history of turmoil or the spillage of blood» that is often missing from the pastoral tradition.

She initially painted landscapes in the Group of Seven tradition.

Giorgio Morandi, Still Life (Natura morta), 1956 Oil on canvas; 9 7/8 x 13 7/8 inches September 16 — December 14, 2008 This is a comprehensive survey — the first in this country — of the career of Giorgio Morandi, one of the greatest 20th - century masters of still - life and landscape painting in the tradition of Chardin and Cézanne.

The installation at the Leubsdorf Gallery at Hunter College presents works that convey to what extent the European tradition of landscape painting underwent changes in the process of being applied to represent Latin American landscapes.

In response, we constructed and photographed sets illustrating this contradiction, taking inspiration from art historical traditions of 19th century sublime landscape painting and pop culture apocalyptic film.

These human - free landscapes of the young German artist remain deliberately schematic, celebrating the twilight as an aesthetic counter-design to the light - flooded tradition of landscape painting.

Grimes» large - scale paintings of the wooded landscape evoke the majesty of the American landscape tradition with all the fervor of the Abstract Expressionist movement.

In a series of elongated panels, from panoramas of Stradbroke Island and Moreton Bay to studies of South Gorge and Main Beach in atmospheric afternoon light and groups of paperbarks at Stradbroke's Brown Lake, Taylor continues his conversation with the tradition of Australian landscape painting.

Known for bridging the Neoclassic tradition of allegory set in nature with Realism and plein air practice, Jean - Baptiste - Camille Corot embarked on his artistic career by studying landscape painting.

Thus she harks back on the one hand to the Nordic tradition of landscape painting in the 19th and 20th centuries (Dick Bengtsson, Carl Fredrik Hill, Ernst Josephson, among others), while on the other hand she takes interiors from forensic investigations as her basis and thus allows unvarnished reality to enter her paintings in the form of commonplace rooms.

On the ground floor the gallery shows work made using a variety of mediums but often referring to the tradition of landscape painting and painting itself.

This lecture begins by exploring the roots of northern Romantic landscape painting (as outlined by Robert Rosenblum in Modern painting and the Northern Romantic Tradition) and its influence on later modernist abstract painting.

Pollock's impression of vast herds thundering over the western plains electrifies Mural, separating it from a European tradition of landscape painting.

You decide upon the spot that you will join the great tradition of plein - air painters, following in the revolutionary footsteps of John Constable, who first left his studio to approach a landscape painting in glorious nature herself.

A painter in the shen shui tradition of pen and ink landscape painting, the intent is to capture an awareness of inner reality and wholeness, as though the painting flows directly from the artist's mind, through the brush, onto the paper.

This rootedness in the natural world ties Kirkeby's work to Nordic traditions and — as Schjeldahl points out — that of British landscape painting.

More interesting is the artist's sincere interest in the tradition of landscape painting and Bob Ross.

Yet all seven painters share one common bond — their work is a contemporary interpretation of the centuries - old tradition of American landscape painting.