Consisting of 30 of the finest American paintings in NOMA's collection, Copley to Warhol briefly surveys the development of American painting, beginning with portraits by Colonial masters John Singleton Copley and Charles Willson Peale and turning to the rise of
the landscape tradition with Asher B. Durand, George Inness, and Louisiana artists Richard Clague and Joseph R. Meeker.
Recent projects involving trees include beat (2002), a commission for the Duveen Galleries at Tate Britain, in which Gallaccio responded to the British
landscape tradition with a sculptural installation of oak tree trunks placed upright in the gallery like rough hewn columns.
Grimes» large - scale paintings of the wooded landscape evoke the majesty of the American
landscape tradition with all the fervor of the Abstract Expressionist movement.
Not exact matches
A political system, along
with such supportive
traditions as the rule of law and loyal opposition, is supposed to be a durable fixture on the political
landscape and ought not to be changed lightly.
The campaign film is shot
with a balance of
tradition and heritage
with contemporary imagery, and depicts the comparative sets of words against the renowned Speyside
landscape and the bustling distillery during the production process, reinforcing the premium and craft credentials of the range.
Our itinerary weaves together two dimensions of this fascinating continent: spectacular
landscapes with unmatched views — to the horizons and skyward — in remote areas of Chile and Peru; and a legacy of engineering, architecture, art, and philosophy that includes a
tradition of astronomical observation dating back two millennia.
At the beginning of human experiments
with agriculture, the effects of changing the patterns of nomadic
traditions and thus altering the
landscape to suit the farmer's specific purpose were negligible for small communities.
The idea behind the branding relaunch was to take Channel 4's classic block construction logo, reinvent it,
with Glazer shooting a variety of
landscape and nature - driven sequences (another
tradition for the network) to be paired
with it.
Let us lead you into a land of
traditions... Indonesia is a land of escape
with its sublime white sandy beaches and stunning
landscapes... But this dream destination also offers its visitors many cultural riches, where local crafts and age - old art blend
Cruise through Europe and the Mediterranean and take its picture perfect
landscapes, charming villages filled
with culture and
tradition and don't forget about its mouthwatering delicacies.
Largely untouched by mass tourism, Costa Navarino harbors cultural values,
traditions and a history of more than 4,500 years, which live in harmony
with one of the most stunning scenic
landscapes of the Mediterranean.
Learn More Ukraine Big, warm - hearted and largely undiscovered, Ukraine will surprise you
with its diverse
landscapes and
traditions.
In line
with the theme of keeping local
tradition alive, The Ritz - Carlton Ras Al Khaimah, Al Wadi Desert, hosts the first Ritz - Carlton Equestrian & Adventure Centre for guests to experience the natural desert
landscape on an organised horse trek through 500 hectares of unspoilt nature.
Exploring the idea of «the figure»
with a red dot, backgrounded by historical
landscape photographs,
tradition and contemporary theory mingle, merge and clash.
In this little village in rural Norway, modern architecture encounters the natural and cultural
landscape — and shows that the modern and innovative can go hand in hand
with local building
traditions and good, old - fashioned handicrafts.
Scotland is a country synonymous
with ancient castles, rugged
landscapes and quaint
traditions.
Visitors describe Laos as one of the most charming places in Southeast Asia,
with traditions and heritage spanning generations, lush
landscapes and famous Lao hospitality.
Seville could not be understood fully without exploring its Islamic past; windy streets and squares splashed
with mudéjar towers, inherited from the old Mosque towers, compose an urban
landscape with a medieval
tradition.
With a privileged location on the skirts on the Historic Sanctuary of Machu Picchu and near the shores of the Vilcanota River, Sumaq offers an impressive view of the mountains and most of the beautiful landscapes, excellent service, authentic Peruvian cuisine, and the mystic connection with local traditi
With a privileged location on the skirts on the Historic Sanctuary of Machu Picchu and near the shores of the Vilcanota River, Sumaq offers an impressive view of the mountains and most of the beautiful
landscapes, excellent service, authentic Peruvian cuisine, and the mystic connection
with local traditi
with local
traditions.
SPG reinvented the hospitality loyalty
landscape when it launched in 1999
with its breakthrough policy of no blackout dates, and over the years has continued its
tradition of innovation
with enhancements such as Cash + Points, Your24 ™, SPG Lifetime ™, SPG Moments and 4 p.m. late checkout when available.
On the island of Lanzarote, near the African coast, a small part of the East mixes
with ancient
traditions and captivating Canarian volcanic
landscapes.
V - Wing 1997 V - Wing is one of the numerous AUTS and Turboraketti clones, a caveflier, which would have been forgotten long ago without its new features.The game follows the
tradition of cavefliers: V - shaped ships drawn
with two lines fly around in imaginary platform
landscapes and try to shoot each other into pieces
with...
For YSP he will make new painting and sculpture — resolutely contemporary works that will integrate an inclination towards geometry
with the romantic sincerity of
landscape painting in the historical
tradition.
His work pays no heed to fashion,
with self - portraits and vast, milky
landscapes in the
traditions of Gustav Klimt, Vincent van Gogh and Edvard Munch.
With humor and wit, the series riffs on the
tradition of documenting the road trip, in this case across the vast
landscape of the continental United States.
With references ranging the infinite space of undiscovered galaxies to the unplumbed depths of the psychic
landscape, her installation probes some of the myriad possibilities presented by merging of technology and
tradition.
Takahiro Iwasaki builds exquisite, intricate, almost impossibly tiny structures, associated
with industrial society and faith
traditions on micro
landscapes (of towels and other domestic fabrics) that seem one breath away from destruction.
These recent works
with their multiple perspectives and deceptively simple rendering of
landscape and figure look much connected to the
tradition of Korean ink painting from which they do indeed come.
The
tradition of recording
landscapes in drawing continues more than a century later
with works by Caspar Wolf (1735 — 1798), Adrian Zingg (1734 — 1816), Francis Towne (1739 — 1816), and a delicate and sensitive study of clouds on blue paper by Johann Georg von Dillis (1759 — 1841).
The Mori Art Museum Chief Curator Mami Kataoka has written, «
With watercolor on paper, she creates abstract
landscapes that reference mythological narrative alongside
traditions of pattern and decoration.
This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting
traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese
landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar
with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.
The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native
landscape; Ruth Beale
with new large - scale works on paper, drawing on the British
tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
These striking prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American
landscapes of Yosemite and the High Sierra in the
tradition of Hokusai's 36 Views of Mount Fuji, executed
with a traditional Japanese woodblock technique.
At the Whitney Museum Independent Study Program, which he attended in 1996, Martin began his critique of the
landscape tradition by appropriating and copying advertisements
with unlocatable «magnificent» views; as time passed he began inventing his own generalized images, the essence of grand, unpopulated wildernesses.
The Norwich School continued the
landscape tradition, while the Pre-Raphaelite Brotherhood, led by artists such as Holman Hunt, Dante Gabriel Rossetti and John Everett Millais, revived the Early Renaissance style
with their vivid and detailed style.
As its European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction of the everyday modern life and the
tradition of the en plain air, started
with Monet's
landscape paintings.
Drawn from the American
landscape and still - life
traditions, her works depict rural pastorals and coastlines, oftentimes
with nondescript barns or cottages.
In terms of subject, not style, Doig's work can be positioned within two
traditions - that of Western
landscape painting
with heroic, moody representations of nature; and Impressionism
with depictions of daily life, scenes previously thought irrelevant or inconsequential but which serve as the true basis for human interaction.
In keeping
with the MATRIX
tradition of facilitating new, open modes of analysis, Some Forgotten Place presents the work of eight contemporary international artists who explore
landscape as an intellectually and emotionally charged space.
Taking inspiration from the Philippine weaving and the Jewish folk
traditions of her ancestors, along
with traditional
landscape painting techniques from her academic training, she interweaves image
with refuse in order to reveal seamless yet textured transcultural contradictions.
Using the form of
landscape photography, a
tradition born
with industrial expansion, these photographs evidence nature's force as it reclaims land subdued and ruled by a myopic civilization.
In a series of elongated panels, from panoramas of Stradbroke Island and Moreton Bay to studies of South Gorge and Main Beach in atmospheric afternoon light and groups of paperbarks at Stradbroke's Brown Lake, Taylor continues his conversation
with the
tradition of Australian
landscape painting.
Known for bridging the Neoclassic
tradition of allegory set in nature
with Realism and plein air practice, Jean - Baptiste - Camille Corot embarked on his artistic career by studying
landscape painting.
The work of Kourosh Adim is concerned
with the poetry of the veil as part of the natural, physical
landscape, exploring spirituality,
tradition and modernity.
The show (organized
with the Joan Mitchell Foundation and
with Museum Ludwig in Cologne) credits Mitchell as an important bridge between American and European abstraction, connecting her early New York School years to her late period in Vétheuil, France, where she made
landscapes that were very much in the muscular Ab - Ex
tradition but also explored the more genteel legacy of late Monet.
An introductory text reflects on how these artists both inherit and reject the
traditions of their adopted genres, and three essays provide close readings of a key portrait (Henri de Toulouse Lautrec's «La Goulue at the Moulin Rouge»), still - life (Paul Cézanne's «Still Life
with Ginger Jar,» «Sugar Bowl» and «Oranges»), and
landscape (Van Gogh's «The Olive Trees») from the dawn of modernism, and expand to consider subsequent works.
His paintings engage
with the
traditions of
landscape painting and the history of abstraction.
Rejecting
tradition, they favored bold, abstracted forms that broke free from the illusion of depth, creating simplified and stylized
landscapes that expressed their personal, subjective encounter
with nature and response to the region, rather than trying to imitate the exact visual appearance of a location.
His work fuses the concepts of consumption, waste, and recycling
with textile
traditions and
landscape through monstrous weavings which are a balance between the two dimensions created on a loom, and the third contingent of space.
Canvases as seemingly varied as his still life Cascos / Helmets (2009), the North African
landscape seen in Casbah de Tiout (2008), and the minutely detailed Marruecos triptico / Morocco Triptych (2009) are all imbued
with the memories of a lifetime spent across three continents, immersed in diverse cultures, histories, religions, and
traditions and finally emphasized through Morocco's vivid hues.