Sentences with phrase «landscapes shot by»

Jonas developed the videos in New York in winter 2015, with children ranging in age from five to 16 performing against video backdrops of landscapes shot by Jonas mostly in Nova Scotia, Canada, and Brooklyn, New York.

Not exact matches

An early shot from ace cinematographer Robrecht Heyvaert starts with an epic desert landscape then cuts back to reveal that widescreen vista in the lens of aviator sunglasses worn by Richard (Kevin Janssens), a handsome dude exuding smugness from every pore.

Beautifully shot by Caroline Champetier in the picturesque Limousin area — a part of France that has apparently not changed much in the last century — «The Guardians» uses the grace of the landscape as a constant.

But Scott sucks the suspense out of every scene by focusing on long, lingering shots of the red landscape.

It's gorgeously shot, displaying both the beauty and sadness of its picturesque landscape, and features a trio of excellent performances by Chris Pine, Ben Foster and Jeff Bridges.

It «s true that a Ridley Scott image is as immediately identifiable as, say, a western landscape as shot by John Ford or a film noir street as filmed by Anthony Mann, but the difference is that Scott «s style is completely detachable - and indeed, completely detached - from its subject.

You won't need your arm twisted to see the movie, artfully shot by Tom Stern (Mystic River) as the scene shifts from the perverse lushness of the Capitol to the stark landscape of the battle zone.

Gray's wide shots are among the saddest in contemporary film, and as a result the movie is pervaded by loneliness and resignation — intervals of space, sometimes akin to the ma of Japanese landscape painting.

The beautiful feeling for the landscapes, which are powerfully shot by Mike Molloy, only amplifies the heartfelt nature of the project.

Solid performances are tied together by a haunting score and enough gorgeous landscape shots to make any Fáilte Ireland employee weep shamrocks.

Burnett was disappointed by the fact that he was unable to shoot in high summer, but the film's autumnal landscapes have a quiet beauty and are free of the cheap, gaudy, corporate chain stores that infest poor towns in today's America.

I loved that there was no compromise on making the film more commercially palatable by cutting some of the extensive landscape shots to decrease the runtime.

Beautifully shot by Anthony Dod Mantle (127 Hours, Slumdog Millionaire), The Eagle benefits from fantastic use of shadows and light, lush landscapes, misty atmosphere, and fluid camerawork, as befitting a cinematic epic battle tale.

The cinematography by Sam McCurdy takes advantage of the stunning landscapes of Serowe, Botswana, but steers clear the expected shots we know so well from Out of Africa or I Dreamed of Africa.

The pivotal gears of Power's self - written screenplay are, nevertheless, turned by atavistic, pig - shooting ruffians, who are capable of inflicting infinitely more terror than any of the non-human beasts roaming the landscape.

That unique mindset grounds everything: because we're focused on the basic challenges of day - to - day existence, our brains don't question that this is all taking place on an alien planet; the stunning scarlet landscapes (shot with unfussy style by Ridley Scott) are second to the mathematical athletics on display; the prospect of space travel is nothing compared to the mind - bending number of disco tunes in the possession of Chastain's guilt - ridden leader — if there's one thing Blade Runner's missing, it's Abba.

The effort was to look at my favorite movies of the year (inspired, to begin with, by the opening of «No Country for Old Men») solely through establishing shots, architecture, landscapes, inanimate objects... and a few glimpses of extras and motionless actors who don't speak.

Call Me by Your Name With wide - panning shots of northern Italy's lush, romantic landscape and sexual liaisons (one famously involving a peach) evoking all the pain and desperation of thorny adolescence, there are plenty of stand - out scenes in Luca Guadagnino's 1980s coming - of - age tale that are worthy of cinematic note.

A remake of the 2011 Icelandic comedy Either Way, set in the late Eighties, it's a road movie in the most literal sense, shot in the charred landscape of Bastrop State Park, an area 40 miles east of Austin recently devastated by wildfires.

Gorgeously shot on 16 mm by Christopher Blauvelt, the vast, chilly landscapes of the American northwest embody the isolation and loneliness of the characters, whose silences speak volumes.

Anchored by wonderful performances from Costner and Bello in tandem and visually enhanced by a vibrant Disney color palette — this is a beautifully shot film, with particular emphasis on the landscapes during the races as well as the costume design — you might find yourself every now and then counting cliches but at the end you shouldn't be too surprised to find yourself secretly cheering.

The film starts by offering a series of disparate stimuli: talk of Italian - German conflict during World War II, a group of young students, a mountainous Tuscan landscape clouded in fog, a solitary farmer trudging through thick brush, a shot of a beetle toppling itself over.

As an already evident auteur, he loves Ireland (as clearly evidenced by the glorious landscape shots throughout) and despises such Irish institutions as middle - management, bitterness and mob - rule.

Shot by Mikai Danger Karl, the video was shot during his recent trip to the country in April, 2014, and features some incredible images of the country's landscape, along with stunning portraits of Afghans who, if you asked, probably have a lifetime of stories to tell about their liShot by Mikai Danger Karl, the video was shot during his recent trip to the country in April, 2014, and features some incredible images of the country's landscape, along with stunning portraits of Afghans who, if you asked, probably have a lifetime of stories to tell about their lishot during his recent trip to the country in April, 2014, and features some incredible images of the country's landscape, along with stunning portraits of Afghans who, if you asked, probably have a lifetime of stories to tell about their lives.

As the train's beautiful vintage locomotive and carriages pass through Arizona's breath - taking landscapes, passengers are entertained by singers and also witness an attempted train robbery and shoot out performed by actors.

With a mesmerising landscape and amazing wildlife as the backdrop, guests will have the chance to explore and improve their photograpy by learning how to take and edit pictures The itineraries are designed to maximise expedition time and provide opportunities for shooting great images.

For much of the game you'll run around quasi-familiar locations with a paintbrush that can shoot either paint or thinner, allowing you to alter the landscape by either adding something that wasn't previously there or by removing something entirely.

Highlights include a black and white city landscape which invites you to smash buildings as they pop up beneath you whilst fighting off waves of planes doing their best to take you down, and a game that puts you on a circling platform with the ability to destroy various enemies that populate the screen by slinging shots at them from your arms.

Flatland is a series of digital artworks shot using a drone by Turkish photographer Aydın Büyüktaş, that transform the everyday landscapes of Istanbul into gravity - defying other - worlds.

The photography challenge was to resist shooting only Penguin close - ups (very tempting for sure) & step back occasionally to be equally amazed by the landscape in which they live.

The exhibition has previously traveled throughout Europe and South America: CaixaForum, Palma, Spain February 25 to May 31,2015 A Cordoaria Nacional, Lisbon, Portugal April 8 to August 2, 2015 Amerika Haus, Berlin, Germany April 17 to August 18, 2015 Forti di Bard, Aosta, Italy May 9 to September 30, 2015 CaixaForum, Zaragosa, Spain June 18 to October 12, 2015 THE SALT OF THE EARTH Select theatrical release in New York and Los Angeles Co-directed by Wim Wenders and Juliano Ribeiro Salgado, the Oscar - nominated documentary recounts Salgado's career, from images of the Boschian nightmare of Brazil's Serra Pelada gold mines to shots of the mid-1990s Rwandan genocide to Sebastião's most recent project, Genesis, which captures pristine, grandly scaled landscapes throughout the world.

This screen and its pattern forms the structure of the video and sound work shot and assembled by Williams, less a film than an animated graphic composition that draws from the histories of weaving, capitalism, technical systems, and landscape.

Krišs Salmanis» Long Day, 2012, a 35 mm film (sound by Steve Roden), appears to be a single shot of a rural landscape, speeded up as we observe a day from sunrise to sunset.

On the computer in Photoshop, she merged two majestic landscapes by Bierstadt and another by Church with blurred news images of riots and protests in the wake of fatal shootings of black men.

Ranging from landscape shots to super-sized closeups, the work, presented by London gallery Carroll Fletcher, encapsulates the uncomfortable intersection of the surveillance state with selfie culture.

Shot in 1979 by the French designer and photographer using quintessentially English landscapes as the backdrop to this high - end campaign.

With a sensibility reminiscent of a Romantic landscape painter confronted by the sublime, he used an infrared camera to shoot the images and a custom - built audio - recorder to capture the ambient sounds and scan and capture radio frequencies at intervals regulated by the artist's heartbeat.

Comprised of material shot for Laura Poitras's Academy Award - winning documentary Citizenfour (2014) about whistle - blower Edward Snowden — for which the artist was a contributing cinematographer — instruments of surveillance are revealed in scenes of bucolic landscapes, uncharacteristically marked by satellite dishes and radomes, busy city centres and moody seascapes.

Struck by the eerie similarities between the giant megalopolises of Los Angeles and Beijing, Sterling Ruby (born 1972) takes the reader into his own journalistic vision - sourcing photographs of landscapes and interiors of the two cities, both shot and found by the artist - each page claustrophobically framed by collaged imagery of stalagmites and stalactites.

It prefigures the opening shot from Triumph of the Will, giving us a highly precise bombardier's gaze over a landscape whose exotic difference is sanitized and contained by a forcefully modern mode of representation.

The photographer has always liked to capture variations in natural light, and natural light predominates in the photos inspired by Judd: It is the light of Marfa's desert landscape, reflected in the metal and changing from one shot to another.

Till September the 18th at Museum Casa Rossa in the centre of Anacapri the solo exhibition Luigi Ghirri curated by Gianluca Riccio and Arianna Rosica, features 24 photographs selected amongst those made by Ghirri in Capri between 1981 and 1983: these shots were a turning point in the career of the great Italian photographer, who had a new approach to interpreting the environment and the landscape.?

Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis — an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal - fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray - haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint - green room whose only visible furniture is a shaded lamp on an end table.

Three untitled urban landscapes by Johannesburg photographer and Market Photo Workshop - graduate Mack Magagane, all shot at night between 2011 and 2012, are the only other works in Zeitz MOCAA addressing the experiences and realities of this difficult transition.

Magic Stick, a 1998 video shot by Sone's wife when they were camping on Borneo Island, documents the artist clutching a glistening staff and moving with trepidation through the immense landscape that he equates with creation.

Shot in the sun, maybe by the pool, it's out of focus, like Opie's seductively generalized landscapes on view across town at the gallery's Chelsea space.

In her portraits and landscapes, Opie establishes a level of ambiguity — of identity and place — by exaggerating masculine or feminine characteristics, or by exaggerating the distance of the shot, cropping, or blurring her landscapes.

Its new smart camera features allow the phone to recognize food, pets, landscapes, and then react to them by switching to the correct shooting mode.

With the LG V30, all the camera's shooting modes can be accessed by tapping the mode button, which is located at the top of the viewfinder next to the settings button, or on the left if you're using your phone in landscape.