Sentences with phrase «landscapes shot from»

Like many of his other works it features everyday objects or landscapes shot from unfamiliar angles, giving them a stark and unusual perspective.

It mostly shows various stages of construction, but there are a few times when you can see the long, rounded hallways, the open floor plan with trees inside the dining area, and a landscape shot from the roof.

Not exact matches

«We know she has been hugely supportive of shooting's role in everything from landscape - scale conservation projects to local habitat creation and management and recognises shooting as a cornerstone of the countryside.

His recent projects range from character - driven films shot in crowded antiques stores to soothing stills that capture the solitude of barren desert landscapes.

The reds, yellows, and oranges of India's landscape pop with vibrant intensity, and the textural intricacies of the train itself, which is often shot from the side in wide angle, becomes a rushing vehicle of specific character details and images.

An early shot from ace cinematographer Robrecht Heyvaert starts with an epic desert landscape then cuts back to reveal that widescreen vista in the lens of aviator sunglasses worn by Richard (Kevin Janssens), a handsome dude exuding smugness from every pore.

It «s true that a Ridley Scott image is as immediately identifiable as, say, a western landscape as shot by John Ford or a film noir street as filmed by Anthony Mann, but the difference is that Scott «s style is completely detachable - and indeed, completely detached - from its subject.

You won't need your arm twisted to see the movie, artfully shot by Tom Stern (Mystic River) as the scene shifts from the perverse lushness of the Capitol to the stark landscape of the battle zone.

They started the film with only part of a shooting script and then it evolved from the journey, the landscapes, and the shooting itself.

Shot against a mesmerizing New Mexico landscape, we observe the Navajo Nation from the inside out through the eyes of these three unlikely characters.

Everything from the majestic shots of the scenic landscapes to the musical score felt ripped out of the 1960s.

The spaces Frank and Margaret live in are established with sight lines across cuts, each shot a discrete unit, separately lighted.8 When they go out, they stand in (or against) the landscape like Antonioni characters rather than, like Richardson and Reisz's characters, emerging from and heading back into streets, alleys, over bridges, under tunnels.

If Lady Bird is, as Gerwig asserts, a «love letter to Sacramento,» then this montage of everyday, easy - to - take - for - granted sights is the big S.W.A.K. on the envelope, an unmistakable declaration of affection; the static shots throughout the movie of old neon signs from Gunther's, the Tower Theatre and Club Raven could be considered the missive's heart - shaped punctuation marks; and the purposeful use of light, about which Gerwig was particularly exacting (she dutifully studied the Sacramento landscapes of renowned contemporary painters Gregory Kondos and Wayne Thiebaud to make sure the color and intensity were just right), is suitably analogous to the fine mist of perfume that will linger after the pages have been folded away.

The image looks fantastic, as the picture is free from grain (even during the stunning daytime landscape shots) and there are no noticeable defects from the source material.

The storybook images of stunning landscapes and lavish settings are a visual feast (Tarsem shot the fantasy scenes piecemeal all over the world over the course of four years) and the narrative innocence of wild turns and impossible feats (like traveling from China to New York to Paris on horseback in what seems like a day) is a charge.

Sure, if you like khaki - colored landscapes and watching guys scowl from underneath dirty helmets while shooting CGI arrows at each other; the trailers don't seem to suggest that there's much else to Dragon Blade.

Beautifully shot by Anthony Dod Mantle (127 Hours, Slumdog Millionaire), The Eagle benefits from fantastic use of shadows and light, lush landscapes, misty atmosphere, and fluid camerawork, as befitting a cinematic epic battle tale.

The cinematography by Sam McCurdy takes advantage of the stunning landscapes of Serowe, Botswana, but steers clear the expected shots we know so well from Out of Africa or I Dreamed of Africa.

- Bob [DISAPPOINTED] An exquisitely shot film with endless desert landscapes and featuring a great soundtrack ranging from Ace of Base to Culture Club.

Hepburn, who also wrote the screenplay, shows a fondness for neo-realism, with a wealth of handheld shots, often uncomfortable closeups, elements of kitchen sink melodrama ---- great secondary performances from the likes of Nicholas Campbell and Mary Galloway make any soap opera elements utterly convincing ---- and sequences where the bucolic backgrounds and wintry landscapes seem to obsess and overwhelm the characters.

Shooting on location in Ghana allows The Dead to remove its characters from the zombie genre's typical holed up location and uses the vast, gorgeous African landscape to its tremendous advantage.

They also showed off the new technology that allowed them to create EXTREMELY realistic landscape shots, and premiered a few clips from the movie.

Rees told me the film had been shot in 28 days moving from Hungary to New Orleans to capture the muddy landscape of the Mississipi Delta.

Cutting from neon - streaked sequences of the four principals holidaying in Cambodia to cryptic shots of the protagonist, Dave Flannery (Joel Edgerton), staggering shirtless and bloodstained through a pre-dawn landscape, the prologue is pregnant with portents and possibilities.

That scene is still in the film, but following is a shot of Barbara (Roberts), the eldest daughter, driving away from the house and through Osage County, stopping to look at the landscape, finishing her story as well.

Anchored by wonderful performances from Costner and Bello in tandem and visually enhanced by a vibrant Disney color palette — this is a beautifully shot film, with particular emphasis on the landscapes during the races as well as the costume design — you might find yourself every now and then counting cliches but at the end you shouldn't be too surprised to find yourself secretly cheering.

From the spacious landscape shots of the family's heavily fortified home and farmland surroundings to the tight camera angles during the movie's suspenseful sequences, A Quiet Place varies smoothly from tender to disturbing in tone thanks its its imagFrom the spacious landscape shots of the family's heavily fortified home and farmland surroundings to the tight camera angles during the movie's suspenseful sequences, A Quiet Place varies smoothly from tender to disturbing in tone thanks its its imagfrom tender to disturbing in tone thanks its its imagery.

With his stark feature debut Lady Macbeth, William Oldroyd did exactly the opposite, revelling in the rich landscape shots that defined his stark adaptation of Nikolai Leskov's novel, its action relocated from Russia to the north of England.

Features a vast assortment of high resolution royalty free photos, ranging from close - up animal pics to urban landscape shots.

Recently, I learned of a new show on The Weather Channel called From the Edge With Peter Lik about the acclaimed Australian photographer who documents his travels to shoot America's most dramatic landscapes.

First the team removes all the cars from the landscape section; animal shots from the people section and zoo pictures from the wildlife category

Renowned for their stunning landscape photography, with shots from every far - flung corner of the globe filling their Instagram feed, even they've admitted there's nothing quite like experiencing the magic of Australia.

A few shots from my grappling hook, I was able to tether and rip a driver right out of the car, sending his body flying across the landscape and causing the now empty car to steer into the second patrol car.

We want to see your finest landscapes, your funniest selfies and your most stunning action shots from the world of DRAGON QUEST VIII: Journey of the Cursed King, and we're prepared to reward three budding photographers with a hefty treasure trove of DRAGON QUEST goodies.

You see a simple figure traveling along a fixed path, riding a current of metronomic dance music while shooting at abstract objects that rise up from a geometric landscape.

It's also possible to remove Kratos, Atreus, or NPCs from the shots entirely if you want to focus on landscape photography, or if one pesky enemy was getting in the way of framing the perfect photo of Kratos's face.

Highlights include a black and white city landscape which invites you to smash buildings as they pop up beneath you whilst fighting off waves of planes doing their best to take you down, and a game that puts you on a circling platform with the ability to destroy various enemies that populate the screen by slinging shots at them from your arms.

The third concept shows a landscape with Jak and Daxter shot from behind.

Each encounter with the infamous outlaws is preceded with navigation through varied old west staple landscapes like farms, towns, mills, mines, caves, mountains, marshes, trains, bridges and ghost towns as well as a shooting gallery of enemies ranging from outlaw gangs to native American warriors.

So it's up to Saints leader Johnny Gat to jump through the portal to Hell and shoot a bunch of demons in the face in order to rescue the President and save all of mankind from being sucked into a nightmarish landscape.

Shooting from a helicopter, photographer LaToya Ruby Frazier revisits Memphis, Chicago and Baltimore «to explore how they have responded to five more decades of oppression» and document the transformation of their physical landscapes post-King.

The exhibition has previously traveled throughout Europe and South America: CaixaForum, Palma, Spain February 25 to May 31,2015 A Cordoaria Nacional, Lisbon, Portugal April 8 to August 2, 2015 Amerika Haus, Berlin, Germany April 17 to August 18, 2015 Forti di Bard, Aosta, Italy May 9 to September 30, 2015 CaixaForum, Zaragosa, Spain June 18 to October 12, 2015 THE SALT OF THE EARTH Select theatrical release in New York and Los Angeles Co-directed by Wim Wenders and Juliano Ribeiro Salgado, the Oscar - nominated documentary recounts Salgado's career, from images of the Boschian nightmare of Brazil's Serra Pelada gold mines to shots of the mid-1990s Rwandan genocide to Sebastião's most recent project, Genesis, which captures pristine, grandly scaled landscapes throughout the world.

This screen and its pattern forms the structure of the video and sound work shot and assembled by Williams, less a film than an animated graphic composition that draws from the histories of weaving, capitalism, technical systems, and landscape.

Krišs Salmanis» Long Day, 2012, a 35 mm film (sound by Steve Roden), appears to be a single shot of a rural landscape, speeded up as we observe a day from sunrise to sunset.

Ranging from landscape shots to super-sized closeups, the work, presented by London gallery Carroll Fletcher, encapsulates the uncomfortable intersection of the surveillance state with selfie culture.

2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!

This volume includes, amongst other series, selections from «Diary / Landscape,» in which Welling matched the writing of his ancestors» letters with Connecticut winter landscapes; «Glass House» a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his «Degrades,» pure color photograms created in the darkroom as well as selections from his recent «Wyeth» and «Choreograph» track his early interest in painting and dance.

This Italian photographer has shot landscapes in many isolated places, from mountain tops to lost human structures.

Jacotey's work draws inspiration from the gathering of people together, the expression of emotions in their many and varied interactions and the contexts and details in which these engagements take place — architecture, landscape, or place; picking out wallpaper, furniture, clothes, and zooming in further to detail pattern, patina, texture... Her works — though insistently manual in their making (paintings on plaster and dust sheets, pencil drawings, sewing and fabric)-- make use of perspectives that reference the world of cinema and slo - mo, the photographer's point and shoot, identifying an artist who has come of age in the smartphone world with its prevalent verbs — zoom, scroll, tap, drag, swipe etc..

Towering giraffes, shot in various U.S. zoos, populate a hazy, desolate landscape created from images taken in Turkey, Bali and Iceland; spectacular Javan peacocks from Asia are camouflaged within a Spanish pepper tree; and the interior of an Icelandic volcano forms the setting for a gooey tar pit where Peruvian yellow - hooded blackbirds nest.