Sentences with phrase «language as an art form»

We really believe in the power of words — language as an art form.

Not exact matches

Although the arrival of Christianity systemised and propagated a written language, a literary tradition had existed before it, as had various forms of art.

They may reject the pleasures of sex and of wealth, renounce learning and the fine arts, and refuse to participate in civil government or warfare, but they inevitably adopt some other cultural forms, such as language.

They were given ability such as to form tools, arts, language.

Upon their return, special subjects teachers provide instruction in various topics such as foreign languages (French and German), fiber arts, music, woodwork, sustainability, physical education, and eurythmy (a form of body movement that incorporates elements of dance, balance, poise and athleticism).

A full year of schemes of study, a vast range of supporting slide shows, student and staff handbooks, student feedback forms, policies including Health and Safety and a Gifted and Talented policy, cross curricular information such as colours in different languages, a vision for Art Education, Art Technician duty list and much more....

A full year of schemes of study A vast range of supporting visuals and slide shows Student and staff handbooks Student feedback forms Policies including Health and Safety and a Gifted and Talented policy Cross curricular information such as colours in different languages A vision for Art Education Art Technician duty list and....

I have heard from his teachers and principal at Annapolis, Maryland's Wiley H. Bates Middle School about the academic benefits of arts integration, how various forms of artistic expression (PDF) are employed to learn math and science as well as language arts.

Teachers can use the slim paperbacks (under 150 pages) in the social studies classroom because of the content and / or in the language arts classroom as a new form in the genre of memoir.

The 10 ELP Standards highlight a strategic set of language functions (what students do with language to accomplish content - specific tasks) and language forms (vocabulary, grammar, and discourse specific to a particular content area or discipline) which are needed by ELLs as they develop competence in the practices associated with English language arts (ELA) & literacy, mathematics, and science (Bunch, Kiber, & Pimentel, 2013; CCSSO, 2012; Lee, Quinn, & Valdez, 2013; Moschkovich, 2012; van Lier & Walqui, 2012).

You can then use Ascensus Target to build shared content and fixed - form assessments for other subject areas, such as other languages, arts, social studies, CTE, or any additional curriculum areas.

We publish poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art.

The methods of teaching developed at the BMC — such as an emphasis on interpretation and dialogue in the form of the student critique (or «crit»)-- are still present in many of our most advanced art schools; the language of interdisciplinarity began at BMC and the mixture of disciplines and mediums gave way to what is largely regarded as the first «happening»; and the aspirations of intentional communities, utopian ways of thinking, bridging the gap between art and life, and the creation of a counter-culture that are characteristic of American culture in the 1960s all flourished at the college in the preceding decades.

The works currently on display include traditional ephemera (Italian language guides, bakery business cards) as well as original works of art that mimic knickknacks, such as Sinead Cahill's hand - embroidered «girl scout» merit badges made from lithographed fabric, and many things that are not ephemeral at all, but step outside traditional fine art forms into the realm of the quotidian.

Holzer developed a mode of textual art during the 1970s, using electronic signs and various printed media to explore language and text as a form of art.

Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won forms play on the language of ancient art as well as modernism and the abstract compositions of painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from even the most fundamental visual associations.

Almost uniformly, curatorial efforts have concentrated on the graphic or material relationship between writing and the visual arts: whether or not writing is a kind of drawing; how artists have integrated text as visual form; how drawing can free language from the necessity of communication etc..

In the language of art, we have certain kinds of mark - making and forms that we trust because they are less flexible as far as interpretation is concerned.

Exploring the very nature of painting, both as a form of a visual language and a vehicle of mere expression, Howard Hodgkin rejected any classical and modern art canons.

DRKRM focuses in on the different aspects of GIF animation as art forms and their widespread distribution in the last few decades, becoming a kind of coded and somewhat sophisticated new language.

His practice derives from his research of art as a connecting device that links sensory experience, sociability and language: his work is communicative and fosters the dissemination of actions and forms.

Painting was seen as the lowest art form, the most commercial, not really art at all and Social Realism was the most discredited style, a dead language.

In 1996, Temkin taught himself computer programming and quickly began seeing the language of coding as a form of conceptual art.

In many ways, he opened ways for other artists not only to see but to understand conceptually the importance of working in a reductive manner as signaling a new approach to art somewhere between late industry and the virtual age of digital forms — forms that emit a language consistent with the twenty - first century, with all their elegant and paradoxical beauty.

We are delighted to present established painter, Wosene Worke Kosrof (b. 1950), who's stunning paintings use the script forms — fiedel — of his native language as a core point of abstraction, and Girma Berta (b. 1990), an award winning young artist whose work fuses street photography with fine art.

A radical pioneer of conceptual and installation art, Kosuth initiated appropriation strategies, language - based works and the use of neon as a medium — considering it a form of «public writing» without fine art associations — in the 1960s.

Although this body of work focuses on the potential for language to serve as an art form, the subjects of his epigrammatic statements are often materials, or a physical action or process.

As art historian Noit Banai has noted, «In this extraordinarily precarious and plural historical moment, between the war's end and the advent of Socialist Realism as official cultural policy, Andrzej Wróblewski developed a language of radical corporality in which a subject's vulnerability to divergent relations of power was given tactile form.&raquAs art historian Noit Banai has noted, «In this extraordinarily precarious and plural historical moment, between the war's end and the advent of Socialist Realism as official cultural policy, Andrzej Wróblewski developed a language of radical corporality in which a subject's vulnerability to divergent relations of power was given tactile form.&raquas official cultural policy, Andrzej Wróblewski developed a language of radical corporality in which a subject's vulnerability to divergent relations of power was given tactile form.»

Frequent Public Art Fund collaborator, Hank Willis Thomas» current project, «The Truth Is I See You» at Brooklyn's MetroTech Commons, features a series of speech balloons — a mixture of open form sculptural works that served as benches for introspection and signage in 22 languages on the themes of understanding and truth.

Starting in the mid 1950s, the movement known as concrete poetry sought to explore the space between poetry and visual art, creating works that were visual (words in shapes and 3 - D form) but also played with the sound and cadence of language.

If «art is language and language is power,» as Mayerson puts it, «My American Dream» speaks to the new, more inclusive America that has taken form in the past decade.

The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.

Valie Export, Howardena Pindell and Martha Rosler, among others, produced charged artworks that variously incorporate newly emerging art forms such as performance, language, photography and video to question underlying structures of social control and oppression.

The show chronicles an almost 50 - year investigation into the role of language and meaning in art, as well as Kosuth's use of neon, which he first developed as a medium in the 1960s, a practice that is said to precede Bruce Nauman, Mario Merz and Keith Sonnier, when the artist considered the medium a form of «public writing», without fine art associations.

Like the nearby phrase «An Object Self - Defined» from the work «Self - Defined Object [green]», 1966, the artist forms the relationship between words and art object, short - circuiting its separation, language and art, language in art, language as, or is art, the work professes to form a dialectic that results in a relationship to philosophical thought.

Luis Camnitzer (b. 1937), German - born Uruguyan artist, employs language as art medium to comment on art making processes, form, and content.

He develops his pictorial language by assembling and layering found images from diverse sources such as magazines, monster fanzines, art books, and film publicity, and equally from a fund of forms whose origins, even if not directly referential, derive from American Surrealism.

Removed from their literary contexts, the pages exist as a form of found, language - based conceptual art.

Over many years, the experience of encountering contemporary abstract art in the studios and galleries, outside of the functional mandates of the museums, has helped me understand form as a living language.

Although his work s focuses on the potential for language to serve as an art form, the subjects of his epigrammatic statements are often directly related to the physical arrangement of the letters on the wall or to the viewers experience of reading these statements.