Sentences with phrase «language film performances»

Not exact matches

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit today's audience.

Penelope Cruz provides a career performance in this hauntingly superb, Spanish - language film.

But it is a powerful film, one of the nine shortlisted for the foreign - language Oscar, and it is elevated, as it would need to be, by Diane Kruger's superb performance in the central role.

(1) The Intouchables, an $ 11.5 million dramedy, based on a true story, that was co-written and co-directed by Olivier Nakache and Eric Toledano and has become the second highest - grossing French film of all - time in France and grossed more than $ 355 million internationally (more than any other French film and, for that matter, any non-English-language film, save for The Passion of the Christ); and (2) Rust and Bone, a fictional drama that was co-written and directed by Jacques Audiard, a best foreign language film Oscar nominee three years ago for France's Un Prophet, and features tour - de-force performances from Marion Cotillard, the best actress Oscar winner five years ago, and Matthias Schonaerts, the star of last year's Belgian nominee Bullhead.

Best motion picture of the year «Amour» «Argo» «Beasts of the Southern Wild» «Django Unchained» «Les Misérables» «Life of Pi» «Lincoln» «Silver Linings Playbook» «Zero Dark Thirty» Performance by an actor in a leading role Bradley Cooper in «Silver Linings Playbook» Daniel Day - Lewis in «Lincoln» Hugh Jackman in «Les Misérables» Joaquin Phoenix in «The Master» Denzel Washington in «Flight» Performance by an actress in a leading role Jessica Chastain in «Zero Dark Thirty» Jennifer Lawrence in «Silver Linings Playbook» Emmanuelle Riva in «Amour» Quvenzhané Wallis in «Beasts of the Southern Wild» Naomi Watts in «The Impossible» Performance by an actor in a supporting role Alan Arkin in «Argo» Robert De Niro in «Silver Linings Playbook» Philip Seymour Hoffman in «The Master» Tommy Lee Jones in «Lincoln» Christoph Waltz in «Django Unchained» Performance by an actress in a supporting role Amy Adams in «The Master» Sally Field in «Lincoln» Anne Hathaway in «Les Misérables» Helen Hunt in «The Sessions» Jacki Weaver in «Silver Linings Playbook» Achievement in directing «Amour,» Michael Haneke «Beasts of the Southern Wild,» Benh Zeitlin «Life of Pi,» Ang Lee «Lincoln,» Steven Spielberg «Silver Linings Playbook,» David O. Russell Best foreign language film of the year «Amour,» Austria «Kon - Tiki,» Norway «No,» Chile «A Royal Affair,» Denmark «War Witch,» Canada Best animated feature film of the year «Brave,» Mark Andrews and Brenda Chapman «Frankenweenie,» Tim Burton «ParaNorman,» Sam Fell and Chris Butler «The Pirates!

For that matter, if academy voters took international cinema seriously, they might have spared a thought for Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film Oscar).

Esther Kahn, the first English - language film from French director Arnaud Desplechin, attributes great performances to an alchemy of approaches.

Though U.S. audiences likely weren't able to appreciate the movie on the same level as native Chinese speakers because of the way that the film plays around with the language, it's still an amusing and wildly madcap spaghetti western that's anchored by a trio of fantastic performances by director / star Wen, Chow Yun - Fat and Ge You, who have such great comedic timing between them that the subtitles often move too quickly to read.

Definitely one of the year's most beguiling performances came in one of the smallest packages: Günes Sensoy, star of Deniz Gamze Ergüven «s «Mustang,» the Turkish - language film confusingly entered as France's submission for the Best Foreign Language Film Oscar.

Lively as Almodovar's film is, it also features gags that grow repetitive or go on too long, like the flight attendants» campy lip sync performance to the Pointer Sisters» tune that provides the film's English - language title.

At once mythical and heartbreakingly real, this unique film features astonishing performances by its child stars and was honored with a special foreign language film Academy Award in 1952.

Daniela Vega's amazing performance as a trans woman dealing with grief after the death of her long - time lover is easily one of the best foreign language films in recent memory.

Animal Kingdom Rated R for violence, drug content and pervasive language Available on DVD and Blu - ray What I consider to be the most underrated film of the year is this Australian crime drama filled with powerhouse performances and a breathtaking script from writer / director David Michod.

He just needs to learn about visual language and using film not as a medium for performance but for stories.

Ford's command of cinematic space and the language of the frame here is unparalleled, and the performances and everything else in the film match it.

While Traffic is essentially about the war on drugs in America, the film's starting point is the almost - exclusively south - of - the - border (and nearly all Spanish language) story of Javier Rodriguez (Benicio Del Toro, doing away with his annoying tics and delivering a career performance), an average Tijuana State policeman who is given the opportunity for greater prestige by working for General Salazar's (Tomas Milian) efforts against the drug cartels.

Nominated for 8 Academy Awards, this gorgeous science fiction film from Denis Villenueve follows linguistics professors Louise Banks (Amy Adams in a career - best performance) as she aids the military in interpreting the language of the aliens that have come to earth.

This is also the first time the film's Italian audio has been made available domestically (in Dolby Digital 5.1 and original mono, no less), though it hardly impacts the performances, which are post-synched no matter the preferred language option.

As is usual for the incredibly broad spectrum of members of the ICS, foreign language films and performances were well represented in all categories with The Assassin, The Duke of Burgundy and Li» l Quinquin among the films to garner multiple nominations.

To my knowledge this is the only time that a movie principally in the Tamil language took the gold with ensemble performances principally by non-professional actors, knocking out a searing story that is at once a love story, a social drama, a film noir and a genre film.

• Anne finally caught «A Prophet» at the London film fest and it gives us a chance to discuss Tahar Rahim's amazing performance, the film's potential in the foreign language film race, etc..

Instances of strong adult language, some mild sexual situations, and one mildly risqué musical performance, «Otto Titsling» (edited out in TV airings), earn the film its PG - 13 rating, though to be fair, it's much tamer than today's typical PG - 13 fare.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

The Poetic Research Bureau, a project space for language - centered art and inquiry anchored in Chinatown's Chung King Road gallery district, brings @SEA, its monthly «live magazine» of film, video, poetry, performance and rogue scholarship, to the Hammer Museum.

For more than three decades Longo has been a prominent figure in New York cultural scene, shaping the visual language through his artworks, performances, films, and videos.

Albuquerque is an internationally renowned artist who, over the course of her 40 - year career, developed a strong visual language and an expansive body of work ranging from sculpture, poetry, painting, photography, film, and multi-media performance to ambitious site - specific ephemeral projects in remote locations around the globe.

Bibi is a multi-disciplinary artist working in installation, performance, film / video, photography, audio, and language.

Through her performances, films, and installations, Sharon Hayes examines the intersection of history, politics, and speech, with a particular focus on the language of twentieth - century protest groups.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Pendleton's conceptual practice engages with language, abstraction, and identity through a wide range of media, including painting, sculpture, printmaking, writing, film and performance, among others.

One such example of engaging art filmmaker is the influential Valie Export, whose films are absolutely never boring — harnessing direct performance, the language of commodity, Hollywood, poignant dialogue, and narrative to make their point.

Mauri's practice spans performance, film, installation, found - object sculpture, mixed media works and theoretical writings to question readings of history and the associated power of language and ideology.

Birnbaum has orchestrated his exhibition «Making Worlds» between the Arsenale and Palazzo delle Esposizioni in the Giardini as «an omnivorous and centrifugal show without sections where all the creative languages between installations, video and film, sculpture, performance, painting, and design follow one another with a common denominator: a «painterly sensibility.

New commissions and existing works across installation, film and live performance offer multiple approaches to the term: from a literal engagement with the history of critical psychiatry and mental health assessments, to abstract explorations of psychological processes and languages.

Using performance, film and installation, the American artist uses the language of 20th century protest groups to reflect the politically charged atmosphere of New York in the 1990s.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

artifice, Betty Susiarjo, body language, change, Chen Wei, exhibition, film, group exhibition, Hiraki Sawa, installation, memory, motion, movement, Moving Image, Ota Fine Arts, perception, performance, photography, rhythm, Samson Young, sound, space, speech, Tang Dixin, time, Victor Gui, video

Jeanine Oleson is an interdisciplinary artist interested in materiality and language, which she forms into images, films, and performances.

Since the 1990s, Berlin - based artist Judith Hopf has mastered an independent artistic language that unswervingly manages to stake out new ground, be it in the form of sculpture, film, drawing, performance, or stage design.

His commitment to materiality and language, both from collage and film, provides a historical example of art's ongoing attempt to critically and playfully counteract the consumer culture of performance.

Victoria Eleanor Bradford is a choreographer and visual artist whose structured improvisations take shape as experimental dinner parties, site - specific dance films and dances translating words into a kind of gibberish performance language.

Victoria Eleanor Bradford is a Louisiana - born, Chicago - based choreographer and visual artist whose structured improvisations take shape as experimental dinner parties, site - specific dance films, football training manuals used as choreographic instruction, and dancers translating words into a kind of gibberish performance language.

Please note, the exhibition contains a film with scenes some viewers may find upsetting and language of an explicit nature within the sound installation and live performances.

Lives of Performers by Yvonne Rainer, USA, 1972, 90 min, English Lives of Performers, the first feature film by the choreographer and co-founder of the Judson Dance Theater Yvonne Rainer, explores the overlapping and at times, disjunctive languages of cinema and performance.

Found in films, photographs, sculptures, installations, and performance: this type of language is more than just words after all, and the word more than just a mere string of letters.

Pendleton engages with language, abstraction, and identity through a wide range of media, including painting, sculpture, writing, film, and performance.

Elements of South American culture — food, music, language — populate Murillo's art, including performance, film, installation, publishing, painting and sculpture.

In her highly theoretical and poetic film works, Cha uses performance, speech, and text to explore interactions of language, meaning, and memory.

Since the early 1970s, Heyward has explored language through live performance, photography, film and video and interactive digital works.