Sentences with phrase «language means in practice»

But what this language means in practice isn't so clear.

Not exact matches

Now, if we mean a common second language, basically everybody achieving some proficiency in English, that's not without its problems but it's already what the EU is doing in practice.
In practice, as the Abbott family perform a daily dumb show in order to remain intact, this means a lot of sign languagIn practice, as the Abbott family perform a daily dumb show in order to remain intact, this means a lot of sign languagin order to remain intact, this means a lot of sign language.
Her work focuses on teacher professional development and training, pedagogical practices in and out of the classroom, english language learners, equity & social justice and media literacy as a means for professional development.
Some parents may be dissuaded to get involved with what they perceive as a group of close - knit educational professionals who engage in language and practices meant to exclude parents from the work of educational systems.
We also saw marked variability in other dimensions of instruction, like teacher use of student ideas, teachers» and students» use of academic language, and the focus on mathematical meaning and practices.
In traditional reading groups the words are pretaught and skills are practiced in workbooks, where as in a guided reading group the teacher builds meaning and language and skills are incorporated into the reading not with workbookIn traditional reading groups the words are pretaught and skills are practiced in workbooks, where as in a guided reading group the teacher builds meaning and language and skills are incorporated into the reading not with workbookin workbooks, where as in a guided reading group the teacher builds meaning and language and skills are incorporated into the reading not with workbookin a guided reading group the teacher builds meaning and language and skills are incorporated into the reading not with workbooks.
As practiced at many districts, dual immersion means that English along with one other language is used daily in the classroom where students are also usually a mix of native English speakers and non-English speakers.
Teachers have a tremendous role to play in actually (1) speaking and using the language of math with students in everyday classroom experiences; (2) providing multiple experiences for students to learn, practice, and apply the terminology; (3) helping students understand appropriate word meanings in the context of mathematics, and (4) focusing on the important terms associated with tested concepts and the vocabulary students need for further learning.
Contreras and those who work with him say he places a high value on using various types of data, whether that means creating a personalized schedule for English - language learners instead of relying on a computer, or holding monthly «portfolio meetings» of principals that feature videos of teachers in the classroom and robust discussions of their practices.
All it really means is that we meet a few evenings a week here in Rome to practice each other's languages.
At Fourteen30 Contemporary, Rafferty, a participant in this year's Whitney Biennial, presents new work concerning language and the body, a connection bridged through the concept of «figure drawing,» which applies both to the classical practice of artists observing and representing a model as well as using the innate elasticity of words to suggest multiple, sometimes contradictory meanings.
Using wry humor to upset expectations about so - called high art and the meaning of its placement in a commercial space, the works are also indicative of the importance language plays in the artist's practice.
Her practice, which lives mostly online and is called Famous On Mars, is fed by her feminism, as well as nostalgia for the 1990s, a deft copping of on - trend fashion aesthetics, and a deep - seated interest in means of social codification, through clothing, presentation, commerce, and indeed language.
Deaf since the age of ten, Joseph Grigely has dedicated his fifteen - year artistic practice to researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.
In her artistic practice, she addresses interpretations and identifications encouraged by language and image in relation to different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving art and in a broader sense meaninIn her artistic practice, she addresses interpretations and identifications encouraged by language and image in relation to different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving art and in a broader sense meaninin relation to different temporalities, employing translation and transformation and playing with formats and rituals of fabricating and perceiving art and in a broader sense meaninin a broader sense meaning.
It was, in other words, a form of ontological warfare meant to separate children from their roots in language, cultural practices and oral narratives that fundamentally inform the way in which a person interacts with their environment.
In other words, the meaning of practice id formed in languagIn other words, the meaning of practice id formed in languagin language.
As an originator of the Conteptual Art Movement, his artistic practice is rooted in the notion of Philosophy and Linguistics, and particularly to the connection between language and its meaning.
Her artistic practice focuses on text and language, which she explores by aesthetic means in installations and publications.
According to critic Ronaldo Brito, the artist's practice addresses artworks «as language exercises in how to play, inquiring about their meanings
The show chronicles an almost 50 - year investigation into the role of language and meaning in art, as well as Kosuth's use of neon, which he first developed as a medium in the 1960s, a practice that is said to precede Bruce Nauman, Mario Merz and Keith Sonnier, when the artist considered the medium a form of «public writing», without fine art associations.
Done in collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open - ended reading of her practice and also rethinking the idea of an artist's monograph.
In 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioIn 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formatioin a re-creative perceptual exercise of meaning - formation.
In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open - ended reading of her practice and also rethinking the idea of an artist's monograph.
The Monotypes are an important part to understand her wider practice: produced in response to the materiality of the thin and porous rice paper she prints on and to its fragility, the abstract prints also invite the viewer to reflect upon the importance and meaning of language.
But if you're sort of interested in innovating or you're interested in building new tools for your practice, it might be good to learn to code and by that, I mean, actually writing something in a programming language.
Stewart Title urged that the application judge erred, in turn, by: (i) failing to give effect to the clear meaning of the exception, and in finding ambiguity by looking at the word «paid» in isolation; (ii) «giving no weight to the factual matrix surrounding how the Policy language operates in practice and in its commercial context» when resolving the ambiguity; and (iii) resorting to contra proferentem reasoning before exhausting other methods of contract construction.
While this practice of electronically screening resumes saves time for busy HR executives, it also means that many highly qualified candidates are slipping through the cracks because they didn't use specific language or, in some cases, formatting on their resumes.
Uncle Joe has helped us to embed Aboriginal perspectives in our daily practice, from the sign Watta Mulli meaning «hello / welcome» in Wakka Wakka language in our entrance foyer, to our yarning place which he named Way Ding meaning «to gather and tell stories.»
Which, in plain language means that California can't restrict the therapy practice of someone in Montana.
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