Sentences with phrase «language of action painting»

In seeking to reinvigorate and advance the language of action painting, Yossifor concentrates the «action» near the center of each work while allowing it to become more diffuse around the edges, establishing a figure - ground relationship.
In Throw, 2016, by Wangechi Mutu, the eruptive gesture of demonstration merges with the (violent) placement of paint on a wall, referring to the languages of action painting and performance as well as to the act of throwing used in defiant protest.

Not exact matches

All were moving in a new direction away from the violence and anxiety of Action painting toward a new and seemingly calmer language of color.
Lichtenstein adopted a series of different artistic languages, first approximating Picasso's style of the 1940s, in 1956 turning to a more ornamental idiom and then to Rococo motifs, and finally turning to abstraction in 1958 in a late variation of Action painting.
Mary Bucci McCoy's intimate abstract acrylic paintings reconcile intention and acceptance, action and stillness, object and image, and conceptual rigor and intuitive process through a poetic material language that negotiates and exploits the opportunities and exigencies of her chosen medium.
Rather, Copperwhite approaches «action painting» as an inherited language, to which she contributes some striking dialect of her own.
Her videos, which conflate poetry, painting, live action performance and stop - animation, enact the slipperiness of language in times of extremity with signifiers that swing from propaganda to elegy, and rhetoric to apology.
Cohen intersects the language of heroic Abstract Expressionism with narrative to re-invent the experience of action painting in a contemporary context.
Lydia Gifford's artistic research is an enquiry of the language and possibilities of painting, of painterly thought, which are subsequently allocated and transposed by means of subtle actions, gestures, ideas and processes into a physical space.
Taking his cues from artists as diverse as Pablo Picasso, Henri Michaux, and Christopher Wool, Feaster seeks to advance the language of abstract painting through the use of an ever - expanding lexicon of material effects, marks, and erasures, entreating the viewer to participate in a disjointed narrative that warps the experience of pictorial space, light and action.
Transiting through multiple languages, such as painting, photography, performative action and video, Desali's work is marked by the subversion of hierarchies, both artistic and social.
Without prescribed beginnings, their means of production share more with action painting than with the language and precision of tapestry.
Soon afterward, the term «action painting» became part of the language.
Bernède's paintings are easily accessible for they evoke the collective sense of an archetypal visual language, and aid a civilisation's understanding of the world through heightened self - consciousness and awareness, a concept adopted by the Action painters from Freud and Jung.
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