The exhibition features three bodies of work that expand the
formal language of his painting into sculpture, marking the culmination of a decades - long development of three - dimensional work.
I will also go out on a limb and say that, after several years where abstraction has been the
dominant language of painting, representational work will start to mount a comeback.
Utilizing atypical materials, such as reflective and mesh fabrics, metal chains, rivets and expanding foam, Roman Liška analyzes the very
language of painting by opening it up to a broader conversation of image - making.
Bailey admits, «[A] narrative would have to be completely assimilated into the formal
language of painting before I could use it in a way that would allow me the artistic freedom, honesty, and authority I need.»
A key figure in Australian art since the mid-1980s, Linda Marrinon has developed an
idiosyncratic language of painting and drawing steeped in postmodernist irony and feminist wit.
The inspiration for Wylie's paintings often comes from a particular sight or visual moment that strikes her with a «special quality» that she tries to capture through her
own language of painting.
In the context of a
material language of paint and «paintedness», both volume and space might be said to be metaphysical in terms of their visual operation.
Influenced by some of the masters of figurative painting, such as Titian, Rembrandt, and Peter Paul Rubens, Auerbach has helped form a new
aesthetic language of painting.
Longo's large - scale translations of past masterpieces — such Francis Bacon's Painting of 1946, Édouard Manet's A Bar at the Folies - Bergère and Pablo Picasso's Guernica — are both physically overwhelming and subtle disquisitions into the
secret language of paint.
This publication looks at these new works and the collision of the
old language of painting and the neutral non-material of language within the works.
Over the course of a five - decade career, Whitten has constructed a bridge between gestural abstraction and process art, experimenting ceaselessly to arrive at a
nuanced language of painting that hovers between mechanical automation and deeply personal expression.
Committed to the expressive and
enduring language of painting, they share a deep interest in our contemporary experience refracted through technology and cultural media, with manifestly different outcomes in their work.
They translated their
familiar languages of paint, paper, drawing, collage, ceramics into that of silk and wool and the hand - woven stitch, thus transforming their unique visual language.
And so Guston harnessed a dense and sumptuous
Courbet-esque language of paint into equally dense and sumptuous imagery that continues to entrance, disturb and delight the contemporary viewer.
But it needed motion controllers to mimic the
natural language of painting, and walkable space to remind people that they were sculpting as much as drawing.
He became known for pictures suggested by the landscapes of Canada, but with surface patinas and patterning that hinted that he was at least as interested in the formal
language of painting as in representing the world he saw.
Born in Matsumoto, Japan, she started using her
visual language of painting with polka dots and nets as motifs at the early age of 10 to deal with mental health problems.
Robert Rosenblum wrote that the Window Shades «seemed to push both the
basic language of painting and the fundamentals of image - making to a rock - bottom economy, where suddenly the two worlds were forever fused — a flat painting equaling a flat window shade.»
This long overdue examination — which will run at the Whitney from June 8 through November 25 in the eighth - floor Hurst Family Galleries — focuses on key moments of experimentation in Corse's career, highlighting the ways in which her unique formal and material investigations helped forge a
new language of painting.
Liat Yossifor's calm and cool, yet dynamic and energetic grey works convey the
very language of painting through every decision, hesitation, and fearless swipe, scrape or whisper - soft marking.
The juxtaposition of the frontal, flat, geometric abstractions and a three - dimensional, bas - relief space demonstrates Weiser's ongoing interest in the disparate
formal languages of painting.
My personal feeling is that I alway respond to painting abstractly - not paying much attention to ostensible subject matter, but instead focusing on the space, line, form, and color -
the language of painting.
O'Reilly's understanding of
the language of painting as a medium allows for the evolution of narrative in his palettes and mark - making.
Williams» recent works continue to be inherently political but utilize
the language of painted abstraction paired with explicit titles to convey meaning.
They speak through
the language of painting, through form and color, mark and composition.
A 2008 Singapore Art Museum exhibition spanning his ten - year career highlighted his unique visual
language of painting.
They are important to the distillation of
your language of painting to its essential.
Those things are like an alien language that can interfere with
the language of the painting, or even prevent its emergence.
Materials such as bronze, marble, plaster, stone, metal, clay and wood are used to expand
the language of painting and its traditional viewing modes.
Below is a transcription of our conversation, which touches on the way Wachtel employs the visual
language of painting and repetition to destabilize the image.
Her use of
the language of both painting and sculpture creates striking works that combine formal tension with emotional presence.
An extraordinarily self - possessed and disciplined painter, she turned Hofmann's often bombastic exuberance in a very different direction, towards a keen - eyed affection for the appearance of things, even when — or, perhaps, especially when when — they were reanimated through the formal
language of painting.
The exhibition explored Gifford's on - going concern with
the language of painting and the balance between painting and object.
They explore
the language of painting and its ever changing expressive possibilities.
By not being bound to a specific narrative, Yiadom - Boakye can explore the complexities of blackness and identity leveraging
the language of painting innovative ways.