Mixing the imagery of Constructivism, Francis Bacon, and Paul Thek, these dark invocations are ultimately indebted to
the language of surrealism.
In her work, cultural references from the Western art historical canon to Groucho Marx all coexist using
the language of surrealism and the organizing structure of the non-sequitur.
Her very individual voice — coded in
the language of surrealism and Pop Art — offers a remarkably observant and penetrating vision of modern life.»
Not exact matches
IT»S LIKE EISENSTEIN PUTTING ONE THING NEXT TO ANOTHER AND CREATING A
LANGUAGE THAT WAY, AND IT IS ALSO RELATED TO
SURREALISM AND JUXTAPOSING DISPARATE IDEAS, OBJECTS AND IMAGES JJ: At the same time that I was looking at contemporary work and studying art history I was looking at film — going to Anthology Film Archives [in New York] and a lot
of places that don't exist any more that were showing film in the 1960s and 70s.
Focusing on personal poetics from multiple perspectives and through various mediums, Seldon Yuan's work extends across a spectrum that plays on optical effects, absurdity,
surrealism,
language, familiar objects and spaces that are often in service
of a personal narrative.
Rejecting social realism and regionalism
of the 1930s, this generation
of artists embraced abstract
surrealism - a nonobjective
language with limitless possibilities.
While Eisenman's figurative style references a range
of academic traditions — from WPA murals to
surrealism — her razor - sharp wit and intimate subject matter reveal a
language that is completely her own.
The artist also refers to the legacy
of surrealism: in her combination
of forms and materials, and through the use
of language in the titling.
Drawing on the
language of pop art and
surrealism, Belanger's sculptures turn everyday objects such as lamps, cigarettes, and watches into uncanny anthropomorphic artworks that blur the boundaries between function and artifice.
The 1940s was a decade
of artistic transition; narrative
surrealism as exemplified by Salvador Dalí and Renè Magritte was no longer relavent, and a younger generation
of American artists searched for a new visual
language.
This new mix
of surrealism and exploration
of personal feelings in an emotional
language closer to music — which is inherently abstract — broke free from the centuries
of figuration that preceded it.
The American painter Arshile Gorky (1905 - 1948) created a personal
language of form dealing with the iconography
of the unconscious that enabled him to extend
surrealism in the 20th century.