The video installations
of Jane and Louise Wilson, with their hovering steady - cam shots, their weird, wonky - angled explorations
of atmospheric interiors,
owe so much to the
language of commercial
film and to pop videos, that we feel we've already seen the movie and heard the song, when we've really only seen the set - in this case the late, late hour gambling rooms
of Las Vegas, and the doomy tunnels under the Hoover Dam.