Not exact matches
The Baby Einstein story is one of those inspiring stories of a young mother who wanted to be able to share a world of discovery with her baby - exposing her to the
surrounding world by using real - world
objects, music, art,
language, science, poetry and nature in enriching, engaging, and playful ways.
Setting aside the philosophical issues
surrounding what is intelligence, most real - life AI algorithms are actually doing something much simpler — to mimic some aspects of human - like behaviours, such as identifying
objects inside an image, learning, natural
language comprehension, and social interactions.
Made by her own hand, her
objects are produced through the
languages that
surround them, materials that are ready at hand, and sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made, formal, quick - build, representational and abstract.
By reclaiming from design this familiar visual
language, Worthington suggests that the everyday
objects with which we
surround ourselves can and should be re-assessed as beautiful; the sleek forms of modern design reflected in our home sound systems and desk chairs have been as carefully considered as the pediment of the Parthenon.
The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between
objects and their
surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space,
language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and
objects in space.
You talk about the «political» considerations
surrounding the use of such
language, but don't forget the political motivations of those who
object to it — the writer you linked to being a prime example.