We arrived at the ruins shortly after they opened and after paying our admission fee, we began exploring
the large archeological site.
Tikal is
a large archeological site in Guatemala.
It is a fairly
large archeological site so give yourself ample of time if you want to see all the Mayan ruins.
There are many interesting Mayan Ruins in Guatemala but the one that I am most looking forward to exploring is Tikal, which is one of
the largest archeological sites in Central America and was once a very powerful Mayan city!
Not exact matches
The survey itself is part of a
larger effort by SERNANP and its partners to monitor Andean bears across the Machupicchu - Choquequirao Landscape, a
large mountainous region containing both
archeological sites and natural areas.
A two - hour drive from Cancun, this
archeological site dates back to between 600 and 900 A.D. and features one the
largest networks of stone causeways of the ancient Mayan civilization.
The
large number and undisturbed condition of
archeological sites on the islands are shedding light on coastal migration patterns of the earliest Americans and their subsistence in the marine environment.
Once the dominant city - state in the region, Xunantunich has its own interactive museum on -
site where visitors can learn about the city's rich history and witness the ongoing
archeological excavation of the
largest royal Maya tomb ever discovered.
Chichen Itza is the
largest and most visited
archeological site and Mayan ruins in Mexico's Yucatan Peninsula.
Tikal is one of the
largest and most impressive
archeological sites in the Mayan world.
Surrounded by a string of sparkling beaches, Mayan
archeological sites, tropical coves and a number of cultural and eco-adventure attractions, the Riviera Maya provides seclusion from the bustling action of the nearby towns.The world's second
largest barrier reef lays just offshore while cenotes (underground rivers), caves and jungles lure adventure lovers.
It makes no difference whether we are face - to - face with one of his
large format images, in which he allows the pigments dissolved in epoxy resin to run slowly down the picture carriers in satiated, glistening vertical stripes; or whether we study those works in which small drilled craters disclose many apparently
archeological layers of paint, or find ourselves in one of his
site - specific, all - over paintings that cover the walls, floors and ceilings, their iridescent stripes of color subduing entire architectures and permanently altering the viewer's perception.