Not exact matches
Pruitt, a masterful draftsman who has described his work as coming «from the evolution and convergence of pop culture, science fiction, and
Black revolutionary culture,» has nearly 20
large - scale conté -
crayon drawings on view through Oct. 27 in Robert Pruitt: Women at the Studio Museum Harlem in New York.
Often
large in scale, these drawings are typically made with a thick impasto of
black paintstick (or, more recently, lithographic
crayons melted into a brick), which is applied to a surface in broad, dense passages.