Sentences with phrase «large bright patterns»

If you find large bright patterns stressful, then avoid.

Not exact matches

Changes to the Continental GT for 2015 include a new front bumper with a smaller radiator shell, redesigned fenders with a new vent with a metallic «B» adornment, new bright chrome fender badges for the V8 S and W12 models, redesigned boot lid, reshaped and widened rear bumper with full - width brightware, a new rear diffuser design for V8 S and GT Speed, new 20 and 21 - inch wheels (new 20 - inch 6 tri-spoke wheel for GT V8 and GT W12 with painted finish for V8 and bright machined for W12, 21 - inch seven - twin - spoke wheel in Graphite grey with bright machined spokes for Mulliner Driving Specification models, addition of 21 - inch five - spoke directional sports wheel for V8 S and GT Speed), three new body colours choices (Marlin (a rich metallic blue), Camel (a soft golden tone) and Jetstream (a light, bright metallic blue), new straight - fluting pattern for 4 seats with Mulliner Driving Specification (standard on GT Speed) includes a tightened «small - diamond» pattern on seat upholstery, redesigned driver controls, optional sports - orientated steering wheel, larger gear - shift paddles incorporating tactile knurled metal embellishers, new dials and graphics at driver's instrument panel, interior illuminated by LEDs, centre console with a new black gear lever surround, a new hidden storage compartment between rear seats capable of accommodating and charging electronic devices including iPads, optional semi-aniline hide for the seat cushions and backrests in the GT W12 and GT Speed, 2 new leather colours choices (Shortbread, Camel), new Alcantara headlining option (colour matched to all 17 of the available interior hide colours) for the GT V8 S, GT W12 and Speed coupe; optional on - board WiFi, increased engine power to 590 PS (434 kW; 582 hp) and 720 N ⋅ m (531 lb ⋅ ft) for the GT W12, 6 - cylinder deactivation for the GT W12.

But the most startling display may be the one in his living room: He has mixed works from his approximately 200 - piece collection — a comically large bright pink rubber phallus by Sarah Lucas; unusual drawings by Paul Thek in yellow Plexiglas frames; a heavy, stone - patterned gray canvas by Peter Halley; an upright cannon by Valentin Carron; an array of silk screens by the reclusive Cady Noland — with a resin prototype of his first tree.

Using layered improvisation to create hypnotic, highly rhythmic, psychedelic environments, they perform in front of Alvarado's large - scale paintings, equally reminiscent of psychedelic environments, which feature patterning and bright colors like those used by the AfriCOBRA artists in the 1960s.

MacConnel's works often take the form of large, patterned wall - hangings in a palette of bright earth tones.

During that time he abandoned flat paintings and instead created large, jutting, multipart, three - dimensional painting - constructions that often incorporate bright colors, enlarged versions of French curves, and lively brushstroke patterns.

Open the hallway door to a bright and airy space, laying country - style limestone flooring in large slabs and topping with a colourful plastic mat, woven in a cheerful lavender floral pattern.