Sentences with phrase «large cultural projects»
Mr. Hollein said he raised half the cost of the Städel extension from private donations, an impressive feat and unusual for Germany, where large cultural projects are mostly state funded.
https://www.nytimes.com/ Not exact matches
The project saw six new faculty buildings built and also saw the creation of two large cultural buildings linking original buildings by renowned 1960s architect Sir Leslie Martin.
«Despite these differences, the schools share a vision, which includes a curriculum grounded in cultural history, considerable interdisciplinary work, individualized attention, and a large space for artistic and other projects.
Whenever the Board of Directors of SKS Netherlands (Stichting Kebon Sepatu NL) presents her activities to the relevant International communities like the Indonesian Embassy in the Netherlands to raise awareness in relation to socio - cultural and educational issues, we stress the uniqueness of having such a large group of volunteers realising projects through a «long - distance relationship».
â $ œDespite these differences, the schools share a vision, which includes a curriculum grounded in cultural history, considerable interdisciplinary work, individualized attention, and a large space for artistic and other projects.
• Rehabilitation - Large Category This category recognizes projects that make possible the continued historic use, or a compatible new use, through repair, alterations and additions, while preserving those portions or features which convey a site or structure s historical, cultural or architectural values.
Indeed, the ARNA artist residency is part of the larger project of raising awareness of the ecological and cultural importance of this area and achieving UNESCO recognition.
This past spring, the gallery relocated to a 4,000 - square - foot space in Hollywood with the capacity to support large - scale projects and exhibitions, aiming to represent both local and international contemporary artists and engage with the community to encourage cultural conversation.
His largest project to date, the Smithsonian Institute National Museum of African American History and Culture, opened on the National Mall in Washington, DC in fall of 2016 and was named Cultural Event of the Year by the New York Times.
According to Creative Time, the project emerged with some urgency from the confluence of Halloween and the American presidential election — two events looming large, haunting our cultural imagination.
The latter donation marks the mayoralty's largest single investment in a cultural project to date.
From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured.
The largest cultural building project in China, the Chengdu Contemporary Arts Center is designed by Zaha Hadid and is should be completed soon.
Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.
Recent projects include A Monument of Mines, (2015) a major site - specific installation for the new cultural center in Kongsberg, Norway and One Field to the Next a permanent large - scale work at the Taipei Main Station (2016).
2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International
Consisting of sixteen large - scale silver, black, and white flags encircling Collins Park, the flags further Pendleton's «Black Dada» project, a long - term exploration pairing two previously unrelated concepts: Dada, the early twentieth - century absurdist cultural movement, and the notion of «black» as an open - ended signifier.
In a larger cultural moment where direct funding opportunities for artists continues to be at risk, this year's important projects demonstrate the vibrancy of contemporary practice throughout the state,» said Executive Director Kelsey Halliday Johnson.
The project was part of the 1996 Cultural Olympiad and included a documentary broadcast on public television and a large body of artwork (produced over a three - year period) that was exhibited internationally.
Lee explains that not only are there three private museum openings planned for next year in Shanghai but that he's also launching a large cultural event this coming September — the Shanghai Project.
As Artistic Director of the Moroccan organisation Feddan, she develops its large - scale permanent residency and exhibition project Trankat Street (opening in 2013, Tétouan part of Marseille 2013, European Cultural Capital).
Dreaming of the Dragon's Nation: Contemporary Art from China is the largest exhibition of Chinese art ever shown in Ireland and forms part of the China / Ireland Cultural Exchange, an intergovernmental project to promote cultural links between the two coCultural Exchange, an intergovernmental project to promote cultural links between the two cocultural links between the two countries.
A collaboration between the Rio 2016 cultural program and Mori's Faou Foundation, this is the artist's latest project in her goal of installing a large public artwork on each inhabited continent.
Other projects include a large - scale outdoor installation for Aires Libres Festival, Montreal (2014) and his first monumental drywall - based architectural installation for his solo exhibition at ISE Cultural Foundation, New York (2014).
Mr. Tinterow is currently directing a $ 450 million campus expansion representing the largest cultural construction project currently underway in North America.
Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.
His largest project to date, the $ 540 million Smithsonian National Museum of African American History and Culture, opened on the National Mall in Washington DC in autumn of 2016 and was named cultural event of the year by the New York Times.
The project coincides with the end of the 30 - year anniversary of the UK miners» strike and an ongoing collaboration with the National Coal Mining Museum to give a poetic and historical response to an industry which still figures large in the cultural memory of the region.
Nicholas Weist: Well, I'm the founding director of the Shandaken Project, which offers free residencies to cultural producers on a large estate in the Catskill Mountains of New York.
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth
Their projects include a series of large - scale public sound art works: Blues Speaker (for James Baldwin) at The New School in New York, Free / Phase at the Chicago Cultural Center, the upcoming Sonic Migration in Philadelphia, and Ring Shout (for Octavia Butler) at Armory Center for the Arts in Pasadena in late 2016.
Having explored the Anthropocene idea over the past eight years in my book, the large cultural - scientific «Anthropocene Project» at the Haus der Kulturen der Welt in Berlin and an ongoing special exhibition at the Deutsches Museum in Munich, I find it laudable that the recently published «Ecomodernist Manifesto» of the Breakthrough Institute attempts to encourage a debate about this question.
WIND: A 570 MW wind project in South Dakota would be the largest clean energy project on Native American land if it can overcome financial, cultural and bureaucratic barriers.
(Enid News & Eagle) • A 570 MW wind project in South Dakota would be the largest clean energy project on Native American land if it can overcome financial, cultural and bureaucratic barriers.
In Sichuan Province, a large dam was canceled after opponents framed the project as an attack on China's cultural heritage.
Not only is the cultural conservationist approach partly misguided, it is also a larger project that will take a considerable amount of time.
Maybe you have created value by leading day - to - day PMO operations for large, complex IT projects, or led an organization through a $ 5 - million multi-divisional restructuring and cultural shift.
«Mongolia Talent Network have been providing labour hire solutions in the form of onboarding, cultural inductions, payroll, insurance and much more for our personnel for one of the world's largest mining projects.
Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction projects valued in excess of $ 60 million Develop exposure to varied construction projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering projects Coordinate data collection and project management with partner agencies and subcontractors Map utilities, environmental features, cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering projects Set and strictly adhere to project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity
She is also the Project Administrator of the Project P.A.T.H.S. (Positive Adolescent Training through Holistic Social Programmes), which is an indigenous and large − scaled positive youth development programme in Hong Kong Chinese cultural context.