The process of making it was similar to constructing a very
large drawing in space with botanical specimens — like a 3D Arcimboldo.
Not exact matches
Cordoning off a
large space in the middle of the classroom with yellow caution tape, she had faked a crime scene, strewing dirt and gravel from the school garden across a
large piece of butcher paper on which she had
drawn outlines of two bodies and stamped footprints of shoes dipped
in red paint.
Housed
in our Inman Center, adjacent to the Middle School, students paint,
draw, sculpt and design
in a Middle School art suite, complete with two
large classrooms, gallery
space, a supply room and a kiln.
The Birmingham Museum of Art is proud to present Third
Space, the first
large exhibition of contemporary art from the Museum's own collection.Third
Space features over 100 works of art
in a variety of mediums, including painting, sculpture,
drawing, photography, and...
One can get lost
in the
large, dreamy
drawings of ruby onyinyechi amanze, despite generous amounts of negative
space.
Born
in Nigeria, relocated to the UK; centered solely
in drawing; large - scale drawings explore the malleability of space, politics of play, and cultural hybridity as a new nation; awards include Fulbright Scholar Award in Drawing to the University of Nigeria, Nsukka (2012 — 2013); participates in the Drawing Center's Open Sessions Program; Queens Museum artist - in - res
drawing;
large - scale
drawings explore the malleability of
space, politics of play, and cultural hybridity as a new nation; awards include Fulbright Scholar Award
in Drawing to the University of Nigeria, Nsukka (2012 — 2013); participates in the Drawing Center's Open Sessions Program; Queens Museum artist - in - res
Drawing to the University of Nigeria, Nsukka (2012 — 2013); participates
in the
Drawing Center's Open Sessions Program; Queens Museum artist - in - res
Drawing Center's Open Sessions Program; Queens Museum artist -
in - residence.
Craig - Martin's recent
large powder coated steel sculptures are essentially three - dimensional line
drawings in space, again of readily identifiable objects.
The entire show consists of six different chapters, each showing different relation between the body and the
space, from a
large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters
in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite
space beyond the surface of the abstract paintings, a cast resin sculpture and a
drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.
In these quick
drawings, as with the
large paintings that grow out of them,
space is not a matter of logical perspective.
In 2017 created a large scale site specific drawing installation Meta - Scrawl in Beijing's legendary arts District 798 at the Xin Dong Space for Contemporary Ar
In 2017 created a
large scale site specific
drawing installation Meta - Scrawl
in Beijing's legendary arts District 798 at the Xin Dong Space for Contemporary Ar
in Beijing's legendary arts District 798 at the Xin Dong
Space for Contemporary Art.
Alternating sculpture — the medium
in which he develops a broader spectrum, ranging from small three - dimensional creations to
large - sized installations and hybrid objects — with photography,
drawing, and mural painting, Irazu's work addresses the problems that occur
in the relationships established between our bodies, objects, images, and
spaces.
In an installation at the Los Angeles Contemporary Archive, I filled the large wall space with the 1,400 photocopied black and white covers in chronological order of publication from 1971 through 2015, and selected one cover each for year, replacing these with pencil drawings of the covers, thereby inserting my own personal histor
In an installation at the Los Angeles Contemporary Archive, I filled the
large wall
space with the 1,400 photocopied black and white covers
in chronological order of publication from 1971 through 2015, and selected one cover each for year, replacing these with pencil drawings of the covers, thereby inserting my own personal histor
in chronological order of publication from 1971 through 2015, and selected one cover each for year, replacing these with pencil
drawings of the covers, thereby inserting my own personal history.
Mr. Longo was 31 then and already famous for his «Men
in the Cities» series,
large - scale
drawings of besuited men and women flailing
in space that became defining images of 1980s New York (and appeared
in the movie version of American Psycho).
Also included
in the show are new
large - scale
drawings using natural earth pigments which were created with a bamboo stick that the artist presses repeatedly on paper to create resonant and rhythmic lines
in space.
Bela Shayevich's
large - scale
drawings here,
in the compact exhibition «Serial Killer Land,» suggest off - kilter cityscapes and public
spaces like restrooms, airports and parking lots.
SFMOMA's presentation — the
largest on the tour
in terms of gallery
space and number of works — is overseen by Garrels and will be augmented with 10 of the artist's earliest sculptures from the 1960s, underscoring the vital connection between the processes of sculpting and
drawing in Serra's art.
Also given prominent
spaces are Channa Horowitz, who died last year, with
large - scale, intricately constructed ink
drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated
in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf)
in Doha coming up later
in March.
Our Art category features a variety of different pieces ranging from
drawing and painting to sculptures and
large installations
in both private and public
spaces.
In Larger than Life, it's not celebrity but scale that
draws your eye, as you look up at the sculpture that expands into the
space.
This exhibition was arranged
in two parts, with the
large - scale sculptures displayed on heavy - duty warehouse shelving that turned the gallery into a big box warehouse and another gallery
space that contained his models and
drawings.
That boom was driven by a commercial gallery scene and auction - houses less interested
in practices
drawn from the neo-avant-garde, but instead
in the type of works that grace white cube
spaces —
in particular,
large paintings that were shifted profitably at auction.
«Tara Donovan:
Drawings (Pins)» at the Pace Gallery, 510 West 25th Street, opening February 11, 6 - 8 p.m., through March 19, thepacegallery.com Since being featured
in the Whitney Biennial
in 2000, Tara Donovan has become a bona fide international sensation by using everyday materials — styrofoam cups, pencils, straws, paper plates, Scotch tape, and more — to create sculptures that invade
larger spaces that one would think possible with biomorphic shapes, mini cities, and quotidian - made - fantastic vistas.
«Tara Donovan:
Drawings (Pins)» at the Pace Gallery, 510 West 25th Street, opening February 11, 6 - 8 p.m., through March 19, thepacegallery.com Since being featured
in the Whitney Biennial
in 2000, Tara Donovan has become a bona fide international sensation by using everyday materials — styrofoam cups, pencils, straws, paper plates, Scotch tape, and more — to create sculptures that invade
larger spaces that one would think possible with biomorphic shapes, mini cities, and quotidian - made - fantastic
This engagement with everyday moments results
in site - specific
drawings,
large - scale moveable sculptures, and mixed - media «maps» of the passage of time or movement through
space.
Increasingly
drawn to sculpture, he executed multiple
large - scale commissions for public
spaces in France, including the Place du Marché
in Nîmes and the Blbliothèque national de France
in Paris.
Whitaker lived and worked
in Chicago from 1991 until 2003, during which time she developed «Women
in the City», a group of paintings observing the Chicago cityscape; and also, a series of
large drawing / paintings on paper called «Ancestral Excavations» which have shown
in solo venues around the country and now some of this work will be touring the United States
in a group invitational, The Veiling: Visible and Invisible
Spaces beginning
in Colorado, the Spring of 2008, and traveling to Arkansas, Wisconsin, Connecticut, Indiana, SUNY
in NY, California until 2010.
In the project space, Yvonne Estrada will present a large selection of recent drawings and paintings in a free form installation that highlights their similarities and difference
In the project
space, Yvonne Estrada will present a
large selection of recent
drawings and paintings
in a free form installation that highlights their similarities and difference
in a free form installation that highlights their similarities and differences.
Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition
draws on the current political and cultural concerns of Dnepr, the
largest city
in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public
space and its reshaping by various social groups, urban planning and attempts to create a dialogue
in and about public
spaces between communities, governments and activists.»
Initially executed on paper, Dubuffet's adventures
in automatism resulted
in drawings and paintings made up of multiple cells, where each
space comes to life both as an individual element, and as a component within a
larger structure.
Realizing that the Gallery did not have enough
space to install and maintain a
large number of the artist's wall
drawings at any one time, Reynolds suggested to LeWitt that MASS MoCA — with its expansive historic mill complex, growing audience, and history of realizing ambitious new works — might be interested
in accommodating an extended retrospective.
While the negative
space functions well within her
large - scale paintings, it is less engaging
in Rodríguez's
drawings.
The wide - ranging responses enacted throughout Lower Manhattan highlighted
in the exhibition include the institutionally - supported erection and eventual removal of Richard Serra's
large - scale sculpture Tilted Arc; Keith Haring's radiant subway
drawings in the
space of everyday transit and their lasting impression on street art culture; and Jenny Holzer's conceptual texts focusing on social and political commentary wheat pasted
in heavily populated public
spaces, among others.
PLACE focuses entirely on
large - scale, immersive
drawings that command the gallery's
space and illuminate different approaches to the idea of «territory»
in each of the artists» respective practices.
«A series of new paintings will be on view, accompanied
in the Third Floor Project
space by a new series of
drawings, and a
large - scale editioned etching, Epigraph, Damascus, 2016,» the press release stated.
Having seen his first solo exhibition at the non-profit
space Clarke House
in Mumbai late last year, I was struck by both the skill and wry expressiveness of his
large - scale wall
drawings and the maturity of their presentation.
The Birmingham Museum of Art is proud to present Third
Space, the first
large exhibition of contemporary art from the Museum's own collection.Third
Space features over 100 works of art
in a variety of mediums, including painting, sculpture,
drawing, photography, and video, by artists such as Kerry James Marshall, Ebony G. Patterson, Mark Bradford, José Bedia, Thornton Dial, and William Christenberry.
In a carefully created installation, the visitor is led around the
space from small scale
drawings, to a
large scale floor based work, to new
drawings made especially for Manchester.
«David Smith started with almost flat
drawings in space and then made much
larger geometric works.
Individual rooms feature 24 hard - edge abstract paintings,
drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits
in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed
in a heptagon - shaped room, recalling the sublime
space at the Harwood Museum
in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one
large model airplane
in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).
Large in concept and scale, each painting offers lavish twists and turns of narrative that
draw us into the visual
space of the painting, much as a movie pulls us into the imagined world of the filmmaker.
«Crucifer» needs a lot of
space and is given its due
in this group exhibition, which is carefully hung; smaller
drawings and prints are grouped together for intimate viewing while the
larger works are given room to be seen from a distance.
Between these two points Gego made
large - scale nets, columns and spheres that filled gallery
spaces, as well as watercolours, ink
drawings, prints and lithographs exploring the line
in space, hand - sized sculptures made from material found
in her studio and sculptures that stretched between the buildings
in her home city of Caracas.
Located primarily
in the Biennale Halls, the exhibition treats each of the five
large - scale
spaces as connected but independently atmospheric zones, their entrances and exits defined by new commissions and existing works by Jennifer Allora and Guillermo Calzadilla, Jack Goldstein, Dominique Gonzalez - Foerster, Carsten Höller, Pierre Huyghe, Jeong A Koo, and Piotr Uklański that
draw attention to the transitional experience of entering into the Biennale through actions, performances and art works that animate and incite.
Harold Ancart, born
in 1980, is a Belgian artist who combines paintings,
drawings, and mixed media sculptures into
large installations that
draw attention to the social and architectural condition of the
space in which the work is exhibited.
From Leipzig, Galerie Kleindienst presents the work of Tilo Baumgärtel, a painter who pairs odd figurative activity with stage - like woodsy
spaces in a series of
large - scale
drawings, unframed and pinned
in a grid format.
The partnerships, which range
in time from 15 to 25 years, are modeled on Mass MoCA's 25 - year arrangement with the estate of Sol LeWitt and the Yale University Art Gallery to display 105 of the artist's
large - scale wall
drawings across nearly an acre of wall
space in Building 7.
This fall, expect to see Stella's famed Black Paintings alongside
large, colourful sculptures from the 1990s,
drawings and prints
in the 18,000 - square - foot
space.
In this
space, visitors will find workbenches topped with partially constructed objects;
large bulletin boards filled with
drawings, photographs and scribbled notes; and at center, the skeleton and shell of an experimental aircraft.
An Edinburgh - based artist who has exhibited widely
in Europe, the USA and Japan, Johnston's
large - scale, delicate
drawings are made of short, irregular pencil marks which converge to delineate impressions of geometric
spaces, reminiscent of windows or mirrors.
Mid-sized and small oil, pumice, and latex works on canvas hang seamlessly together with framed ink on photo emulsion paper
drawings in the front room, while
large paintings essentially fill up the back
space.