Sentences with phrase «large early paintings»

The retrospective exhibition showcases about 270 works, including seven large early paintings Kusama created while she was staying in New York.

Not exact matches

Finance has consistently been one of the biggest talking points from early on with Latimer painting Killian as the big money candidate and championing his larger number of small donations.

At the Lascaux Cave in France, a large bull was drawn over earlier paintings of wild cattle more than 10,000 years ago.

ADELANTO, Calif. — Chrissy Guzman chucked the old bottle of paint across the classroom, aiming for the large trash bin that the custodian had wheeled in earlier that summer day.

The editor tells the story of Mrs Jo Jo, recently resurrected and now competing again / Dexter Brown also known as de Bruyne — Tony Clark traces the career of this renowned artist and evaluates his distinctive style, illustrated with examples of his work / de Bruyne Painting — One of the earlier, large De Bryune paintings depicting a scene from the 1908 French Grand Prix / Granville Bradshaw — Michael Worthington - Williams considers a new biography of this prolific and talented, but flawed, designer / The Genius of Fangio — Simon Moore talks to Michel Poberejsky about Juan Manuel Fangio and the 1957 Monaco Grand Prix

If early registration trends hold, paint companies will have a larger presence at the 2017 SEMA Show, giving publications such as the ones below even more colors and products to write about.

Serbia has eight UNESCO world heritage sites, including the Decani monastery, the largest construction project of medieval Serbia, which houses perfectly preserved 14th century paintings and Gamzigrad, a late Roman fortress built in the early years of the 4th century.

However, these early paintings were overshadowed by his next series, the large and spectacular Alice in Wonderland paintings, inspired by Lewis Carroll's book, Alice in Wonderland.

Large hand painted murals are located throughout the Park, many depicting early times in the South East.

PC: Now one of the other things about those large paintings is that the colors changed enormously from the early ones.

I have a large collection of paintings about 300 I want to sell of listed 19th and early 20th century artists

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

This period, and these female figure paintings, set the stage for Tworkov's transition into larger - format canvases in the early 1950s, when he loosened his line and painted mostly abstract compositions, relying on the figure.»

Terre verte also figures in two single - panel monochromes whose composition — a large rectangle or square resting on a smaller rectangle — recalls Marden's early paintings and drawings, particularly their disclosure, in the lower rectangle, of the many layers used to build up the painting.

The earliest painting on view in Wolf Kahn: Six Decades is a large landscape - derived abstraction from 1960 titled «Into a Clearing.»

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

To see it together with other things that I hadn't seen, like the very large paintings and some of the very early things, was both a confirmation of his stature and an eye - opener.»

During the last four years of his life Martin was engaged in a trilogy of large paintings of biblical subjects: The Last Judgment, The Great Day of His Wrath, and The Plains of Heaven, of which two were bequeathed to Tate Britain in 1974, the other having been acquired for the Tate some years earlier.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

Phillips, an artist best known for his evocative large - format portraits of people at society's fringe, found himself necessarily responsive to those queries warranted by Schutz's painting earlier this year.

This is due in large part to the site's dedication to representing primarily painters working in the realm of Magic Realism, a predominantly Midwest American school of painting often considered an offshoot of Surrealism, but which traces its roots to the early 20th century as an outgrowth of German expressionism (thereby actually pre-dating the surrealists by a few years).

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

This large rhythmically painted urban landscape represents a small town on the Seine, west of Paris — a site associated with Claude Monet and Pierre - Auguste Renoir in the early years of the Impressionist movement.

Held's Alphabet paintings from the early 1960s — large, flatly painted hard - edge abstractions based on letter forms — preceded Schapiro's Ox series by a few years, and his black - and - white series are from 1967 — 69.

In the selected items on view, the developments of American artistic traditions can be traced through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.

Among these works are early small - scale, monochrome India ink paintings; numerous paintings from the 1990s when the artist introduced color to his work; and a group of rare, large - scale paintings.

The exhibition will comprise a focused selection of large - scale paintings by these artists from the late - 50s to the early - 70s, covering the first wave of stained canvas techniques that would come to be referred to as «Color Field.»

In l968, she had an early break when her painting William Clark was included in the innovative exhibition Art of the Real at the Museum of Modern Art: this, at 28ft long, was her first large - scale line painting.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

His early work was figurative but he moved towards abstraction from the late 1960s onwards, and is renowned for his large - scale paintings saturated with colour.

Jizi was by and large self - taught, synthesizing the techniques and philosophy of traditional Chinese ink painting with individualistic expression culled from early modernist artists in the West.

It was a characteristic that I think clearly marked his work throughout; all his drawings, the early delightful «other world» still lives of fish, eggs and utensils, his progress towards abstraction and the final large paintings where austerity, essence, geometry and evocation come together.

Early on, he painted in a 6 - by - 9 foot room at the YMCA and only began working on large canvases when he could afford a bigger studio.

His early paintings balanced a complex but elegant pileup of images and abstract forms that could have been rendered by a large community of talented artists.

«Nobody's Fool is the first major New York exhibition of the Japanese artist Yoshitomo Nara (born 1959), and features more than one hundred works ranging from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Fischl's paintings from that time dealt with issues of early sexuality and voyeurism, while his most recent large - scale canvases focus on the tradition of bull fighting.

Emerging talent Clare Bonnet's work was a huge success in our Jamaica Street Artists exhibition earlier this year and this time we will show four recent, large - scale oil paintings of semi-abstract female studies.

To this in depth inquiry of his paintings, Astrup Fearnley Collection has contributed the large scale work «Me, Jesus and the Children» representing an early period of his work.

An early and influential pioneer of Color Field painting, Louis gained renown for his innovative method of staining raw canvases with washes of pigment to create vibrant, large - scale works.

His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

His twenty - eight paintings in Chelsea, like his appearance at the 2018 art fairs, start with his latest — in part to give the largest and squarest early paintings enough space in back.

An early focus on drawing, evident in murals and installations, evolved into large, narrative paintings clustered with bodies — and heads.

With the giant mural that he painted for the home of the collector and patron Peggy Guggenheim in 1943, he reached a milestone in the history of early Abstract Expressionism, paving the way for both Rothko and Gorky to produce their largest paintings the following year.

Executed in the 1970s as an evolution of his early expressionist canvases, Jack Whitten's large - scale paintings reveal hidden geometrical shapes that emerge from an abstract surface.

The earliest date from the late 60s and culminate with large diptychs painted the year before Mitchell died in 1992.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued