Sentences with phrase «large fabric paintings»

Not exact matches

He reupholstered the seat with a striking vintage fabric, painted the ornate back spindels in a bright white gloss and gave it to us wrapped in a large red ribbon as a Christmas present.

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

Naturally I needed a large surface to paint the fabric, so the kitchen table was busy for a while.

Pour a glob of fabric paint onto your plastic plate, and then add a large heap of red glitter on top.

Marble Oval Coffee Table: West Elm Canvas Dauville Gold Glazed Large Porcelain Bowl: Amazon Coffee Table Books: Glamorous Rooms + Influence Arrows: Shop HDB Moroccan Rug: Rugs USA Vintage Clock Shelves: IKEA (DIY with gold spray paint) Fashion: 150 Years of Couturiers, Designers, Labels Leopard Print Velvet Pillow Covers: c / o Arianna Belle White + Silver Throw Pillows: Shop HDB Gold Clip Lamps: Land of Nod Gold Sphere: West Elm Gold Pig Bookends: CB2 Gold Decorative Hex Nut: Target Candle Cloche: HomeGoods Aztec - Print Fabric Box: HomeGoods Gold Capiz Box: West Elm Je Vouse Aime Print: c / o By Luciana Crème de la Crème Print: c / o By Luciana The Little Things Gold Foil Print: c / o Charm & Gumption Wishbone Print: c / o Lindsay Letters Love Is The Only Gold Striped Print: c / o Lindsay Letters Lips Watercolor Print: c / o THE AESTATE White Frames: Blick

chesterfield tufted sofa — Wayfair coffee table — Birch Lane jute rug — Rugs USA cream sweater blanket in hutch — Target white trees in hutch — Gordmans wooden Noel — HomeGoods large ceramic pitcher on top of hutch — Wayfair small ceramic pitcher on top of hutch — Wayfair round basket on top of hutch — Joann Fabric driftwood deer — HomeGoods tufted beige chair by hutch — Target blanket ladder — tutorial in my book gray and white plaid blanket on ladder — Target white burlap stockings — handmade wooden lamps — similar at Wayfair glass lamp on side table — Target round wood tray on coffee table — Joss & Main birch log candle holders — HomeGoods velvet curtains — similar at Pier 1 wall / trim paint color — Du Jour by Valspar wooden horse — Painted Fox white pom pom garland — Hobby Lobby board and batten wall treatment — tutorial here

The Design Library has the world's largest and best organized collections of documentary fabrics, original paintings, wallpapers, embroideries and yarn dyes, numbering over seven million designs.

Nevertheless, works like Gates of Paradise (1980) and her large Heartland (1985), a heart - shaped fabric and acrylic collage made with fabric flowers scattered over cascades of interlocking painted polygons adapted from Islamic decoration, have a considerable visual impact.

Some paintings employ even larger dots interspersed with images, like a mixed - media work from 1971 in which he painted characters in milky, semitransparent white on strips of flowered fabrics.

In both cases, the skin colors have been scraped down to something not unlike skin, and they contrast wonderfully with fabric covering the large chaise: a series of tiny grids scratched into wet green paint.

The two large - scale installations reuse discarded paper and cardboard and fabric to create an immersive environment of paintings, drawings, papier - mâché sculpture, and handmade books.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

The painted cotton fabrics shown at the Amsterdam Art Fair still hold this suggestion of various natural processes, but on a much larger scale.

This investigation has led to the current large fabric and paint collages on un-stretched canvas, many hung like tapestries.

Eric Wall dismantles and re-imagines the possibilities of painting through large freestanding and small scale works made from collaged fabric.

These are his first completely mechanically - produced paintings and are made by tinting and altering images on a computer and then photographically transferring them onto large sheets of fabric.

In 1994, he produced The Three Lies of Painting, where a landscape containing a mountain and a tree is intercut with abstract devices before succumbing to the intrusive presence of a large, vertical strip of printed fabric.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

Scottish Mansion Time, 2015, printed image, plywood, wood, metal sheeting, victorian painting, lampshade, industrial lamp, deck chair, boxes, hammock, netting, hook, velvet, check fabric, wooden technical parts, mirrored card, mini whiskey bottles various whiskeys, paper, wooden forms, Magic Latern, chair, wooden elephant, metal rod, wood dye, varnish, large table with steel legs, 240V light fixtures and bulbs, LED strip warm white, fixings, 243 x 275 x 275 cm, 95 5/8 x 108 1/4 x 108 1/4 ins

Utilizing found objects to create an otherworldly yet traditionally based format, the image of a large female figure and its smaller companions are done in the style of traditional Indian painting, while delicate fabrics interweave amongst images that swirl and stream within and outside the two wooden panels — thus making it engaging and contemplative to look at.

Polly Apfelbaum (b. 1955) is best known for her large - scale installations and «fallen paintings,» compositions of dyed synthetic fabrics that she places directly on the floor.

In his best known works, he paints on fabric then cuts the fabric into strips, often of uneven length, which he sews together to create large wall hangings in jumpy Matissean patterns and colors.

For a new sculpture project he recycles bundled stacks of flattened cardboard into anthropomorphic monsters with enormous googly eyed stares, and the artist's iconic panda returns in large - scale pattern paintings like enormous swatches of custom designed fabric.

Each of Moyer's large paintings is a unique composition of variegated and multi-hued sections of repurposed marble, slate and stone combined with fabrics in a spectrum of colors.

These gouache on paper are studies of MacConnel's large - scale fabric paintings and large scale paintings.

All these concerns coalesce vividly in Moyer's most recent paintings, large compositions of variegated and multi-hued sections of repurposed marble, slate and stone combined with fabrics in a spectrum of colors.

Grünes Kleid mit Rot («Green Dress with Red,» 1979) inflates a vaguely - familiar excerpt from Jan van Eyck's Arnolfini Portrait to a full image motif; the large - scale work Stoff 1 («Fabric 1,» 1981) quotes the folds of a dress in a saint portrait by Francisco de Zurbarán while Landschaft mit Architektur («Landscape with Architecture,» 1981) cites an arbitrary painting snippet from a neoclassical allegory by Nicolas Poussin.

The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.

In her latest works, Tschabalala Self continues to depict the regal black body — reposing, dancing, making love — to reverberating effect in large works of paint on canvas to which she appends found fabrics and smaller pieces of painted canvas.

Palermo's auction record is held by Untitled (Stoffbild)(1967 — 69), a large square panel of cotton fabric on burlap, painted with two bands of solid color of uneven height, respectively dark blue and turquoise.

Alongside Rodin's work, large - scale books with Kiefer's illustrations will be on view, as well as his paintings and vitrines containing historical artifacts such as desiccated plants, scraps of fabric and stones.

Each measuring over six metres in height and richly painted with Shonibare's signature batik fabric pattern, they will appear like large, glorious handkerchiefs caught by the wind.

Curated by Adelina Vlas, the AGO's Associate Curator of Contemporary Art, Sandra Meigs: Room for Mystics (with Christopher Butterfield) will be located on the 5th Floor of the AGO's Contemporary Tower (the Vivian & David Campbell Centre for Contemporary Art) and consists of 30 large - scale paintings stationed throughout the gallery floor space, 13 fabric wall banners, a large mobile hung from the ceiling, a custom - designed sound system, and a recurrent 15 - minute musical performance by the Vox Aeris brass trio.

In this exhibition, three larger oil paintings were combined with seven collages, a hanging fabric piece, and two small MDF

Working with projected images, Thomas makes large, process - intensive abstract drawings and paintings that reference fabrics and compost heaps.

And Ruth Root's «Old Odd and Oval», that focus on her latest body of work, medium - to large - scale to site - engaged paintings that demonstrate her experimentations with new materials and fabrication methods as she combines hand - painted Plexiglas with colorful fabric patterns she designs digitally.

The paintings, which are slightly larger than life - size, depict the back side of subjects» heads, hooded in coats made of synthetic materials but rendered similar to the fabrics found in Renaissance and Flemish 17th century portraiture.

In the Bowery studio he returns to large - scale painting with such works as Paper Clip and produces experimental hanging works, one of which incorporates the Coca - Cola logo and is made from Tergal polyester fabric.

On the opposite wall is a large - scale painting by Sterling Ruby — another artist with an almost mythological persona — incorporating scraps of found fabric, and perched on a plinth, under a museum - style vitrine is a work by Cyprien Gaillard called Untitled (Tooth), 2013: literally one tooth from the giant maw of a mechanical digger, transformed by this transposition into a somehow hieratic little figure.

Her new series of monochromes is composed of large squares of coloured fabric, loosely slung on the wall to suggest both a drawn drape and modernist abstraction, like Barnett Newman's colour - field paintings or Rothko's textured plains of pigment in which you might unearth the sublime or the expression of spiritual angst.

And the well - known artist Katherine Bernhardt shows her large - scale fabric «collages» that she develops in the studio at the same time as her paintings.

Artists Aimee Cardoso and Erika Duque came up with the dining room concept, which features «waves of fabric across the ceiling» and large - scale paintings evoking a feel of Fort Worth flora in springtime, Browning says.

In 2010, I painted small fragments on large canvases rather than covering the entire swath of fabric.

Self creates large patchworks combining painting, swatches of fabric, and canvas that examine the black female body in the present.

Among the exhibits is a multimedia piece by Chicago - based artist Theaster Gates called Martyr Construction, a huge installation of spray - painted fabric and rubble by German artist Katharina Grosse, and a series of larger - than - life paintings of upside - down human figures by Georg Baselitz, also based in Germany.

Apfelbaum is perhaps best known for her «fallen paintings» — large - scale installations consisting of hundreds of hand - cut and hand - colored velvet fabric pieces arranged on the floor.

Nine new large - scale paintings are on canvas, linen, dropcloth and found fabric — folded, creased, patched and sewn.

Pearlstein turns 92 in May yet he continues to work on large - scale paintings where the nude figure is juxtaposed with a diverse range of objects: from crashed model aeroplanes to marionettes, a model of the White House that is in fact a birdcage, and richly patterned rugs and fabrics.

For several of the artists, their handling of material — the pouring of paint, draping of fabric, and use of large blocks of color — owes a debt to the Washington Color School.

The freedom that Dolla claimed in the 1970s came at a price: very few people knew what to do with this artist who could move from finger - painted monochromes to land - art (large colored dots on beaches and snow - capped mountains) to tiny fishing - lure sculptures, to large sulfurous paintings made with smoking tapers, to hilarious combine paintings that featured window shutters, to labyrinthine installations created with yards of unrolled muslin fabric.