Not exact matches
The arc lighter forms an «X» shape on a
larger flat surface, so you can use this lighter on cigars, pipes, and other bigger
objects.
In reality spiral arms are 3 - dimensional structures but over a
large area
objects within them can have their positions represented approximately on a
flat map.
Order
flat hook straps for strong, reliable straps that are perfect for tying down
large equipment to
objects with well.
The standards covered in Unit 6 are: describe
objects in the environment and the relative positions of these
objects as above, below, beside, in front of, behind, and next to, classify and sort, correctly name shapes, identify shapes as 2D or 3D (
flat / plane or solid), analyze and compare two and three dimensional shapes, model shapes in the world by building shapes from components, and compose simple shapes to form
larger shapes.
The 14.1 cubic feet of cargo space is
flat and rectangular, without any intrusions or odd shapes to keep
large objects from fitting.
Boot capacity is listed at 361 litres (better than the CX - 3 but less than the HR - V) and the Kona's 60:40 split - folding rear seats fold almost
flat, with a two - level loading floor that potentially allows room for
larger objects like bikes to fit through the back.
The bench seats can be folded
flat and the four - way adjustable passenger seats allow room in the trunk for a variety of
large objects.
One really useful feature is the ability to fold the front passenger seat back
flat making it possible to carry long and bulky
objects that could not be accommodated in much
larger vehicles without that ability.
The Kona's split - folding rear seats fold
flat, with a two - level loading floor that allows room for
larger objects like bikes.
A sliding 60/40 split second row seat with a 40/20/40 folding seatback offers cargo versatility by sliding forward to increase cargo space, folding forward to accommodate long
objects, or folding and tumbling forward to create a
large,
flat cargo area.
ft.. The load floor sits
flatter, and the cargo area's squared - off shape has been further optimized for ease of carrying
large objects.
The XC60's rear seats fold
flat for useful cargo space, and a power tailgate makes it easy to access while handling
large objects.
There are two configurations for the boot floor, with a «low» position that provides a cargo space of 472 liters, and a «high» position that makes the floor completely
flat, thus facilitating the loading of
large objects.
The 199 rooms at Raffles Grand Hotel D Angkor embody Cambodian elegance and charm.Each of the air - conditioned rooms has Cambodian
object dart and Art Deco country style furnishings.A few of the available amenities in each of the rooms include an in - room safe, in - room tea and coffee making facilities,
large working desk, fully equipped minibar, bathroom with separate shower and bathtub, 42 inch
flat screen LCD television, wireless and LAN Internet connection.
The first
object encountered in the installation is a
large black cone rising up from a
flat circular disc: a witch's hat blown up to the size of absurdity, referencing both lighthearted escapist fantasy as well as the historical trauma of persecution.
The camera is limited to documenting
flat surfaces, and is unable to capture 3D
objects such as sculpture, or extremely
large paintings, but word is the Google geeks are working on that as we speak.
Typically, this involved the creation of
large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found»
objects, commonly fragments of furniture, painted in
flat uniform colours - black, gold or white.
To create them,
large quantities of paint are poured onto a canvas laid
flat on the ground; a variety of
objects, which might include clumps of ribbon, shiny pipe cleaners, styrofoam balls, and other bric - a-brac, are then tossed into areas where the pooled paint has yet to dry.
Roger Hiorns» current solo exhibition at Luhring Augustine — the British artist's first in New York City — presents viewers with two inscrutable situations: In one, a quantity of gray powder has been deposited, apparently by hand, over a
large, rectangular area occupying the better part of the main gallery; in another, a nude male model loiters about a massive, faceted stone
object and a low table, the surface of which is a
flat - screen TV monitor displaying video content by the Wall Street Journal.
What other challenges or considerations come up when reproducing textured,
large objects as
flat, scaled images?
The
large paintings Request and End of May, both from 1972, represent for me the artist at his zenith, with
flat objects floating over backgrounds that have become more mottled, and deeper for it.
Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not
large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte,
flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an
object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»