Sentences with phrase «large gallery windows»

Facing the large gallery windows that open onto Grand Street, four white organic pillow - like shapes hang on a free - standing floor to ceiling wall; one in each corner.

Breezy and plush throughout, the interiors, with their large gallery windows and vaulted ceilings, allow an influx of sunlight to cascade into chiaroscuro patterns.

Tintype's large gallery window becomes a kind of stage or frame housing temporary tableaux vivant as a counterpoint to the activity within.

Not exact matches

White walls, polished floors and large windows facing the ocean create a gallery - like vibe in the open - plan great room, while a rippled ceiling and driftwood accent pieces evoke the coastline outside.

The King / Twin Suite has a large airy bathroom, very large feather bed, reading lights, very large windows with garden views, antique furniture, fresh flowers, French perfume, robes, scuffs, wardrobe with full length mirror, drawers, beautiful linen and opens on to gallery / library, tea / coffee, «fridge, TV, deck and seperate entrance.

Relish your breakfast in the coffee gallery boasting large windows and impressive views.

A former horse - riding school, Longside Gallery is a large light - filled square space, overlooking the 18th - century parkland through enormous windows.

The new gallery, designed by Caruso St. John who also designed locations in Rome, Paris and on London's Britannia Street, features two double - height gallery spaces, each day - lit with large windows.

In August, when the gallery is closed, an artist is invited to use the gallery's large glass window to install a work.

Our contemporary art gallery is one of London's leading prestigious art spaces with two floors of stunning exhibition space, as well as large display windows.

There is one large window at the front of the gallery, which is at street level.

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

In 41 Cooper Square, the 41 Cooper Gallery and the Lubalin Center Gallery feature large windows offering views from the building's entrance and an abundance of natural light.

Hanging in the upper gallery is the large - scale mobile installation Snakes and Windows (1993), on view in the UK for the first time.

For this show, Andro Wekua transforms the London gallery by installing a wall constructed of rough breeze blocks behind the large bay window of the gallery.

The projected images scroll across the large windows and walls of the gallery space to create an immersive environment.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

The screens catch the images imperfectly, as the projection extends to incorporate the room and the gallery's large window, with its own slow - moving view over trees of the Meiji Shrine gardens.

On Aug. 2, an exhibition of Abstract Expressionist painting and sculpture from the National Gallery of Art in Washington will open in the Clark Center's other galleries, which are below grade but get some natural light from large window wells (though the larger gallery is marred by a diagonalGallery of Art in Washington will open in the Clark Center's other galleries, which are below grade but get some natural light from large window wells (though the larger gallery is marred by a diagonalgallery is marred by a diagonal wall).

Marked by large windows, warm wooden floors and a ramp leading down to the main gallery space, the sight lines and interior are designed to display artwork in a flattering light.

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

«I eventually felt joy rather than tremendous angst — I realized that's the way an artist should feel when they paint,» Mary Addison Hackett rendered as a hand - written note in the large painting Studio Window at Marcia Wood Gallery....

The gallery space itself is filled with diffused, directionless light from covered windows, adding to the subtle air of pleasant confusion — experiential glitch — that the large circular hole cut between gallery spaces and other actions in the show trigger.

[10] The 2000 - 2006 renovation restored many of the building's exceptional architectural features: restoring the porticos modeled after the Parthenon in Athens, a curving double staircase, colonnades, vaulted galleries, large windows, and skylights as long as a city block.

The large - scale photographic image, depicting a figure standing behind gauzy window curtains, is installed in the gallery and moves throughout Savannah on the side of university buses.

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

Anita Leisz had even covered the large gallery's single window to turn the chamber into a blind white cube: high ceilings, volume, pure space.

The building envelope is mostly made of large glass windows in order to create a relationship between artworks and landscape; a dialogue further reinforced by the addition of a narrow winter garden which borders the exhibition galleries.

In the gallery, the sculptures create imperfect angles as they play against the corners of the room; cut - out circles are set against a large glass window; steel tubes seem to mirror pre-existing light fittings.

And even if you don't have the time to venture inside the gallery, you can take a few moments to savor Judd's works through the large, glassy windows.

«Our larger program is the demystification of art,» he said, «and with our new space, on the ground floor of the temporary City Hall, along with the CitySite space for outdoor installations next to our old building and the window installations we do in our old gallery, we are well - equipped to do that job.»

A combination of large windows and angular slots carved out of the concrete allow light to reach the gallery spaces from all directions.

The first - floor studio is located off the Main Gallery and has large windows to let in daylight.

View Beno's larger - than - life vinyl mural on the window façade of 230 Richmond Street West which directly faces the gallery's future location across the street at 199 Richmond Street West.

Now, he's garnering major - league art world attention with larger works in high - profile exhibitions such as MoMA PS1's latest edition of «Greater New York» and the 2017 Whitney Biennial, where he's installed a gallery - spanning faux stained - glass window.

Hanging by the large front windows at the BLT gallery, a medium sized oil on canvas, «Still Life With Pink Coat» by Hyman Bloom reads almost like a landscape with its strangely hovering, flowing pink drapery.

A new video created for the gallery's large sidewalk screen depicts a woman spelling Minter's name in a frosty window, a playful nod to the allure of advertising that Minter both parodies and extols.

The large street - facing gallery window acts as a «shop front».

The character named Powhida entered the street - level Chelsea gallery in a classic car that drove through the front window — which retracted — of the gallery up to a large sheet of paper with his name written in ALL CAPS in what looked like Helvetica.

Her new body of work for Timothy Taylor perfectly demonstrates this philosophy, encompassing a stained glass window intervention, a range of paintings, and a large site - specific work, which Cain will paint directly onto the gallery wall in the days leading up to the exhibition.

In the main gallery window was Pantográfica (Para Antonio Dias), 2013, a large, wall - mounted piece that resembles a metal gate, similar to the antique scissor types used in elevators.

The window of the gallery is occluded by large blocks, the floors are carpeted in a clinical, cotton - candy hue and the space's primary inhabitant is an androgynous cyborg suspended from the ceiling.

In addition, Kunsthalle LAB is a window gallery with a large transparent facade that blurs the boundaries between the interior and exterior / everyday life and contemporary art.

In the gallery's main space, three large - scale paintings depict the vast expanses of an empty bed and are punctuated by four smaller works, each featuring a single window seen from without, the warm glow of its light intensified by the dark night surrounding it.

When he drew a life - size image of a car on a large, white cardboard box in the center of the main gallery at the New Museum, then proceeded to smash the «windows» with a crowbar, shattering a «door» and climbing into the «vehicle» to cause more damage from the inside, the effect of this fake violence was not fake at all.

On the second floor, Sahib has installed Heron, a large sculpture that is deliberately positioned to face the church seen through the gallery windows.

Throughout the month of September, large windows that look into the gallery spaces allowed students, walking to and from classes, to witness the progress of installation.

Whitney Museum of American Art presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

Now at Alexandre Gallery through April 2, in her twelfth solo exhibition at the gallery and more than fiftieth overall, Dodd is presenting twenty - three recent small - scale paintings on panel and larger paintings on canvas that focus on the passages of «Day and Night» — lyrical vignettes observed through the windows and paths of her apartment on Second Street and her Blairstown Gallery through April 2, in her twelfth solo exhibition at the gallery and more than fiftieth overall, Dodd is presenting twenty - three recent small - scale paintings on panel and larger paintings on canvas that focus on the passages of «Day and Night» — lyrical vignettes observed through the windows and paths of her apartment on Second Street and her Blairstown gallery and more than fiftieth overall, Dodd is presenting twenty - three recent small - scale paintings on panel and larger paintings on canvas that focus on the passages of «Day and Night» — lyrical vignettes observed through the windows and paths of her apartment on Second Street and her Blairstown studio.

The unconventional, boat - like layout of the main gallery, with angled walls on the far end from the entranceway, pairs a large, canted window covered in frosted, translucent film with Robert Swain's grid painting «Untitled, 8 x 12 — Green» (2017)-- an appropriate match, given the number of instances in which light seems to emanate from the paintings themselves.