Sentences with phrase «large gelatin silver prints»

Well, not so modest: The cost is $ 15,000 for two large gelatin silver prints.

Two large gelatin silver prints of the teams mostly in uniform, celebrating wins over Yale in both years, the 1898 photograph by More...

This large gelatin silver print is 22.25 x 22.5 inches.

Not exact matches

A coinciding special installation of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and silver gelatin prints.

Up to 80 inches wide, they are among the largest gelatin silver contact prints ever made.

Equivalent (Songs of the Sky P2) 1923 vintage gelatin silver print mounted to board and mounted to larger board image, paper and mount: 4 5/8 x 3 5/8 inches (11.7 x 9.2 cm) board: 13 1/2 x 10 5/8 inches (34.3 x 27 cm) ARG # STA1923 - 003 © 2014 Estate of Alfred Stieglitz / Artists Rights Society (ARS), New York

He also made an important series of photographs of Parisian graffiti in the 1930s, which was exhibited at MoMA in 1956 and is being celebrated in this show featuring a selection of silver gelatin prints and two large and rare tapestries that the artist had fabricated from composites made from his pictures in the late - 1960s.

A 45» wide processing sink is available for making large - scale gelatin silver prints.

Russian Photography after the Revolution will feature rare, large - format gelatin silver prints by Boris Ignatovich (1899 - 1976), a master of the Soviet avant - garde; Arkady Shaikhet (1898 - 1959), widely considered to be the founder of Soviet photojournalism; and Aleksandr Rodchenko (1891 - 1956), perhaps the most acclaimed figure in early twentieth - century Russian art and design; as well as Abram Shterenberg (1900 - 1979), Georgy Petrussov (1903 - 1971), Semyon Fridlyand (1905 - 1964), Sergey Shimansky (1898 - 1972), Solomon Telingater (1903 - 1969), Emmanuil Evzerikhin (1911 - 1984), Yakov Khalip (1908 - 1980), and Georgy Zelma (1906 - 1984).

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Many of Woodman's gelatin silver prints feature this strong, idiosyncratic abstract lineage, and she also extended her investigation of the serial geometrical form in her large - scale diazotype prints.

Sugimoto is a master of the long exposure and the large - format camera; the scenes are static and preserved, but in the true black and white tones of his gelatin silver prints, they are not entirely lifeless, either.

Large - format vintage gelatin silver print, image size 10 1/2 x 10 1/2 in.

Large - format vintage gelatin silver print, image size More...

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

Made within the past year, the roughly fifteen photographs exhibited in The Outside World are large - format, black - and - white gelatin silver contact prints, made using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot.

He is most well known for his body of work taken in the 1980s that experimented with a wide variety of photographic formats including gelatin silver prints, large size polaroids, and photogravures (such as Irises, 1987).

Silver gelatin print, image 4 1/2 x 7 inches (146 x 216 mm), dry - mounted to a larger sheet, signed, titled and numbered 84 from the edition of 30 in black ink below image.

The survey includes recent large multi-panel and single - panel color photographic works, early black - and - white gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

Since then, the Museum has become a major repository of his photographs, including one of the world's largest holdings of gelatin silver prints from his seminal book The Americans.

Beautiful mint condition Open Edition Silver Gelatin Resin Print measuring a large 30 x 20 inches / 76 x 51 cm's (printed on 30x20» paper size) Edge Prints stamped.

«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin photographic works and archival material, at Victoria Miro, Wharf Road and a special presentation at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin prints, accompanied by an installation of the award - winning film.

Beautiful mint condition Open Edition Silver Gelatin Resin Print measuring a very large 40 x 30 inches / 101 x 76 cm's Edge Prints stamped.

My Paradise Bird I, Chanel Collection Winter 2006, Paris, 2008 Gelatin silver print Large, edition of 10, 72 3/4 x 53 1/8 in.

Gelatin silver prints, likely vintage, including a self - portrait and two ferrotyped studies of machinery, the largest 8 3/4 x 6 1/2 inches (22.5 x 16.5 cm), versos with Renger - Patzsch's stamps, one titled and with publication annotations on the verso in pencil.

Orto Botanico # 1 (2014), a large - scale silver gelatin print, presents a sculptural form emerging from a base of incongruous materials; the hint of surrealist photography projects an atmosphere of ambiguity over the relative ordinariness of the colour photographs that appear alongside it in the exhibition.

For this series, Brandt photographed the forest landscape, focusing on the vertical stagger of giant trees for his large format traditional silver gelatin prints.

Dr. Paul Wolff Gelatin silver print Germany, 1936 Depicting a large crowd of people attending the 1936 Berlin Olympics, stamped on reverse, edge wear, unframed ht.

His unique, meticulously produced, large - scale gelatin silver prints appear at first glance as portraits of individuals, but are in actuality composite representations of members of a specific social group or demographic in Asia.

Zanela Muholi produces large scale gelatin silver prints exploring the lesbian experience of African women.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

Sills shows various sized silver gelatin prints, the largest of which, Dappled (2018), provided the backdrop for Tomkins» performance.