In October 2014 the Chinati Foundation in Marfa, Texas will curate an exhibition dedicated to
his large glass installations.
Not exact matches
The grand spiral staircase in the atrium is crowned by a new
large - scale blown
glass art installation designed by Canadian studio Tsunami G
glass art
installation designed by Canadian studio Tsunami
GlassGlass.
Ranging from text to
installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's
large - scale
glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
Installation view:
Large cylinder mirror in black and antique gold
glass with walnut frame by Bower, with Justin Horne's «9 (red) Boomerang,» Oil (Calder's red) on cardboard in 9 parts, reflected.
The Museum's collection also includes a
large installation of art
glass by Dale Chihuly, featured in the third floor galleries.
It is also honestly the excitement of handling works as small as a
glass plate or watching a
large renowned work arrive through the door for
installation.
Among the highlights of the show are The Sun (1990), a floor
installation of 360 triangular elements of white marble forming a grand circle, and the witty Self - Portrait (c. 1959) in which the artist's head is but a small ball of paper resting on a
larger - than - life wooden torso with incredibly elongated legs (both works at Perry Rubenstein); the ethereal The Angel (1989) made of 125 spheres of thin clear Venetian
glass delicately resting on the floor at Michael Werner; and at Mary Boone the five Concave Figures (1994), one of Byars» final works.
With the support of an expert team, Chihuly's exploration of color and form continued unhindered as his focus evolved from small sculptures to
larger outdoor
installations, to vast environmental exhibitions wherein he creates habitats made entirely from
glass.
On the occasion of Berlin Art Week, Farmer will present two
large - scale, site - specific
installations — in the Pavillon's rotundas in the souterrain and in the
glass pavilion on the first floor.
Working on both
large - scale
installations and individual sculptural pieces, makes Johnson's practice unique among artists creating contemporary
glass.
His
installation at Chinati consists of 24 identical small pagodas made of optical
glass inlaid with distinct seascape photographs (instead of the Buddha's ashes one would find in a traditional reliquary), and one
large aluminum sculpture based on a mathematical function that approaches an infinite vanishing point.
The
installation titled 33 - D mainly consists of two
large glass sheets that are mounted at a 45 - degree angle to the external skin of the building.
The additional works on view at RISD range from grids of Polaroid photographs from the Secrets series (1974 — 75), a
large fan - shaped wall piece from the Peacock series (1979), and a group of
large paper Vessel Lamps (2009), as well as pieces rendered in clay and
glass and the five - piece Phantom
installation.
New work by the Danish - Icelandic sculptor and
installation artist Olafur Eliasson gleamed brilliantly at Tanya Bonakdar, including Polychromatic Attention 2015, a series of
large glass globes shown in a circle on the wall that collectively presented the colours of the light spectrum but appeared clear when seen from the side.
The
installation is comprised of twenty - eight black
glass panels and a
larger central panel from which an elegant, white Murano
glass sconce protrudes into space.
The curator at Touchstones Rochdale selected a
larger glass piece and a group of smaller ceramic vessels from the
installation to acquire through the Contemporary Art Society's Omega Fund.
Keiko Mukaide was born in 1954 in Tokyo, Japan and is an internationally renowned artist who creates both small
glass works and
large site - specific
installations.
At Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a
large - scale
installation composed of, among other things, synthetic hair,
glass eyes, coconuts,... Read More
At Andrea Rosen's booth at Frieze New York yesterday, a small throng of visitors murmured in quiet appreciation of David Altmejd's Le désert et la semence (2015), a
large - scale
installation composed of, among other things, synthetic hair,
glass eyes, coconuts, and
large mirror panels.
Since his last solo exhibition in Cape Town in 2008, Odita has created
large murals at the US Mission to the United Nations in 2010; the New Orleans Museum of Art and the Kiasma Museum of Contemporary Art, Helsinki, in 2011; and a stained -
glass installation in the 20th Avenue subway station in New York in 2012.
Palmsonntag (Palm Sunday) is a monumental
installation consisting of a 30 - foot - long palm tree cast in fiberglass and resin, its roots clotted with mud, surrounded by a cycle of 44
large paintings encased in
glass and framed in lead.
Finch's talk at the New School will focus on the artist's various public and
large - scale
installations like A Certain Slant of Light (2014 - 15), a site - specific
installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an
installation of more than 100 panels of suspended
glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent
installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of
glass representing the water conditions on the Hudson River over 700 minutes in a single day.
Presented on a floating platform, the
large - scale
installation invites the viewers to experience the ever - changing reflections of the
glass panels.
Augmenting them with make - up, wigs,
glass eyes, as well as interactive sensors and audio components to simulate bodily processes and reactions, Hershman Leeson, like Thek, also encased her modular body parts in materials like Plexiglas or recycled them into site - specific
installations, plugging the figures into
larger cultural narratives about power, technology and gender.
Cohen is widely known for her experimental works with hand - made paper and
large - scale sculptural
installations, many which include
glass elements and manipulated found materials.
The artist's recent projects and commissions include a
large - scale outdoor public art commission for the Seattle Art Museum's Olympic Sculpture Park, where her work — Seattle Cloud Cover ‖ allows visitors to walk through a covered skyway while viewing the city's skyline through tiny holes in multicolored
glass; — Blind Blue Landscape ‖, a site - specific commission for the renowned Benesse Art Site in Naoshima, Japan, completed in September 2009; and — Stacked Waters ‖, a site - specific
installation created for the cavernous entrance of the Blanton Museum of Art, January 2009.
She will make a colourful
large - scale
glass installation made of many intricately cut sculptures, using found and blown
glass and create an intimate atmosphere between the creature - like figurines which come to life with dramatic lighting.
Part 3 — Michael Heizer, Actual Size: Munich Rotary — from March 25 to April 10 Michael Heizer (b. 1944), renowned for his
large scale earth works and landscape interventions, will present his iconic
installation «Actual Size: Munich Rotary», realized in Germany in 1970 and composed of six black - and - white
glass slide projections, six custom - made steel projectors, and six steel pipes with wood platforms.
For her current exhibition High Street at the Zabludowicz Collection, Scott has produced a major new
installation, centred around
large sheets of
glass densely encrusted on their reverse with multiple objects.
The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «
glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a
large - sacle
installation (Island Universe) inspired by the physicist Andrei Linde.
This close relationship has enabled Lou to further develop her signature medium of
glass beads by collectively producing intricately beaded canvases, sculptures, and
large - scale
installations.
This year, she won first place in the Abraaj Group Art Prize, for her
large - scale
installation No. 695 Abraaj, a floating platform covered in a kaleidoscopic array of
glass tiles (it was unveiled at Art Dubai in March).
Her debut at the gallery centers on Structural Psychodramas # 2, an
installation of small Murano
glass sculptures, as well as two of the artist's monumental disaster paintings and
large - scale, provocative neon works, one of which reads «NO MORE MASTURBATION.»
She is represented here by an intriguing mixed media
installation of fantastical
large moths with transparencies on recycled
glass.
Ranging from
large - scale
installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video,
glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $ 10,000 Arlene Schnitzer prize selected by the Museum's curatorial staff.
In partnership with Scotiabank CONTACT Photography Festival, the AGO has commissioned renowned American artist Barbara Kruger to create a
large - scale public
installation to be displayed along the Gallery's signature
glass skirt, which spans an entire city block between McCaul and Beverley Streets.
In addition to cups and palettes full of bright primary pigments, the
installation includes Míro's own mood board of inspirational clippings — among them a picture of Picasso and a photograph of a beach — a tile floor splattered with paint, and, on one work table, what looks like a
large, blown
glass bong.
The exhibition features new works created specifically for the Wellin, including a site - specific, 70 - foot wall painting
installation; a 4 x 10 foot,
glass and metal mobile; and a series of
large - scale paintings and drawings.
Gilmore's Like This, Before is a
large - scale «performance - based
installation» in which white paint Abstract - Expressionistically cascades down one black, wooden roof - like structure, pooling in a bed of jutting, fragmented
glass shards and dripping the onto the ground beneath.
Another related
installation is a
large glass disc, titled Lotus (2007) that refers to the Buddhist symbol but also to the slave trade: etched in
glass, the filigree pattern contained in each petal of the lotus flower is made up of diagrams of the placement of human bodies in the cargo hold of an eighteenth - century slave ship.
Simplicity itself, the
installation is built from
large reflective
glass panels that create resonances as you walk through it.
She has produced a major new
installation, utilising
large sheets of
glass to make «tapestries» that form horizontal surfaces throughout the space, and a
large wall mural of magazine images and toothpaste.
Among previous projects are A Certain Slant of Light (2014 - 15), a
large - scale
installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an
installation of more than 100 panels of suspended
glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent
installation composed of an existing series of windows transformed with 700 individual panes of
glass representing the water conditions on the Hudson River over 700 minutes in a single day.
The audience will also be able to experience Mario Merz» beautiful igloo, a
large glass and neon
installation with fragrant twigs.
Terminal E (Ticketed Passengers) In 2012, artists Anna Boothe and Nancy Cohen began working on a
large - scale
glass installation during...
A
large neon
installation at Brooklyn
Glass.
«Steele» s work ranges from small to
large installations that employ the traditional commercial medium of neon
glass to make intimate statements that often question modern culture.
He began creating sculptural
installations with
large sheets of
glass that were rendered partly mirrored and partly transparent through the vacuum deposition procedure, thereby making the
glass surfaces almost disappear and volumes become weightless.
, a
large - scale kinetic sculpture
installation composed of double - sided
glass panel mirrors, with an excerpt of text cut out of each mobile panels.
Gander's intention to disrupt the perceived limits of the gallery is made apparent with his
large - scale
installation I taught myself how to grow, 2010 on the
glass façade of the gallery.