Sentences with phrase «large groundbreaking exhibition»

Not exact matches

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.
The Philadelphia Museum of Art is pleased to present, «Wild: Michael Nichols», a large - scale exhibition of the groundbreaking wildlife photography of Michael «Nick» Nichols.
Of the London shows in 2018, I'm most looking forward to Tate Modern's retrospective of the groundbreaking performance and video artist Joan Jonas — the largest exhibition of the artist's work to be staged in the UK (14 March — 15 August).
Her request read, in part: «Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.
At the time, photography was starting to be regarded as a fine art, thanks in large part to «The Family of Man,» a groundbreaking exhibition staged in 1955 at the Museum of Modern Art in New York.
Art AIDS America Chicago is the local — and largest — iteration of this groundbreaking national exhibition which underscores the deep and unforgettable presence of HIV in American art.
The groundbreaking exhibition She Who Tells a Story features over eighty works by leading Middle Eastern female artists, the largest survey of Arab and Iranian women photographers to tour the US.
On November 19, Pérez Art Museum Miami will present Sun Splashed, the largest exhibition of Nari Ward's found object sculptures and groundbreaking installations to date.
Although he worked largely in anonymity during his lifetime, Traylor became one of America's most respected self - taught artists after his exposure to a larger public in the groundbreaking 1982 exhibition «Black Folk Art in America, 1930 — 1980,» held at the Corcoran Gallery in Washington, D.C.
The exhibition, the first survey of Edwards» work since 1993, presents a range of his achievements including the Lynch Fragments, seminal large scale sculptures from the 1960s, as well as groundbreaking installations made with barbed - wire dating from the 1960s and 1970s.
A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.
The title of the exhibition alludes to George Kubler's groundbreaking book of 1962 that challenged the notion of style by placing the history of objects and images in a larger continuum whereby processes of innovation, replication, and mutation are in continuous dialogue.
The exhibition features his well - known video «Rock My Religion» as well as a recent example of his large - scale pavilions, highlighting the intersection of rock music and suburban domesticity within his groundbreaking artwork.
a b c d e f g h i j k l m n o p q r s t u v w x y z