Sentences with phrase «large images of dogs»

Hartz already had large images of dogs and cats prominantly display on our package, so EPA did not require a change.

Not exact matches

Image 2 Complicated fracture of a large dog who was presumably hit by a car.

Pete and Sunshine (click picture for larger image) The King of the stock dog breeds, most enduring.

It's important to note, though, that there's not enough data yet to get a clear image of all their health issues and behavioral problems, so I personally find it hard to tell whether it's ethical or not to breed these dogs in large numbers.

Font size changes will be made (I assume larger fonts will be used), and images of cats or dogs will appear on labels so pet owners can quickly distinguish a dog spot - on product from one intended for cats.

You can see them on the edge of the dog's ear in my illustration (by clicking the larger image).

Signature DNA Unleashed, a Kansas City, Mo. - based company that offers a range of pet DNA portraits (from table - top formats to large canvas prints), as well as rings and dog tags engraved with the DNA image, launched at the 2011 SuperZoo trade show in Las Vegas and has been in business for a little over a year.

The sway between a structured, observational approach to image making and the free - form, improvisational gestures of his interventions is very much at the crux of Divola's practice and can be traced from his earliest foundational work of the 1970's to more recent bodies of work such as Dogs Chasing My Car in the Desert (1996 - 2001), where Divola documents the dogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade.&raDogs Chasing My Car in the Desert (1996 - 2001), where Divola documents the dogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade.&radogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade.»