The two figures have
large lumps of clay encasing their heads which meet where their lips would be.
Not exact matches
The idea
of geological upheaval is still apparent in the rough surfaces and in the
large jagged fissure left by the pole Fontana used when gouging into the
lump of wet
clay.
The use
of these skeletal frameworks originated in ceramic works when I began hollowing out (carving) formed
lumps of clay and treating the result as a starting point for a
larger ceramic or stainless steel work.