The large majority of the film deals with his time working for the British government at Bletchley Park during World War II as part of a team of codebreakers to crack the Enigma code.
The large majority of the film moves at a rip - roaring pace with quick cuts and well - timed edits to maximize each joke's potential.
The large majority of the film plays out through one - on - one chats and table scenes, so compelling conversation is key and Shelton and co. deliver.
Not exact matches
Meridian develops and finances TV /
film projects in the Chinese market and is the controlling
majority owner
of United Entertainment Partners, one
of China's
largest film distributors whose hits include the wildly successful Wolf Warrior 2.
The
film also weaves in lots
of scenes that are meant to make us think that Barnum was the first 21st century - style «woke» white straight man in America — a goodhearted fellow who gave circus jobs to outcasts
of one kind or another (talk about a big tent: the repertory company includes African - Americans, little people, giants, conjoined twins and a bearded lady), not just because they happened to possess certain talents or physical characteristics that Barnum could exploit (often by appealing to the
majority's prurient interests or bigotries) but because the onetime poor boy Barnum sees himself in their striving, and wants to build a theatrical - carnival arts utopia in America's
largest city with help from his new partner, rich kid turned playwright Philip Carlyle (Zac Efron).
Matthew MacFadyen (In My Father's Den) steps into the rather
large shoes
of Colin Firth (who I'm sure will be remembered as the «real» Mr. Darcy for years to come), although it's surprising how much emotion and exertion is spent on Elizabeth considering Mr. Darcy isn't even present for the
majority of the
film.
In concluding his saga, Lucas has managed to tie up the
majority of the loose ends he has left open (the few remaining are either minor plot points or the obvious bigger - picture threads that must remain exposed for the story
of the earlier
films) and has also revealed a
larger thematic relevance to the myth proper.
Because
of this, I intentionally stay away from the
large majority of horror
films and...